Elfrasho

looks like a good wee project now the nights are fair drawing in.

I can easily go a month without touching a bass, but other times ill play dailly, even if it's just 5 minutes. Can't see a time where i stop completely, even if i stop gigging. You'll be back to it within a few months i suspect!

My 2 pack arrived... and it's a 2 pack! Keep us posted. I'd be interested in this!

This is the answer. Or if you're put in a corner, just say you enjoyed your night. If he's a proper pal though, you can rip the band to shreds.

It's an art form in itself if it can be tailored to the crowd and event. The worse on stage patter though is in-band jokes that noone else gets.

Get an ACG. Mine was easily the best built instrument I've ever owned. They come up 2nd hand for under a k easily.

Do this. Or even potentially, get you existing cab closer to being in line with your ears. If you need more volume for FOH then maybe not, but if your amp is prety much just for on stage, then you probably have enough volume already, its just not directed at you adequately. It's advice I got decades ago and it still stands up today! I've no scientific evidence to back this up, but I think thats why 8x10s tend to sound brilliant... there's speakers in pretty much ear height so you're hearing the amp better. 2 2x10s stacked vertically, or a single vertical 2x10 raised to ear heigh does the same job, kind of.

I didn't have this exact thing but i had an amp head that had this built into it... probably about 20 years ago. It was a bit shit, even for back then. Your version is an obvious rip off of the line 6 pod from around the same time! not sure id spend the money getting a power supply for it, but id also probably keep a hold of it incase I find one going free!

Depends on your situation. You could literally go DI straight into the FOH. Turn up to a gig with a bass and lead, get a clip on tuner for a tenner and your pretty much sorted. If you want a bit of tone sculpting plus a tuner, then you're spoilt for choice. I'm an HX stomp man, but I also happily use a 10 year old Zoom MS60b for basic needs. Pretty much anything these days will do a decent job. Don't discount something without an XLR out, that seems to be a deal breaker for some when it's really not.

Really depends on what you need. An old Zoom b3 would be incredibly simple as its basically lined up as individual pedals which you can mix and match. Once you learn how the menus work, its pretty easy and they sound decent enough. Bit old and limited as to whats available these days though. If you're not after major flexibility, one of those "flyrig" type systems would probably be as easy as you can get... not digital menus etc. I've never tried one but always fancied having one as a wee back up system.

Some very interesting ideas in his rig! the switchable talk back mic makes alot of sense!

I like living in the central belt of Scotland, and I feel there's everything I need here. But, when I'm in the classifieds or when an offer like this crops up, I realise the UK is a big place!

nope but the Wee DI looks like something I'd use

Afraid not but thanks for the offer, very good of you.

I think I've played through one 18" in my life, and I remember it being absolutely incredible. It was probably a mix of the stage, cab, amp and my bass, but the onstage sound was almost perfect. I can't remember the exact amp but i think it might have been an old solid state Marshall. Since then, i was looking for a cheap 18" cab until the past 5 years, until i got an old 15" combo. Kinda does the same job but i think i'd really like to experiment!

Maybe not the most useful comment but i regulaly use the Xvive U4 IEM system and its been flawless. My only negative is that it seems to stay on unless its been switched off. It doesnt go into a sleep mode as far s i can tell. This might be the same. saying that, my cheapo harley benton wifi doesnt either so maybe its standard. Techwise though, i'd be confident in Xvive.

Folk that turn up to the local dive with 3k custom fenders and 8x10 cabs. Hate it. I absolutely love seeing top players or top bands sounding great using very much affordable gear. Seeing a bass playing a £300 yamaha bass that they;ve had for 20 years is something i love.

I've listened to some ABing with the original boss pedals, and it sounds good in comparison to the originals. If you absolutely need certain boss sounds, particularly if it certain sounds that you maybe use sparingly so that you can condense you pedal board, then its great. If you just need a generic phaser and tremolo for example, then im pretty sure a HX one or even one of the Zoom equivalents would do a similiar job.

Yep. I ended up buying an old Trace Elliot combo instead fot that particular project. If i ever need an amp for something more than the odd gig, I might very well do pick one of these up!

I always worried about these things until the isolated tracks of famous tunes started to get released online. They're a bit of an eye opener and it made me rethink what's actually important about recording! Saying that, I'd never send a track to a studio if I'm doing a sesh if it's full of noise from my home setup, but if im on location doing recordings and theres some noise, I wouldn't go nuts about it.

I nearly bought one of these. Sounds like i missed out!

If its the wedding scene its easy. I once did a dep gig where 3 out the 5 band members were deps. The gig waa far from flawless but yet folk were up dancing all night and we got great feedback.

I have the thomann cheapo di box. It's passive, and other than the signal being reduced slightly, I've no complaints!

I agree. It's the old addage, dont practice until you get it right, practice until you can't get it wrong. Makes things alot easier on you when it comes to the day of performance!

To close to the pickup poles? that's a total guess by the way, no technical know-how to back it up!