chris_b

IMO for Precision basses the various year options are probably driven by the marketing department rather than for any other reason. I replaced my Precision pickups with SD's, which were then replaced with Bartolini. Which are still in place.

I did 62 gigs in2019. That's up slightly on the year before. All bar 4 were deps. Everyone is saying their gigs are getting tougher to get so I'm expecting 2020 to be a quiet year!!

. . . . . or me. I can make a Jazz bass work just fine in loud or quiet trios. This is probably an EQ problem. If you have both pickups full on they will cancel each other out a little. What you do is dial back one of the pickups. I usually take the bridge pickup back a little, until I hear the volume come back up. Also, if you are standing right in front of the cab you can sometimes hear the lower frequencies better than the top frequencies. Out in the room, though, all the notes should be cutting through.

Me too. Depping in a band with Jamaican drummers was a hugh learning curve. Then you realise you have to relearn everything you thought you knew. I loved it.

My first gig was on 20th November 1966 so next Monday's gig will kick off my 54th year of playing in bands. I haven't liked every gig, every song or every band member but for every negative there have been thousands of positives. Tell me tomorrow we're starting a 6 week tour around Europe living in the back of a van and I'll be waiting on the door step, passport in hand, when the van arrives.

When Jamerson played busy bass lines they were so musical that the song was always enhanced, no matter how far he pushed the limit. He invented busy bass playing, but only used it where appropriate. He had perfect timing and a full knowledge of musical theory, and used it well. That's why the whole Motown organisation was queueing up to use him on everything. A lot of players who came after thought that busy playing was just throwing in a lot of notes. They were wrong. I don't know how you define underplaying. Less is always more in my book. Baby Love, Dancing in the Street and My Girl are still perfect examples of restrained bass playing that just makes those songs.

You started with "I've always heard Jazz bass bridges are terrible". First, that's such a general statement that it is very unlikely to be true. Second, do you hear any issues with your bass? My guess is that you don't have a problem but think you do. If you really think that replacing parts on your bass will make it sound better, my advice is to just buy a better bass. Then you'll have lots of better sounding parts rather than just an upgraded bridge.

A Pointer sisters track from the 70's, featuring a fantastic bass part from James Jamerson. I guess this is from his LA period. This is nothing like his Motown tone, but sounds equally good IMO. Impeccable playing a fat punchy tone. I can't see why those producers didn't like him. Enjoy.

Willie Weeks has be a favourite player of mine since, like so many people, I first heard him soloing with Donny Hathaway. I've just listened back to this track he did for the Pointer Sisters, in the 70's. I was blown away (again) by the bounce and liveliness of the bass lines. It just sounds like happy bass playing to me. Enjoy.

I'm using a laptop with windows 8.? and Firefox, condensed doesn't work.

In the past I have been seen parked up on the side of the A3 checking in the back of the car in case I forgot to put the bass back in the case etc!! I did leave the PA amp behind once! That never happens now because, apart from my backup bass, the gear I gig with never comes out of the cases, boxes and bags at home.

. . . . . . and me!!!!!

I don't dig in. I try to utilise the least amount of effort when I'm playing. So the action is low-ish. My eyesight isn't good enough to see if it's 2, 3, 4 mm or more.

This. The stock bridges are OK. Before you go changing anything because of what other people have said, check that you actually have a problem with your bass that a new bridge would remedy.

Like every thing Fender did, the BBOT is perfectly functional. So were solid tyres on the first cars and propellers on the first planes. Evolution is never a bad thing.

Constructive? Judging by the opening post the thread has fallen at the first hurdle!!

But really, I guess I'm in the 60's Soul, R&B, Funk ball park, with a modern Nathan East-ish twist, but I've never thought "I'd like to sound like xxx". Let players influence you but stop short of copying them. Always find your own sound. I've spent my life trying to pick up all the best lines other players play. If you have a good filter you'll absorb all the licks and they'll come out sounding like you.

I'm trying to sound like Al Krow, but I always end up sounding like Carol Kaye, Bootsy and bloody John Paul Jones!!

Keep safe, because when it comes there is no turning back the clock. Back trouble is forever.

Many years ago I tried to sell on Gumtree but the only people who got in touch were Nigerian lottery employees trying to give me my winnings. Since 2007 I've bought one bass from Ebay and everything else has been through Basschat.

You want as much signal going into the amp as possible. When there is an active/passive or padded option, I always choose the loudest. If you get clipping either adjust the volume on the bass and amp to get the right level.

There was nothing repairable or salvageable when my Framus finally died, so it went to the dump. Same for my Vox Foundation with a blown 118 cab. Six months of advertising it didn't even get 1 phone call. So to the dump it went.

The DB210 weighs 59lbs and the DB115 weighs 71lbs! The weight of all the gear I take to my loudest gigs doesn't even add up to 59lbs!

PJB sounds good. . . . not my sound but it's very good gear. And yes, I've downsized my Bergantino 112 and 212 cabs to 2 Barefaced 112's. I'd suggest you keep the TH500 (great amps) and replace your cabs with a Barefaced Super Compact (21lbs) or a Two10 (28lbs). Lighter, louder and IMO better tone.

I've been fired twice so the band leader could get his mate in. The drummer I'm playing with tonight was fired, from a band we both played in, for exactly the same reason. Some band leaders will stick with you even if you're shagging their wife and other will sell you down the river at the slightest excuse. That's the life we live in bands. That's why you need to network so you can quickly bounce back and stick two fingers up at these guys.