NJE

I play in a Soul/Funk type band and I probably use my 5 string more than I have in any other band for similar reasons that you mention. We move keys around and I can play a lot of the lines that would normally be down near the nut much higher up on the bass. My band LOVE my 5 string because I can get lovely fretted low notes on some of the old soul songs. I would recommend a 5 string to anyone, I have been playing one pretty much exclusively for 8 years now, and had a couple of short dabbles with owning a 4 string but sold them quickly due to lack of use. Bass wise you could do a lot worse than the Roscoe Beck V, I have one at the moment, my second after foolishly selling my first. It does a very good P bass sound and has lots of flexibility and its something a bit different, i always get comments from people. It isn't however a Precision and doesn't get 'that' P bas sound perfectly. I use the neck pickup a lot for the soul stuff and its sounds fantastic but if your picky about your sound its not 100% there in term of P bass sound. I have never got on with Lakland but they are incredibly well made and good basses. I will say, after playing 34",35" and 36" scale 5 string basses, the best B strings I have had have been on 34" scale basses. My Stingray 5 was an absolute beast, focussed and powerful and the B on my Roscoe Beck is tight and controlled as well. I do agree with some of the comments above about and extra pickup, I really want a P bass for my soul band despite having my RBV, and if I had the money I would go with a Lull, Overwater or Nordy PJ5. On your budget I would perhaps look at a Fender P5 (there is one for sale on here at the moment) and look at having a J pickup added to the bridge or even try a East P retro preamp in it to give you a wider range of tones (also one for sale on here at the moment.....wish I had some cash) It might also be worth looking at the brand new Squier Vintage Modified Precision 5 and getting it really well set up so it plays well and seeing how you get on with it. A good set up by someone that really knows what they are doing can make a cheap instrument play like a bass 4 times the price. You would always sell it quickly here if you wanted to upgrade in the future, or modify that with an extra pickup? The new Squiers are FANTASTIC and I have been using one for a while.

I just fitted a Hipshot B style to my Jazz bass, beautifully made piece of kit, comes in aluminium or brass. I used to have a schaller 2000 series on an old bass, again really good bridge but I found it overly fiddly. Also previously had a Badass V on a Jazz, I thought it was awful, badly cast saddles and base plate, absolute rubbish compared to the Schaller and Hipshot but I could have just had a bad one.

[quote name='ead' timestamp='1376636123' post='2177036'] I've never tried Gumtree or Preloved. Easy to use, any good? Slight thread hijack, sorry Mr BB. [/quote] Like some have already said, you do come across some 'interesting' individuals on gumtree. Most of the people I get messages from cannot spell or even construct sentences it seems, messages like: "how much u do it 4" and "wot ur best price" and then proceed to offer you £30 for a £200 item because they believe paying cash and being able to pick it up today will compensate for the difference in price. Saying that I have dealt with and met some lovely people on Preloved, and had a wonderfully easy transaction with someone from Lancashire recently who needed a bass shipping. Easy as pie and he didn't quibble on my shipping conditions, price or anything. Preloved is much smaller than gumtree and gets less traffic but I would generalise and say there are some slightly nicer more eloquent individuals who use it.

I dont know about ebay, but I have sold guitars and basses faster and for more money on Gumtree and Preloved than on here recently. A cheaper bass I had sold for £245 on Preloved within 5 days and an identical bass in the same condition sat on here for weeks unsold at about £180. Basschat is brilliant but I certainly think for more generic mass produced basses you can sell faster and get more money elsewhere because everyone here knows the 'going rate' for Fender and Squier type instruments, and quite rightly wont pay over that in most cases. For slightly rarer, more specialist and more expensive gear I wouldn't go anywhere else but here.

I dont like f-holes, I don't really like the thought of semi-acoustic, but I REALLY like the looks of this, good call on a 5 string version but I doubt it will ever happen.

I dont know Barefaced cabs at all so cant comment there, but I had a LM2 and the best thing I ever did with it was sell it. I don't know if the LM3 is much different to the 2, but I was wondering why I couldn't get any real clarity out of the top end, it was an ok sounding amp but just sounded a bit muddy like my old Ashdown with a passive bass. I shifted it on and got an EBS Reidmar and it was like someone pulled a big heavy blanket off my cab. It had lots more clarity in the top and low end and lot more power before the amp started giving in and it was just brighter in every sense. I recently had the Reidmar stolen and decided to replace it with something different just out of interest really. I spoke to a well established bass store about the MarkBass, Reidmar and the Aguilar Tonehammer and he basically agreed about the LM2 and said that the Reidmar was a cleaner amp and much more detailed. I actually had to reign in the Reidmar a lot of the time because it was a bit too bright sometimes and he said the Tonehammer would sit nicely in between the two. Had the Tonehammer a couple of weeks now and had its first gig last night. Great amp, brighter and more top than the Markbass but not quite the sparkly, super top end of the EBS, but I don't slap so not got a lot of need for it.

I have been waiting for Squier to do a proper 5 string precision and these look fantastic. If they are even close to the quality of the classic vibe's I'm getting one, well done squier.

[quote name='EBS_freak' timestamp='1349032878' post='1820948'] And a new video too - [media]http://www.youtube.com/watch?v=wEIrz4WkYrM[/media] [/quote] I have just accidentally found these guys, they are called Fresh Steps and they have an album out. I am loving it, an album of Jazzy covers of pop tunes. They cover Price Tag by Jessie J, I loathe that song but just listened to their version 4 times........I want a GB now. The website is here for anyone interested and they have a few tracks on there and youtube: http://www.freshstepsuk.com/freshsteps/music.html

I love a good musician biography, I cant think of many bass player ones but I have read and enjoyed the following: Broken Music - Sting Bit of a Blur - Alex James Its so easy - Duff McKagan Also not bass player ones that are pretty good: Eric Clapton Ronnie Wood (pretty funny) Keith Richards Anthony Kiedis

You grabbed an absolute bargain there, congratulations! I have been though a few 5 strings and I can honestly say in a real working band situation the Stingray 5 I had was the best, it just cut through the mix and I had so many good comments on my sound, even from the drummer. I struggled with the spacing a little but only sold mine to buy another Roscoe Beck V which is the most comfortable bass I have ever had. I now really want another Stingray 5 to add to the collection, I can live with the spacing because they sound so good. Let me know if you find you dont need the B string....

My best friend is a full time writer/session musician and has done really well over the last couple of years. He records a lot of bass himself and for years used a Yamaha RBX model that was about £170 used. Quite simply it was one of the best sounding basses recorded, with little to no tweaking needed when he was mixing and producing tracks. One of the pickups broke I seem to remember and it wasn't worth the effort and cost to repair so he went and bought a Lakland 55-02 Deluxe. Sadly he has had nothing but grief with it, it is a solid bass but he struggles getting good sound from it. I thought it was him so we both sat for an afternoon checking it over, fiddling with the switches in the cavity and still it sounds thin and lifeless in comparison to the Yamaha. Even my Squier CV sounded better into the desk and in a mix. Conclusion.....god bless cheap basses but, pick carefully.

Big cup of Yorkshire Gold, slice of toast and marmite, a sit down and then a good nights sleep. Jesus I feel old.......

Pino envy!! I really need to find one that is an absolute dog to play, so it puts me off before I go and buy one and put myself in debt.

I have been day dreaming about a custom spec 5 string precision for weeks now and came to the conclusion that I would want a really classic tone from the precision pickup and then a bridge pickup of some kind to give a bit more flexibility and to give that tight barky type tone of a Jazz. I would plump for a set of Nordstrand pickups, NP5 and then either a Fat Stack or Dual Coils at the bridge. Big tone from the bridge pickup but its a little smaller and less cluttered on the bass than a MM5 pickup IMO. On top of those I would perhaps look at some kind of John East preamp, perhaps a modified P-Retro.

Firstly can I say that it is a lovely looking bass you have done a nice job and obviously invested some money into it. In my experience there is no point fighting an instrument, if you have owned it a while and still don't get on then perhaps it is not meant to be. I have owned several basses that I thought would be 'the one' and ended up not feeling comfy with them for various reasons. Prime example was my Stingray 5, the best sounding bass I have ever owned, looked amazing but I hated the neck and I tried and tried to love it almost a year I think, but ended up selling it. I think after a while the small niggles you have will end up distracting you, and you don't want to be gigging or doing a session and just be thinking "god this bass is uncomfortable". The only issue you may have is that you may not only not recoup the money you spent on the bass in total but you may not even get the price of a mint Mike Dirnt Precision because you have customised it and a lot of folks out there like original and mint condition. I would love it personally but sadly lacking in funds to make you an offer. Good luck with the decision.

That is a strap button. I am no fender autority but i believe they used to, or maybe still do put these on the vintage reissue basses. I seem to remember they were fitted to allow players switching from upright bass to play the electric bass in a position they were more accustomed to. So basically strap from back of the body to headstock for extreme angles. As I said I am no Fender expert so I wouldnt be suprised if what I have just said in nonsense.

Me and my best mate always quote this one: [color=#333333][font=Verdana, Arial, sans-serif][size=3]Jimmy Rabbitte, Sr.: What did Evel Knievel want?[/size][/font][/color] [color=#333333][font=Verdana, Arial, sans-serif][size=3]Jimmy Rabbitte: God sent him.[/size][/font][/color] [color=#333333][font=Verdana, Arial, sans-serif][size=3]Jimmy Rabbitte, Sr.: What?[/size][/font][/color] [color=#333333][font=Verdana, Arial, sans-serif][size=3]Jimmy Rabbitte: God sent him.[/size][/font][/color] [color=#333333][font=Verdana, Arial, sans-serif][size=3]Jimmy Rabbitte, Sr.: On a f*@king Suzuki?[/size][/font][/color]

I always thought I could play anything and I usually adjust very quickly to basses but that has changed recently. I moved to a Roscoe Beck 5 recently which has a very wide neck and now playing my quite narrow Squier CV Precision for any length of time gives me cramp. I keep trying but it still doesn't get any better. Its fine for about an hour but then gets uncomfortable. I think I just naturally find wider necks more comfortable now, but part of that could be because I do have quite large hands and fat fingers. I really want a 50's Precision now, especially since I found out it has the same nut width as a MusicMan Stingray 5.

I have played a few 'Super J' type basses and based on what I have experience of playing I would say my votes would be: Nordstrand or Nordy Jazz - Amazing build, lovely slim but wide neck on the couple i have played and just a quality instrument. I nearly bought one from Bass Direct, guuted I didnt snap it up. Fender Roscoe Beck V - I am on my second one now having foolishly sold my first. Amazing basses, wide tonal palette and the build quality is up there with any high end bass I have ever played. There is also one for sale on here for under 1k. Sei Jazz - Great basses, build is impeccable enough said. GB Guitars - Bernie makes amazing instruments. One of the nicest basses I have ever played was a GB Spitfire at a guitar show years ago. So flexible with the EQ and just absolutely beautiful instruments. Overwater J5 - I owned one, brilliant bass but I didn't like the neck, but it was built for someone else so I cant knock Overwater for that. Also brilliant customer service and you can take it to the builder for adjustments and servicing, same as Sei. Alleva Coppollo - same as all in the list, great build etc but I found the B a tiny bit lacking but that could be setup etc. great bass but it wasn't very exciting and I didn't find it particularly 'lively' sounding. Sadowsky Metro - Good bass, I found the B string lacking but that could be set up and string choice, overall brilliant bass but for the money they go for I would try some of the basses above first, I really don't think they are worth the price tag. Heard great things about Xotic and Lull, I really want a Lull P5. I would suggest you head to Bass Gear or Bass Direct. Mark at Bass Direct is a true gent and has a brilliant selection and he will keep giving you basses to try all day long.

I was never really a fan but this new album is producing some brilliant songs and some great bass lines. Jamareo Artis his bass player is phenomenal, great groove and I wish I looked as 1/10th as cool as him when I play bass. His whole band are amazing though and its nice to see he takes a live band on TV appearances and they are just on fire all the time. I found this live video of him doing Treasure, I think I have listened to it 10 times now, the tone out of Jamareo's Precision is awesome. [url="http://youtu.be/uNKZxjg_IzE"]http://youtu.be/uNKZxjg_IzE[/url]

Never had a single issue with a piece of EBS kit. All my cabs have been shoved around in vans and in and out of venues and never broken a corner. I have found the EBS support really good, give them a shout and explain, sure they will ship you some new bits probably free.

I have a female singer in my band and she has a fantastic range and is a great singer but doesnt belt it out like the the guys in the band. We were all using SM58 mics (I personally dont like them that much) and she was struggling with it, it just didnt suit her and gave her no volume. I have a older Sennheiser e865 and lent it to her for practice. There was a massive difference, she was clearer, had more gain and overall volume and she also sang away from the mic a little and it picked her up no proble. I find Sennheiser microphones a little more sensitive but in a good way. I would say get the best Sennheiser you can, I have seen a lot of top quality female singers, both Pro an amateur/semi-pro use them, they just seem to work well and they are extremely robust.

I have Ebanol on my Squier Deluxe V, i love it, its got a lot of 'snap' to it and makes the bass sound very bright and modern but as BigRedX says, its preference. Some people like that some don't. I have played the fretless squier and really liked the feel and sound.