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GreeneKing

⭐Supporting Member⭐
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Everything posted by GreeneKing

  1. Aha OG a Napier Deltic Peter
  2. To which my logical reply must be: Which 'makes' of string are tapered? Peter
  3. I think it's an excessive 20! (Possibly 19?) Although I'm not totally certain. One of those is sold awaiting the original owner to raise the funds to buy it back and I've a new bass being made by Alan at ACG Oh and that was a 'fish' for a BBC bite but he's not taking it Peter
  4. I know I'm biased but these older Thumbs really are stunning basses. Great wood and superb build quality and they really growl! I particularly like the figuring on that body. All the best with the sale. Peter
  5. Colin's sound, if a bit pricey. He imports new and used from the US. Not an authorised dealer though I suspect. I bought a Ric from him some yrs ago. He also imports Laklands, F basses and the odd Musicman too. Peter
  6. Vary nice and white? Unusual Peter
  7. Really nice in a 'less is more' kinda way. They deserve a good home. Peter
  8. Hiya Stuart. Some really nice comments and not one 'I hate Warwicks' post. Peter
  9. For a fair while know I've owned an absolutely gorgeous mint Warwick FNA Jazzman fretless: Now I consider myself pretty good at setting up normal basses, neck relief, action, intonation etc. but I've always struggled with fretless basses for some reason. Oh I can get it to play fine with good action but the Mwaaaah factor is elusive across all the strings except the D in a small range of the neck. You can see btw that the intonation has probably never been set on this bass I presently have the FNA set up with a very small amount of neck relief and a fairly low action. I've tried raising and lowering the action as well as subtly altering the relief and it's not sounding like I desire. I've tried all combinations and I don't think the strings are 'choking' along the board. I've TI Jazz flats on it and I'm about to try rounds (ebony board) unless anyone can offer a better idea or three. Otherwise - Does anyone have a FNA Fretted neck they want to trade? Peter
  10. Waxing is a pleasure. I think I'm all bassed up now Ped. Russ (Rayman) has the ultimate Stingray in my opinion but going to Uni in Oct means no more spending allowed Must sell some more basses, trouble is which ones? Peter
  11. At the prices they go for it's sometimes better to keep them. I have one still having sold one to Linus. It stays Peter
  12. [quote]Are you operating a 1-in, 1-out policy at the moment or is the collection on the rise again?[/quote] Hiya Nik I am trying to reduce numbers but with the state of the market it seems that so often I end up trading my basses and 'enhancing' my already excessive collection. Saying that I am in the process of selling 2 basses. The Thumb is a dream realized. Peter
  13. I've been GASing for a pre 91 Thumb NT 4 for a while and thanks to Warwickhunt I'm one very happy bunny with this 1990 beauty. I drove over to Blyth to pick it up and coming back went through the Village of Warwick Bridge. If it hadn't have been raining I'd of taken a photo It sounds superb, really ballsy! Peter
  14. You know your stuff Jon. Impressive as usual Peter
  15. I'd say go for it and give it some space in your bass life. It may be that it'll grow on you. At the very least you can say you gave it a try. Peter
  16. A strange question perhaps Andy, who is the 'best'. What I mean is it's very subjective. I've had a doodle with many custom basses and I'd have to say that non come up to the standard of my ACG Harlot in my own opinion. But, the ACG basses have distinctive styles and if you ask Alan to build you a J or a P he'll probably say no through gritted teeth Alan will happily give you over 3 hours of his time personally going through all the options and he finishes his basses himself unlike most custom builders. His pre-amp is also fairly unique, if not generically then certainly specifically. There are many beautiful looking and playing custom instruments out there and some are 'dogs' too. Sometimes I suspect even a good luthier can make an instrument that has problems or doesn't quite work out. No-one can really give the answer unless thay have real deep knowledge and experience of ALL the products. There will be a lot of biased opinion though. Peter
  17. These are great! I'd buy it but I don't need 2 Peter
  18. [quote]Can you explain why Kansas if pronounced 'Canzus' and Arkansas is pronounced 'R can saw'? biggrin.gif Peter Well, I will try...... Kansas and Arkansas both are names that have their roots in Native American (Used to be Indian, but political correctness abounds here these days) languages. Kansas comes from the word "Kansa" which the original meaning was "People of the Southwind". Arkansas comes from the Quapaw tribes name, which means "People who live downstream". Quawpaw was originally pronounced "Ugakhpah" (ug-ak-paw). Somehow, probably a Europeon derived version, Kansa became can-zus while the Arkansas name stayed closer to the original. Well, that was the best I can do anyway.... rolleyes.gif[/quote] Brilliant, thanks Peter
  19. Hiya Doug and welcome from a fellow 'Yeshead' Can you explain why Kansas if pronounced 'Canzus' and Arkansas is pronounced 'R can saw'? Peter
  20. Now I'm gonna sulk This is THE perfect Ray and I was hoping...... Peter
  21. I think if I knew I was a gonna with a terminal illness I'd customise them all with a unique 12th fret inlay and give them away to deserving bass players. I wouldn't bury one with me cause what's the point? It's not as if I'd know Peter
  22. John is pukka gen! He's also a 'canny lad'. A pleasure John, I love the Thumb, dead chuffed. Peter
  23. Wonderful. Exactly the bass I was looking for. Isn't it great when a plan comes together. Peter
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