ezbass

This was my thought too, add a Behringer BD121 (or something from Tech21 if you’re feeling flush) and Robert’s your mother’s sibling.

Definitely a trough, you can see the internal corner and the cut edge of the p/g. Given that only about half would be visible under a complete p/g and that it’s already somewhat battered elsewhere, a colour matched, fill block wouldn’t be a total necessity.

That is scarily brilliant work, I honestly couldn’t see it at first glance and had to really look close on my tablet. We really are not worthy.

I once forgot to bring my bases home from a gig. Fortunately, I didn’t get very far before realisation descended.

Wow! It's really going to feel like a totally different bass, which is what @Happy Jack was hoping for, I'm guessing.

This so cool (as are all of Andy's threads). That Shinto files looks awesome and answered the question in my head that was, what about the frets? However, how wonderful a tool may it look or be, it's the hands wielding it that counts the most (yeah, yeah, I know I'm embarrassing you, I'm OK with it ). And now to the actual point of my post, beyond blandishments; how far down the neck does the slimming go?

Very much this ^^^ You need to have something that makes you want to play. Also

I thought The Wildhearts, but assumed I'd confused them with Autograph. Curses, I could've been the one to save the day, rather than the berk who said Donna Summer. 😂

Not Donna Summer I’m guessing

When I was in a Bowie tribute band, it was Trevor Bolder’s lines that I really enjoyed playing (Ziggy is great fun). Although, come to think of it, all the songs were pretty good fun bass-wise (including Visconti’s lines on MWSTW - nice), except Heroes. I never really think of Tony V as a bass player, it’s his production work that I normally think of when his name is mentioned.

I’ve never heard of a Keith Lowe, but I have now.

This is the DB track that just makes me shiver all over, straight out of the blocks, no waiting: the wonderful Danny Thompson...

I assumed that that was Neil Young's guitar (or maybe his rear end).

This ^ One of my favourite bass tones of all time is in that video list, The Real Me. Love it! However, in isolation, it’s horrible and I was aghast the first time I heard it like that. Of course, when the mix buries the bass tone, what’s the actual point of being there at all? I feel sorry for Jason Newstead, seems a nice guy and a decent player, forced to work with that goblin behind the drums. I bet Trujillo doesn’t put up with his shít. Interesting the Scott D refuses to concede that Jaco’s tone is challenging for some - he’s such a massive fanboy.

Don’t Look Down - Go West

A quick search seems to reveal that her go to bass is actually that Longhorn through an SVT and it’s not just being using on the TV for the visuals.

As a starting point, I’d just set the eq on the amp flat and plug your preamp into the normal, instrument input. Then you can play around with the tones on the pedal. You can plug into the FX loop’s return input, bypassing the amp’s tone circuit, but I’d try straight into the ‘front end’ first.

This came on the radio yesterday, I had no idea who it was, but the bass tone made me think Mountain. Not Mountain, but most certainly an EB3…

Maybe tag some of resident builders whose work you admire in this respect.

All are welcome. I’m impressed with your filling the bass gear void, no messing about with dipping your toe in the water with some lower priced, budget gear, no, Sir - you’ve gone full bore. 👍

WOW! That shows so much pride in his product. Massive kudos to Mr Shuker.

Works for me, always preferred Snickers anyway. >

They are brilliant and I don’t mean that sarcastically. I’ve had to do some loom splicing recently and using lead solder has made this operation much easier.