wateroftyne

Yep, Adrian’s aware.

*cough*vangelis*cough*

Good work. I prefer mutes with slots cut, too. The under-string stuff isn't even enough for me, and tinkers with the intonation.

Can't agree - I think it's beautiful (but so's the original).

Hey everyone I'm aware that bands and venues are tentatively starting to put the odd gig on here and there. Personally, I don't have anything on the horizon, so I thought I'd start a thread to share everyone's experiences in this strange new world. Have you gigged? How was it? (Note: I'm not interested in the politics of what's sensible or not.. I'm sure we all have our opinions. Let's just keep it to the gigs. Thank you.)

Slightly OT, but just in case any Yes fans haven’t seen this yet...

Despite being a huge Genesis and Rush fan, I avoided Yes most of my life, ‘cos I always thought they were too flowery. Then, about three years ago. the penny dropped. I adore them now.

Has the OP told Adrian in no uncertain terms how he would like it to be settled?

Wow.. that's quite a talent.

Gretsch is a different story, I think..?

The Dutch tulip bubble lasted about four years, didn't it?

Flats and tone rolled off? That's just thump thump thump. She'll never get any gigs.

Touchy subject, huh?

ActiveDry 48hr Protection?

https://www.bassdirect.co.uk/bass_guitar_specialists/LaBella_Olinto_basses.html

Cowell?

Cool story.

...or do both.

...and follow it up with Fender: The Inside Story by Forrest White

A lot happened in six years. Jump down the rabbit hole - there’s lots to learn.

It's an OK bedroom combo - theres no way I would gig one.

It sounds to me like he's open to negotiation. Did you reply to that..?

Have you had any other contact from him since?

They're the filling in the stotty cake.

You forgot flat caps and whippets. AND IT'S ALL TRUE!