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Shaggy

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Everything posted by Shaggy

  1. [quote name='neepheid' timestamp='1429522570' post='2752148'] I've never had one break on me, am I doing it wrong? [/quote] Gibson had a bit of a name for it when almost all of their guitars and basses were mahogany necked / no volute behind the truss rod adjust point / large headstocks (early T'birds being a classic example). Back to the OP - bass has to smell right, and not keen on very light basses - I like to know I'm wearing it, and occasionally wrestle with it.....
  2. Jeez, just how many top-end Precisions can one guy go through owning.......??? Very lovely indeed, GLWTS
  3. Shaggy

    gone

    So tempted by this - the neck alone has to be worth at least asking price! What's the body wood?
  4. [quote name='Chiliwailer' timestamp='1428815190' post='2744725'] There's been some nice posts on BC recently about players getting their first P Basses. Even though there's a huge amount of varied high quality basses out there, it's amazing how a 1957 design is still so useable, copied and appreciated. It doesn't have to be a Fender either, as long as it's split pick up, volume and tone, it's a P Bass isn't it? So what was your first Precision? Have you had a few? What's your current flavour? What are you GAS'ing for? [/quote] Up and posting at the crack of dawn Chlilwalier? My first was a self-build in the early '80"s with aftermarket parts, intended to be a replica of Sting's maple board fretless P circa '1979. It was OK if a bit rough, and was my only bass for the next 15 years or so! Then a succession of bitsa P's made with mainly '70's Fender parts, but I've ended up with a '65 P in 3TS / tort / rosewood that ticks all the "P" boxes. You've got to have at least one!
  5. A second very smooth deal with Daniel; bought a custom Jazz bass pickguard off him. As ever - a real pleasure to do business with, and highly entertaining communications about vintage guitars, wives, and suchlike Thanks fella!
  6. [quote name='molan' timestamp='1428406698' post='2740942'] I used to have one of these - great amp! [/quote] And I still have that very amp! Particularly good for DI-ing with the quality Demeter pre (variable DI level control on the rear) and one of the nicest compressors I've used I've got a link to the schematics somewhere if they're of any use to whoever acquires this
  7. Gorgeous - what year was it made?
  8. These from Custom World Guitars in Holland seem to be well regarded and are decently priced: http://www.ebay.co.uk/itm/Bass-neck-rosewood-with-pearl-block-inlay-vintage-style-38mm-nut-C-shape-/121574156470?pt=LH_DefaultDomain_3&hash=item1c4e6268b6 (all maple ones available too) Nearly got one for my '75 AVRI, but found a '70's Fender one on US eBay
  9. [quote name='ukulelelab' timestamp='1427920468' post='2735977'] Let's see your lovely Guild basses! Here are my '65 Jetstar and 90's starfire II: [url="http://s39.photobucket.com/user/brianmay1957/media/jetcropped.jpeg.html"][/url][url="http://s39.photobucket.com/user/brianmay1957/media/stacropped.jpeg.html"][/url] [/quote] That Jetstar is just fabulous....... Briefly had a B301-F which I regret moving on. Guilds are always classy, and a reputation for using high-quality tonewoods
  10. [quote name='tauzero' timestamp='1427650327' post='2732700'] "Leverage" as a verb. I hate, loathe, and detest that, especially as no-one has a clue what they actually mean by it. [/quote] I'd say that it's important to optimise the transparency of any leverage, vis a vis the dynamics of the current situation
  11. Hmmmm.......are we Grumpy Old Men / Women, or what? Not too upset by fashions in colloquial speech (except possibly "like" for "said", which really does grate....) - English has been evolving and absorbing since Chaucer was a lad, and white youth has been copying the slang of black youth since the Jazz age of the early 20th century What REALLY annoys me is modern management-speak, of which there are a good few examples in this thread. Not a day goes by when some jumped up little gobsh*te tells me that "we need to be mindful of having a conversation with x in respect of y" rather than "we should talk to x about y" etc etc
  12. [quote name='Beedster' timestamp='1427370168' post='2729397'] Yep, 'fretless' and 'Wal' go together like cheese and tomato in my book Greg. I'd love to see it in the flesh, I should pop down on one of my Wales trips, although I worry I'd end up buying it back from you [/quote] Well I think we've managed a trade each year for at least the last 3 years, so may as well pencil in one for 2015...... Like you I've always been more of a fan of passive basses, but this might just prize me away from my beloved Ovation Magnum 1 fretless. Still got the Ric 4003FL?
  13. [quote name='Beedster' timestamp='1427103180' post='2725675'] Fantastic Greg, congrats mate, just what I wanted to do but didn't have the patience for! Is it still FL? C [/quote] Sorry, been away from the internet for a few days! Yes, still fretless - plan was to re-fret when funds allow, but I'm rather liking it as is.....
  14. [quote name='White Cloud' timestamp='1426961743' post='2724144'] Really great to see this thread resurrected again. Well done on making such an investment into this bass...a very good decision I would say. It looks brilliant. [/quote] [quote name='PlungerModerno' timestamp='1426967128' post='2724275'] A Fairytale ending. I hope it lives another 30 odd years at least - with the player loving every minute! A new lease of life for a legendary instrument. Enjoy [/quote] Many thanks for the good words guys. I suppose it was one way of acquiring "by stealth" a Wal bass that I otherwise probably wouldn't have acquired!!
  15. A drop of sun today, rugby on the telly - a good day to update this thread! I've inserted pics into my post above as a reminder of just how fugly the "Wazz" was in modded form. I'm an inveterate modder myself, but that just.........baffled me. But a good old Wal in otherwise very sound state, just crying out to be sorted. So, at the start of last year, choices were: 1. leave more or less as was, and create a "super-Wazz" with some decent boutique Jazz pickups and a U-retro circuit or similar 2. fit Wal-clone pickups (from the German company I keep forgetting the name of), an East ACG filter-based circuit, and do the woodwork restoration myself, to restore it to at least original appearance and performance 3. Get Electric Wood (Wal) to do a full restoration job, using original-spec pickups and circuit As tempted as I was to try option 2, I knew I'd never be happy with anything less than option 3. So after a while trying to contact Electric Wood, and a little while longer persuading Paul and Phil to take the job on, I took the old girl down to Fetcham in Surrey last November, and picked her up again the week before last. And yes, they were even more baffled than I was! What a really top pair of guys to deal with - I felt like a kid in a sweet-shop in the workshop - and the craftsmanship and quality of the end result are just fantastic. I had to limit costs by keeping the neck as is (frets filed down to make it a lined fretless) - fine for now, and I'll re-fret at some future point. The total project (bass plus work) has cost me around the same as I paid for my fully original '85 mark 1 fretless around 6 years ago (though a fair bit less than it'd go for now), for what is effectively a non-original bass, but on the other hand all work has been done by Wal, and it's an early-80's mark 1 Wal with brand spanking new electrics. And of course it sounds like - a Wal. A couple of crappy shots taken today with my iPad - for some reason my camera won't link to the PC. I'll sort some better ones soon. The bright sunlight makes the new plug of wenge between the pickups stand out much more than it does in ordinary light - in fact the contrast is barely noticeable and with age patination should blend in seamlessly. Many thanks to Paul and Phil at Electric Wood, and our own Chris who sold me the bass, and cd_david who sold me the control knobs
  16. Lovely - has anyone A / B-ed these against the '60's originals? I've had a few EB-2's but never one of these; always fancied one
  17. I have one of these and it's hands down the best and most practical all-valve amp I've ever had Plenty of power headroom; not back-breakingly heavy like a 400 (and only six power valves to change), and unlike the 400 can be easily overdriven into filthy distortion or do crystal clear - it was launched as a dual purpose guitar or bass amp and the "guitar" channel has the same cascade gain saturation circuitry as the legendary early '80's Mesa Boogie "Mark series" guitar amps. Bump, and GLWTS
  18. Very tasty - touch of the original late '50's EB-0 going on there (pic) Liking the classy chrome/nickel p/up covers too Bump for a lovely Gibson.......
  19. Happy to stand corrected! Unusual for a Mk 1 to have a fretless rosewood board is all Noooooo - is the bass in Swansea? I REALLY didn't need to know it's in easy viewing distance....
  20. Lovely! looks like an ebony board fretless conversion though, original rosewood board would have been fretted
  21. I've found quite a few US traders refuse to use the eBay Global shipping programme because of major hassles with it The one time I used it (for a small item) it was ok
  22. Nice! PM sent
  23. A Mike Lull custom maybe?
  24. Always been into old Gibsons, but for some reason I've never much liked the ergonomics of the EB-0 / EB-3 - much prefer the EB-2 / EB-2D. IMHO the ultimate bass of this "type" is the Ovation Magnum, which is also all-mahogany and set neck, though the Fender Tele bass with the big neck 'buckler mentioned above is also a good call
  25. Main benefit in terms of tone / wear is for fretless boards I'd say, definitely my choice of board there. Not so much difference with fretted board as already said above; they do stand up to harder wear, but can be a bit brittle if/when re-fretting
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