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mybass

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Everything posted by mybass

  1. 3 cables quickly sent registered post all in for a blistering good price. Top man.
  2. [quote name='bigjohn' post='1093748' date='Jan 18 2011, 12:59 PM']I have one exactly like that and have been looking for another for years. Mine's made by "Stones Music". Don't they exist any more. Well I was wrong...[url="http://www.ccmusicshop.com/gsl5-deluxe-leather-linkstrap-pid-255891.html"] here you go[/url]...[/quote] Well done that man!
  3. [quote name='BigJim' post='1093394' date='Jan 18 2011, 01:34 AM']Hi Pete, Hope you're well. Jim Reece[/quote] Hey Jim, I'm okay. And you too I hope.
  4. [quote name='SS73' post='1093464' date='Jan 18 2011, 08:48 AM']Yep, that's the thing, they have been mentioned on here, but can't remember where.[/quote] They are very comfortable and quite a few other guitar/bass players have said they would buy one but where now? Keep looking, there must be something from .......china!
  5. [quote name='SS73' post='1093074' date='Jan 17 2011, 08:39 PM']Been looking for a leather strap and I've seen them before but just can't find a link, it's a strap made with lots of cut pieces where one interlinks with the next, I think they are fairly old school. Been searching google and can't find a thing! any ideas?[/quote] You mean this? I can't find them either. Used to buy one whenever I saw one in a shop. Let me know!
  6. [quote name='mybass' post='1085639' date='Jan 11 2011, 03:56 PM']FRETLESS 4 STRING BASS Custom Built…….. £975 no case. Lightweight 6 lb 12 oz. ONE piece SWAMP ASH body wood finished with eight coats of "Tru Oil". Back control cover taken from same body wood piece. THREE piece rock maple wood neck. 34" Scale. Nut width @ 1.5+ inches/almost 40mm. ( A little over a Jazz bass width)... 12th "fret" @ 2.1"/55mm. Neck depth: Nut … almost 1"/ 25mm …. 12th fret..almost 1 1/8th" 27mm Ebony fingerboard @ 6.5mm middle thickness This is not a flat fingerboard but approx. compound radius of 10/11" nut end to higher end 15". Fingerboard has had a coat of Yamaha Bore oil. Large 3mm side "black" abalone dots. Note..side position dots are where the fret(s) would have been. The 1st and 2nd octave position have double dots to be played centre of these two dots. The neck is a bolt on design, joined by four recessed alan key head bolts that thread through the body into brass threaded inserts in the neck wood. Headstock front finish is "Tru oil". Headstock rear has a Walnut veneer. Maple neck and headstock rear finish is Danish oil. No onboard pre amp. Seymour Duncan "Active" Jazz pickups. (Single battery power quoted on SD site as approx. 1000 hours battery life). Tone and Volume controls for each pickup. Stereo barrel jack output, engages battery on jack plug input. Schaller black "3D" bridge used for string width, height and intonation setting. Currently approx. 19 mm string spacing. Schaller black machine heads. Currently strung with "Galli" nickel strings of 105/85/65/45 gauge. HISTORY: I've sold few basses over the years, usually to order. This one (of 3) was made for a friends' shop that was branching into guitar sales. After some success in the lower end market he asked about custom basses. However, 18 months ago after I had started the bass, the shop's business took a bit of a dive so no possibility of selling them there. I am a pro bass player and play fretless bass 99% of the time which due to the lack of decent fretless instruments in the past, is how I started building fretless basses. I was introduced to bass design/building some years ago by way of a conversation with Melvin Hiscox. Melvin is a builder/repairer and has written a book on the subject of guitar building. I have since used my fretless basses for 15 years now for concert touring/gigs/recording and I also occasionally build to order for other players. They usually sell at £1150-£1250 depending on hardware/pickup specs. The bass is set up and played in a little at home and re-setup before handing over. This bass has been set up for over a year now. As the bass is UNLINED, side dots denote where the frets would normally lie. I have previously cleared with Basschat moderators on selling "new" basses and I do donate from any proceeds. The instrument can be seen in NE Hants/Bordon/Farnham/Hindhead area.[/quote] BUMP
  7. [quote name='fryer' post='1092680' date='Jan 17 2011, 04:21 PM']I've had this since the 60's. Condition, well, umm, used. It hasn't been used for at least 40 years. It has the original Goodmans 18", Audiom 91 speaker, which still works. I know I should state a price, but I've no idea what it is worth. Any ideas ?[/quote] Maybe call these people, they seem to have a load of old stuff, some for sale. Hiwatt 4x12 for over a grand. [url="http://www.harris-hire.co.uk/harris_forsale.pdf"]http://www.harris-hire.co.uk/harris_forsale.pdf[/url]
  8. [quote name='adledman' post='1092037' date='Jan 17 2011, 12:09 AM']pm`ed[/quote] replying a PM now ... 2.25pm
  9. THIS ITEM HAS NOW FOUND A NEW HOME. I have the D-Link version B1 and 2 D link microfilters, good cond, with cable for box to computer and phone cable. I think they were only in situ for about six months until Jan 2010 before I overhauled to an iMac. FREE to a needy computer..... Package weighs about 300grams or so, "predicted" postage "about" £2-3. Alternate pickup from NE Hampshire / A3 area.
  10. [quote name='mybass' post='1085639' date='Jan 11 2011, 03:56 PM']FRETLESS 4 STRING BASS Custom Built…….. £975 no case. Lightweight 6 lb 12 oz. one piece Swamp Ash body wood finished with eight coats of "Tru Oil". Back control cover taken from same body wood piece. Three piece rock maple wood neck. 34" Scale. Nut width @ 1.5+ inches/almost 40mm. ( A little over a Jazz bass width)... 12th "fret" @ 2.1"/55mm. Neck depth: Nut … almost 1"/ 25mm …. 12th fret..almost 1 1/8th" 27mm Ebony fingerboard @ 6.5mm middle thickness This is not a flat fingerboard but approx. compound radius of 10" nut end to higher end 15". Fingerboard has had a coat of Yamaha Bore oil. Large 3mm side "black" abalone dots. Note..side position dots are where the fret(s) would have been. The 1st and 2nd octave position have double dots to be played centre of these two dots. The neck is a bolt on design, joined by four recessed alan key head bolts that thread through the body into brass threaded inserts in the neck wood. Headstock front finish is "Tru oil". Headstock rear has a Walnut veneer. Maple neck and headstock rear finish is Danish oil. No onboard pre amp. Seymour Duncan "Active" Jazz pickups. (Single battery power quoted on SD site as approx. 1000 hours battery life). Tone and Volume controls for each pickup. Stereo barrel jack output, engages battery on jack plug input. Schaller black "3D" bridge used for string width, height and intonation setting. Currently approx. 19 mm string spacing. Schaller black machine heads. Currently strung with "Galli" nickel strings of 105/85/65/45 gauge. This bass was designed and built by myself for a music sales project for a friends shop. Due to the current economic climate the sales project did not eventuate. I am a pro bass player and play fretless bass 99% of the time which due to the lack of decent fretless instruments in the past, is how I started building fretless basses. I was introduced to bass design/building some years ago by way of a conversation with Melvin Hiscox. Melvin is a builder/repairer and has written a book on the subject of guitar building. I have since used my fretless basses for 15 years now for concert touring/gigs/recording and I also occasionally build to order for other players. They usually sell at £1150-£1250 depending on hardware/pickup specs. The bass is set up and played in a little at home and re-setup before handing over. This bass has been set up for over a year now. As the bass is unlined, side dots denote where the frets would normally lie. I have previously cleared with Basschat moderators on selling "new" basses and I do donate from any proceeds. The instrument can be seen in NE Hants/Bordon/Farnham/Hindhead area.[/quote] BUMP
  11. [quote name='martysprior' post='1087613' date='Jan 13 2011, 09:22 AM']2 x 15ft Straight to straight input, red and green Spectra Flex Cables Excellent, working order 1 x 15ft Straight to straight input, Klotz Titanium with Neutrik Silence Jack!! Excellent Condition Cost over hundred pounds new, accept £30 cash[/quote] PM'd you 11.46am
  12. [b]FRETLESS 4 STRING BASS Custom Built. Asking ... £950 SPECS ... ONE piece SWAMP ASH body... wood finished with eight coats of "Tru Oil". Lightweight 6 lb 12 oz. Back control cover taken from same body wood piece. THREE piece rock maple neck. 34" Scale. Nut width @ 1.5+ inches/almost 40mm. ( Just a little over a Jazz bass width)... 12th "fret" @ 2.1"/55mm. Neck depth: Nut … almost 1"/ 25mm …. 12th fret..almost 1 1/8th" 27mm EBONY fingerboard @ 6.5mm middle thickness ... years of use on it. Compound radius of 10/11" nut end to higher end 15". Fingerboard has had a protective coat of Yamaha Bore oil. (This oil is used for inside the bore of woodwind instruments, recommended to me many years ago by my double bass repairer). Large 3mm side "black" abalone dots. Note..side position dots are where the fret(s) would have been situated. The 1st and 2nd octave position have double dots to be played centre of these two dots. The neck is a bolt on design, joined by four recessed alan key head bolts that thread through the body into brass threaded inserts in the neck wood. Headstock front finish is "Tru oil". Headstock rear has a Walnut veneer. Maple neck and headstock rear finish is Danish oil. No onboard pre amp. Seymour Duncan "Active" Jazz pickups. (Single battery power quoted on SD site as approx. 1000 hours battery life). Tone and Volume controls for each pickup. Stereo barrel jack output, engages battery on jack plug input. Schaller black "3D" bridge used for string width, height and intonation setting. Currently approx. 19 mm string spacing. Schaller black machine heads. (Currently strung with "Galli" nickel strings of 105/85/65/45 gauge). [/b] I HAVE BEEN DESIGNING/BUILDING BASSES FOR 15+ YEARS. I STARTED OUT AFTER MELVYN HISCOX, A REPAIRER/BUILDER AND AUTHOR ON GUITAR BUILDING "ADVISED" ME TO PURSUE BUILDING MY OWN FRETLESS AFTER MY DISAPPOINTMENT WITH SEVERAL FACTORY MADE INSTRUMENTS. I HAVE MADE BASSES TO ORDER, USUALLY AFTER A BASSIST HAS SEEN AND HEARD MY BASS ON A GIG. THIS BASS IS ONE OF A FEW I STARTED FOR A FRIEND'S SHOP SALES. THE SHOP HAS EXPERIENCED FINANCIAL CHANGES SO I AM SOMEWHAT LEFT HOLDING STOCK THAT NEED TO MOVE ON. THEY HAVE NORMALLY SOLD AT £1150.
  13. [quote name='fatgoogle' post='1084905' date='Jan 10 2011, 09:56 PM']Hi Ive been playign double bass for a year and a half or so but had to stop lessons because my fmaily couldnt afford them anymore and i dont want to waste having spent 1200 on a double bass myself. So are their any really good books apart from samindl which i already have that are good and show technique along with excersises. I found simandl good but now that i dont have a teacher to help me in stages. So im looking for a book(s) that are a bit more easy going and focus more on pizz as i feel ill be using this more later on especially when i go to uni. Any help is great. Thanks Sam H[/quote] Some in my collection, although along the Simandl lines... "BILLE" "Nuovo Metodo Part 1 published by Ricordi. Simandl's Gradus Ad Parnassum Books 1 and 2. " Eighty Six Studies For String Bass by Joseph Hrabe (arranged and fingered by Franz Simandl).
  14. [quote name='philfz6' post='1077730' date='Jan 4 2011, 07:30 PM']hi all.. markbass cmd 2x10 combo and markbass 1x15 cab..both in immac condition.. im sure you know how good this rig is, so i'll dispense with the sales pitch, but feel free to ask questions.. reason for sale..im going acoustic, and have a smaller markbass rig to cover that... looking for £1000..for both or may split.. can deliver realativly local..london/essex.. can also be tried out(as if you need to,lol,)...at a local studio in essex, at full tilt..[/quote] PM'd you
  15. [quote name='cameltoe' post='1066849' date='Dec 22 2010, 03:00 PM']Currently not impressed.... These guys have a very slick looking website, and I've seen a few of their covers and they really are great quality. Our guitarist has one and it's very well made. However, I contacted the guys there to make me a cover for my cab over 6 weeks ago. Good communication from them at first, not great, it was usually 48-72 hours to get a reply, but it did come. I eventually plumped to order one with them, and paid via the paypal link I was given. A week later I got an email asking for the exact dimensions of the cab. I had initially sent them a link to the cab on Ashdown's website which had all the specs for it, but the guy wanted me to measure it myself to be sure. Fair enough I thought. 48 hours later I get a response thanking me for the dimesions and telling me it would cost £37.99, which was a bit strange as I'd already paid £39.99 over a week ago. I emailed them my reply along these lines and got a satisfactory response, but a month on I'm still waiting for this cab cover to show up, and the guys there have ceased all communication with me. I've now sent three emails over the past week and a half to two different email addresses and have heard nothing back. I wasn't expecting a quick turnaround, as it would have to be custom made, but a whole month is more than I was expecting, and IMHO there's no need to ignore a paying customer. Speaking to my guitarist it turns out he had similar issues with them, taking a good fortnight's worth of communication to just get them round to making the bloody thing, and then a big wait for it to actually arrive. What's really effed me off now though, is on Friday night I was a bit robust in removing the cab from the van and ended up ripping the tolex. I don't want to put these guys down too much because their covers are very nice, but how long am I supposed to wait for this thing? Paypal give you 48 days to launch a dispute and we're now at around 30 days. If it isn't here on the 47th day I'll have no choice but to claim the funds back.[/quote] I would say let them know first that you will start the issue/dispute with Paypal as they may be able to offer a reasonable excuse. If you have not used Paypal's dispute system, it may be safer to would look into that a little bit more before their expiry date.
  16. [quote name='swanbrook' post='1056113' date='Dec 12 2010, 03:42 PM']Hi guys Any help here would be great. I use a LMII head and a markbass 4x10 4 omh cab. I play in a wedding band so it never anyway loud. Over the past few gigs I have noticed a drop in volume and tone and on Friday night it cut out in the middle of a gig. I turned it off and on and it came back at a really low volume and after a few minutes came back to a normal level. But the cut out a few minutes later. I bypassed it and went straight into the desk for the last few songs. When we finished I checked it and it was really hot and the fan was not working. So I opened it up to let it cool down. Played with the fan a bit and then plugged it back in and the fan came on. But I set it yesterday and left it on all day and the fan worked. Do you think it could be an intermitten fan issue ? I only ever heard of a fan breaking completely not this. I am 300 mile trip from the nearest dealer so it may be a while before I can get it there. I used a friends LMII head last night and the difference in tone and volume was amazing. Also the fact that I am running it with a 4 ohm cab the whole time could that make a difference. I just ordered a new head today and will only ever use this as a back up when I do get it fixed[/quote] A 4 ohm cab won't be hurting it especially as you aren't working at high volumes. The fan seems a problem to check out but you say it is working now. Check there isn't any build up of dust around the edges of fan blades. I have a LMK and LM 2, they never overheat even when I've been pushing them, especially in winter. You mentioned your friends amp "sounded" much better so was you amp bought new or s/h. Maybe check out all cables, speaker cables etc. too.
  17. Top man David had the EBS comp pedal out to me in 24 hours and all well packed. Top stuff.
  18. [quote name='djc63' post='1050316' date='Dec 7 2010, 10:55 AM']Having recently upgraded to an amplifier with an in-built compressor, I have decided to sell my EBS multi-comp compressor pedal. It is in good condition and everything works perfectly. There are a couple of 'tiny' chips in the paint here and there, but these in no way affect the performance of this great compressor. I no longer have the box for it, but I will pack it up well for posting or you can collect from my home in Chatham, Kent. I am asking £75 for it, with free postage within the UK. Thanks for looking. David.[/quote] PMd about it.
  19. [quote name='razze06' post='1050255' date='Dec 7 2010, 10:12 AM']We've been booked to do a 40th birthday gig in a place we never gigged at before, and the organizers came back to us asking for our PLI certificate. We don't have any, but we were planning to get all this sorted in the new year, after constituting the band as a business etc. We still need to show a PLI certificate to the event organizers asap, so we thought we would go for a one-off cover for this particular event, which the organizer will pay for. Any recommendations on insurers we can contact for this?[/quote] I believe the MU/musicians union give their members PLI as a matter of course but that may only apply to that individual member and not a whole band.
  20. [quote name='spinynorman' post='1043933' date='Dec 1 2010, 03:28 PM']He's on at The Robin next March, can't find out much about the band though. Any one know more, is it likely to be worth driving 70 miles there and the same back? [url="http://www.thisislondon.co.uk/music/review-23760761-ronnies-celebrates-with-jack-bruce.do"]http://www.thisislondon.co.uk/music/review...h-jack-bruce.do[/url][/quote] Drummer Frank Tontoh been around a while now, very good. Derek Nash on sax fronts a jazz "fusion" outfit called "PROTECT THE BEAT" ( which also has Winston Blisset on bass from "Massive Attack" and Darby Todd on drums from Buddy Whittington Band and Hot Leg which is Justin Hawkins band afetr the Darkness folded).
  21. [quote name='macclad' post='1036947' date='Nov 25 2010, 09:06 PM']Hi i'm in the market for a set of lower tension strings to suit mostly pizz although a small amount of bowing might happen ,Clarky has recommended Innovation silver slaps but i'm not sure if they are ok for bowing, has anyone any suggestions ,many thanks in advance![/quote] Maybe Thomastik Weichs? Although D B strings are costly to expensive, they do last a long long time.
  22. [quote name='casapete' post='1032664' date='Nov 22 2010, 02:21 PM']Thats the one I have. Don't overuse it though - I usually do mine a 2/3 times a year and seems fine. If used too often it can actually cause problems (wood softening,loosen frets etc). Its not really a cleaner, more of a way of preventing rosewood boards from drying out I believe.[/quote] Yes yes, be careful with it. Once on tour, a "roadie" thought he would be clever and use it EVERY night on a guitarists strat and my bass. The strat lost its graphite nut, softened up within 3 days and the strings sank into it!! Not a happy guitar player. It got wiped into both bass and strat's bridges off the rag and covered my fingers and my strings deadened up on first night's use. Twat roadie thought it was a "cleaner" to be used every night after the show! Quite right that any OIL used is too prevent the f/board from drying out. I use "Bore Oil" from Yamaha. My double bass repairer uses it, normally used on woodwind instruments to combat spittle etc. You can clean the actual board by rubbing with finest 0000 wire wool then oil it.
  23. [quote name='RhysP' post='1032731' date='Nov 22 2010, 03:21 PM']Isn't a Wenge Board one of those things you use to contact the dead?[/quote] HAHA Brilliant!! Now go to the back of the class.... and contact the living.
  24. [quote name='Beedster' post='1027948' date='Nov 18 2010, 02:20 PM']I've owned three Markbass 15s and they were all a little wanting. Can't really say what the problem was (the front ported unit was also huge). I certainly got better tone from a 12" Mesa Walkabout cab. C[/quote] Maybe the 12" Markbass is better than the 15" then. thanks for the info
  25. [quote name='Wolverinebass' post='1027937' date='Nov 18 2010, 02:14 PM']I use both the Traveller's and they are rather good. With one exception. The Piezo tweeter. This is obviously dependent on what kind of sound you like and if you're going for a vintage type sound then you won't need it on very much (if at all). If you go for a slap or a trebly tone, you're going to have some problems especially if you use active basses in trying to control it all. From my experience, turning up the tweeter significantly past half will just lead to it clipping and loads of mids. Just loads - so much your eyes will bleed. Turn it down to 4/10 roughly and you're wonder where all the top end cut went if you play in a loud band with a hard hitting drummer. I've been toying with flogging both my Markbass cabs for this very reason and replacing them with a Barefaced, or replacing the tweeters. On the other hand, I have no idea if the latter is even possible. The 151P most certainly isn't boomy, but it does have the characteristic (but slight) 250Hz hump that most Markbass cabs I've tried seem to have. Depends how flat you want the response really. Naturally, these are my issues and you may have something else in mind.[/quote] ta for the info on these.
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