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wateroftyne

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Everything posted by wateroftyne

  1. Here's a crappy clip from a gig on Saturday night. I thought I'd go the roundwound route for a change. Large room, no PA support. 120 valve watts goes a long way. Listen to how the low E just stays solid and clear...
  2. Another clip... this song is SO MUCH FUN to play.
  3. Update to this - I've just done a couple of gigs in a more challenging environment with the WB-100, and it was as loud as hell. This echoes the experience of our very own Warwickhunt, who posted his experience in the WB-100 thread,.
  4. Alex really needs to sort his hair out.
  5. Maybe they're doing a cover of the Pink Panther theme?
  6. Hey hey! First sneak peek of the DVD.. out April 13th :-)
  7. I think Sandberg should put another filed zero fret behind the nut. Y'know, belt-and-braces. You can never have too many nuts on a neck, it seems.
  8. Mrs. WoT plays it with a few bands...
  9. Cheers, Mr. Hunt! Glad you enjoyed it :-)
  10. I've just heard back from Leszek - if anyone has been in touch and hasn't had a reply, pop him another email. @warwickhunt has borrowed this one for couple of gigs. Once I wrestle it back off him, I'll be giving it another run out at a couple of gigs this weekend :-)
  11. I've just picked up a TC BG250-208 to replace my recently deceased Promethean. It's very nice with all the right features, and perfect for what I use it for (acoustic - as in *acoustic* - rehearsals). I'm not sure I'd use it at an open mic, and certainly not anything with a drummer.
  12. That's odd - he's pretty responsive when I contact him. I'll send him a link to the thread.
  13. Just to check, have you been emailing [email protected]?
  14. Fixed it for ya :-)
  15. Here's a little Q4n clip from a dep I did last night. The camera is behind the PA, so you're just getting backline and the backside of the monitors.
  16. Hello! When is it? I used it last night at a dep gig, which was P-and-flats all the way. It's SO SOLID AND FAT.
  17. Ibanez Promethean P5110... if you can find one. Amazing little things.
  18. Not tediously boring at all. Very enlightening, thank you.
  19. Yeah - I've read a lot of comments about them, mostly from people saying they just use them at rehearsals. I'm intrigued as to how common they are during concerts.
  20. There’s such a fundamental relationship between the musician, their peers, the room acoustics and the mood the conductor is in, I’m amazed even the lightest attenuation doesn’t strip too much of it away.
  21. Wow - I’m genuinely suprised at that.
  22. Ear protectors surprises me. Are they worn, do you know? Just during rehearsals, or for the performances, too?
  23. I'm quite surprised I seem to be alone in this. Orchestras rely on individual dynamics for nuance. There's no-one in FOH to tweak the balance. How on earth is an orchestral player supposed to nail dynamics whilst wearing ear protection?
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