Jack

DI from an amp probably has about the same output as a preamp pedal, they both feed line level DI to the desk after all. My gut feeling is that it will certainly work although maybe not quite optimally. Most of the time, you'd have the extra gain stage of the mixer in between the DI and the cabs and I'd guess without that extra stage you'd be a little low on volume. I believe that the input sensitivity on the FR800s can be changed, which may negate this entirely.....

Hey they should if small claims court makes them. My other hobby is computing and I once had to fight Scan (the pc parts company) this way. I did, I won, I got paid. Incidentally, none of you should ever, ever buy from Scan.com

Hartke. And lots of lessons.

You don't sound as though you need any kind of control or switching? If not, [url="https://www.thomann.de/gb/millenium_sml_21.htm"]this should do it[/url]. I found it when I was looking for a way to blend the two Dis from the new Geddy Sansamp.

Forgetting the troll up there.... Don't Fender make something like that already? The Mustang or something?

[quote name='blank20' timestamp='1494260503' post='3294477'] Check these two [url="https://musicsquare.co.uk/161837_Lag-GLAT70-ACE-Tramontane-electric-acoustic-guitar.html"]https://musicsquare....tic-guitar.html[/url] [url="https://www.sweetwater.com/store/detail/A1R"]https://www.sweetwat...tore/detail/A1R[/url] I would choose Lag. [/quote] Hmmm, and I've recommended you to the mods. In other news, last week I bought a 2007 Yamaha APX500. Loving it so far, now if only I could master the barre chord.....

At this point I really can't tell if you're being contrary for the sake of it. I appreciate that it's too much work, it's not ideal. When we play most shows we have a great PA set up, I take my own wedge and I'm happy. But I am after something to replicate this set up on the gigs that I need to provide stage volume for. What you really don't seem to understand is that in these situations the bass is going to sound how the bass is going to sound. You have never played a gig where you don't know the soundman or the system? You've never played a show (or rehearsal, or jam night, or audition with a new band) where the FOH is out of your control? My point is, maybe the bass is going to sound crap FOH, maybe it's going to sound amazing. Maybe Dave Rat will be behind the desk on Saturday night, who knows? But if I'm told to provide stage volume then I do what I'm told. I can't see it going down very well if I say to a venue about their installed or hired system "Hmmmm, this PA system you have seems a little crap. Besides we're not supposed to provide the FOH volume from on stage any more, against best practice these days. You mind if I dismantle yours and put my own up? It's ok, they're RCF!" This derail has perhaps gone on too long. If anyone else can recommend a reasonable alternative to the FR800 or RCF 735A then I'd be keen to hear about it.

That does an awful lot of things for £83. If it does at least some of them well it'll be a bargain, anyone brave enough?

Did he think you wanted to just use the di and not the amp? If so, not using the amp's stage volume would put more stress on the PA.

That's all when and good but when I've got a say over what the foh setup is then we've got a great PA as a band. The problem is we don't always get a say. The unfortunate reality is that, despite what we would like to ideally do, sometimes we need an amp begins us.

Speaking for myself, any of my tone control and effects come from my pedal board, the amp (such as it is) is usually just for stage monitoring. When we take our own pa (~80% of gigs) then I know that I don't need any stage volume as there'll be a decent wedge. What I want is something to provide that on stage volume for other gigs, gigs with no PA support (FOH from stage amp), jams, rehearsals and situations where I don't know what I'm walking into. Currently that means an 18kg, 3-space rack and a massive, 25kg cab. If I can replace that setup with something like a FR800 then I'm all in.

Hang around here and read and learn a bit more. Once you've made 10 (useful!) posts you will be able to access our marketplace, where there is loads of choice at your budget. That's the way to go.

Hmmm, I've just seen that the Barefaced prices have gone up to the tune of £300 or so for a pair of FR800s, that's now a little out of my price range and I can't see a reason for the increase in price. Apart from the RCFs (which don't seems to stack so well) what options are there out there for a (pair of) FRFR cab for live bass use? My current rig is board -> channel strip, power amp, full range 3 way cab. But I'd be keen to move to an all in one solution. EDIT - Have the prices gone up or is it my imagination? I was sure that they were £1899 for a pair, have I made that up?

Then tilt the cab back. I love my Markbass wedge, but there are all sorts of free ways of doing it too.

IME the 1001ii will obliterate most cabs, so whatever you end up with do be careful. I ran mine with a neo 2x12", 1x12" or both and was very very happy. Having said that, if you've already got that 2x10" then definitely just buy another if you feel as though you need more.

Cheap, tall and passive? What about a tall PA cab such as a 2x15"? I remember a TB thread a while back about a JBL unit that got great reviews. I think that was the kind of thinking and talking that was popular at the time that got the Greenboy designs off the ground. More importantly, there's no volume control on that thing is there?

Subbed.

That's really pretty.

Tuner, EQ, Overdrive, Amp Sim. I'm a man of simple tastes.

[quote name='obbm' timestamp='1493389592' post='3288020'] That would be right. 4x10 is 4x8-ohms are in series/parallel. 2x10 is 2 x 8-ohms in parallel. [/quote] Not always though, plenty of 4R drivers about to allow for either 4 or 8 in 2x10" or 4x10". Just another reason to bemoan 4 ohm cabinets. Why do manufacturers persist?

Hello! Yes, you will indeed run into an impedance problem with that set up. Unfortunately the minimum impedance that they amp can take is 4R as you've said, so that means that [b]either[/b] your 2x10 or 4x10 would be just fine. Unfortunately, running them [b]both together[/b] will result in a load of 2R67 for the head, which is very bad news. Some points to think about: Are you sure that you have the cabinets impedance right? I can't think of an Ashdown 2x10" that's 4R..... Can you provide model numbers of the amp and both cabs for us please? Will one of the cabs (probably the 4x10") be loud enough on it's own? Do you really need a 6x10"? If it's really looking bleak then there are plenty of other amps and cabs out there, no need to run two amps if you don't want to.

I can only see bassists.