Jump to content
Why become a member? ×

lemmywinks

Member
  • Posts

    5,614
  • Joined

  • Last visited

  • Days Won

    4

Everything posted by lemmywinks

  1. My music teacher at high school had one of those, lovely looking basses. I seem to remember the brass nut was goosed and the E string slipped off occaisionally. In fact i think that was the first bass i ever played, maybe my love of natural thru-necks runs pretty deep!
  2. after you've fixed it get a Speakon lead, much better option IMO
  3. I'll say it again: Hmmmm..... [url="http://basschat.co.uk/index.php?showtopic=128602&pid=1197957&st=0&#entry1197957"]http://basschat.co.uk/index.php?showtopic=...p;#entry1197957[/url] This wasn't a misunderstanding methinks.
  4. Hmmmm. [url="http://basschat.co.uk/index.php?showtopic=128602&pid=1197957&st=0&#entry1197957"]http://basschat.co.uk/index.php?showtopic=...p;#entry1197957[/url]
  5. [quote name='chris_b' post='1197919' date='Apr 13 2011, 11:06 AM']I don't mind the parties posting but I'm not sure how relevant anyone else's comments are.[/quote] Apart from the fella who posted a really useful bit of information right before your post!
  6. Dunno how the new Ashdown thingy will sound compared to your existing amp though, their previous micro heads don't really retain brand identity in that respect. Have you considered taking it out of the casing and mounting it in a rack bag? Will make it much more manageable than carrying it in a bulky case, even just as a temporary measure till you find a micro head you like.
  7. What cabs were they? Don't think i've ever heard that description attributed to Markbass before! Still, horses for course and all that
  8. [quote name='Lorne' post='1196240' date='Apr 11 2011, 09:31 PM']Same thing with Dean's Dimebag BASS signature model, when the hell was he a bassist [/quote] To be fair he did have 15" drivers as part of his rig! Incidentally Dimebag didn't use half the Dean/Randall stuff he endorsed when he was alive. The Warhead and the distortion pedal aren't part of his sound but he stuck his name on them. Same deal with his signature strings i think.
  9. We've seen these before: [url="http://basschat.co.uk/index.php?showtopic=118032&hl=dean"]http://basschat.co.uk/index.php?showtopic=118032&hl=dean[/url] I think it's ok for them to license the shape but calling them a signature model is a bit off. Why do we need an Entwhistle signature anyway? He played about a million basses! Like Waldo said, just some people making a few bob off grandad's name. If they didn't do it now then Entwhistle's great great grandkids would do it years down the line, the money is there to be made. It's amazing the amount of "signature" equipment that has sprung up years (decades even) after the artists' death. I have a Jimi Hendrix strap (bought cheap cos i needed a strap), my mate has a Hendrix signature Digitech pedal (it's cr@p). I don't think he'd touch either if he were around today! Same story with these Deans i reckon.
  10. Apparently they don't deliver the performance of a trad dual driver cabinet whilst being as heavy and expensive. Basically they offer no benefits over a single driver cab. I was briefly interested a while ago but the price and weight put me off, BFM had some interesting things to say here: [url="http://basschat.co.uk/index.php?showtopic=124993&hl=orange"]http://basschat.co.uk/index.php?showtopic=...3&hl=orange[/url]
  11. [quote name='dan670844' post='1195733' date='Apr 11 2011, 02:06 PM']Beats me, I'd do the marketing for them ha ha, they always seem in such a rush to get stuff selling, strange, they should slow it down a little, to get it right, the lg and the superfly were great ideas poorly executed, in a rush, they could have been great amps esp the superfly. I don't get it, have they not heard of beta testing, Marks old company the green T did a lot of trialing before they launched their new range.[/quote] Totally agree, i've always wondered why Ashdown abandoned the Superfly ethos and didn't just iron out the flaws. That could have been their defining amp, the one thing that made them stand out as innovators. The digital front end on that amp still impresses me and i wonder why other amp manufacturers don't do something similar. We all like buttons and flashy lights after all! Maybe they thought the name/design had too much stigma after the quality issues. I also think they could have got someone a little better prepared for the interview. It sounded like their rep had just read the back of the amp box prior to filming and decided to wing the rest with some old cliches and baseless claims.
  12. [quote name='barteroo2002' post='1195044' date='Apr 10 2011, 08:49 PM']Any pictures of the cab you're selling? What are they like? Heavyweight? Good for rock or jazz? I have no idea with bag-end but it seems like a good price?? Cheers.[/quote] It is a good price, i think Beedster's gone mental! Here's what it'd cost you to buy the new equivalent: [url="http://www.bassgear.co.uk/products-page/bag-end1/bag-end-s-15-b-oiled-birch-compact-single-15-enclosure/"]http://www.bassgear.co.uk/products-page/ba...e-15-enclosure/[/url] I have no clue what this one's like but Bag End aren't exactly known for skimping on quality. I'm glad it's so far away from me tbh otherwise i'd have to buy it!
  13. If you do find somewhere that'll sell a single Hi Beam G then could you let me know please? I had one break on me straight away, not playing hard either it just went on our 2nd song. Kinda put me off the brand tbh as i don't expect a suspect batch when paying that much for strings. Seeing as i have 3 almost new strings i could do with a replacement G! Cheers!
  14. [quote name='dougie' post='1192460' date='Apr 8 2011, 12:32 AM']Take nothing for granted,the car amp i sent to the Romanian prick who received it,got the payment held,we went to resolution centre where he openly admitted to opening the amp up and it was"dirty",even though the unit was working and advertised as"old but working",PP decided..."We've determined that the buyer should receive a 60.00 GBP refund if theysend the merchandise back to you. The merchandise will be in the samecondition as when the buyer received it and the buyer is responsible forall postage and packing costs." Its getting returned in the same condition,albeit opened,tampered with....paypal/ebay have both been told to shove their services up their arse,ive had 60 odd transactions go well and to add insult,this w***er awards me neg feedback,i go to do the same yet the option isnt there,its either"positive or leave feedback later".[/quote] You can always ask eBay to remove inaccurate/offensive feedback. They've done it for me before when i dealt with a total clown.
  15. [quote name='ras52' post='1191344' date='Apr 7 2011, 07:11 AM']My only gripe remains the raised pickup pole pieces: there's a horrible click if I get over-excited and a string touches a pole piece.[/quote] If you take the pup out and grip their base the poles just push down
  16. That looks ace and i want it! Well done!
  17. [quote name='hellothere' post='1189621' date='Apr 5 2011, 08:27 PM']Well I havn't got around to fitting the pick-ups in the Ryder yet so I'll take a look when I do. Maybe it'll be even worse than my soldering And what about the neck "I was planning on putting a jazz neck on the Squire. If I bought a neck on here would I need to measure the neck pocket on my squire and ask for the measurements of the neck to check it fits? "?[/quote] An idea i had was to draw round the neck heel and scan it on a PC so you can email it to people for them to print out and check. I got some parts together last year with the idea of making a few bitsas. Out of 3 bodies and 4 necks only one lot fitted together snugly, even then i had to do make some minor adjustments. Can be a bit of a minefield!
  18. Not much help but when you come to rewire the bass (if you haven't already) then it might be an idea to have a look at the Ryder too. Mine has a pretty horrible and messy wiring job and isn't something i'd gig. In fact i'd go as far to say it was some of the worst soldering i've seen in a long time! Might as well do both if you've got the soldering iron and wire snips out! While we're on the subject of bridges, don't discount the cheapys off eBay. I fitted one of the Schaller 3D copies to my Jazz bitsa and it's surprisingly good, much chunkier than the usual fare and still under £15 delivered. It was this one: [url="http://cgi.ebay.co.uk/4-string-Black-hard-tail-fixed-bass-guitar-bridge-/130393132588?pt=UK_Guitar_Accessories&hash=item1e5c094e2c"]http://cgi.ebay.co.uk/4-string-Black-hard-...=item1e5c094e2c[/url] There's quite a few decent looking bridges at that price, most from Papa Ds or CH Guitars (both great service), all look like good alternatives to the usual BBOT.
  19. [quote name='Johngh' post='1188897' date='Apr 5 2011, 12:40 PM']I've yet to see anywhere where there is such a large selection of used bass gear as good as you get on here.[/quote] Massive +1, although you forgot to mention the sometimes silly-cheap prices as well. The BC marketplace is unlike anything i've ever encountered before, it's like walking into my ideal music shop only everything is on a half price sale!
  20. I'd also add that what works with my rig (and more importantly drummer and his kit) might not work for yours. I found the EBS drive pedal pretty much gutless when i used it, yet my mate has exactly the same pedal (we even A/B tested them at one point!) and loves it in his rig. The only way to know if a pedal works for you live is to gig it. Fortunately buying and selling pedals on here is quick and cheap with almost no losses as pedals retain their values quite well, so it's also a fun process too! If you're after a top distortion then i'd also look at the Bogdan Helter Skelter and the Owen Bass Gremlin, i really liked both of those, particularly the Owen. I've also been looking for a Carl Martin bass OD but they're quite pricey when they come up.
  21. Well they're totally different pedals really so a comparison isn't that useful. I used to have the Blowtorch, really nice pedal with a good variety of fuzz sounds. Does a synthy, buzzy fuzz really well, i imagine it would be good for Muse type stuff. I could also get a really good, heavy Muff sound out of it at home but it was lost against our old drummer, it struggled to compete with his loud, mid-heavy kit and sounded a bit gutless despite lots of fiddling with the eq. I'd like to try it again although it is a pain to power (18v supply). The M80 is a different beast, it's a distortion with a switchable 3 band EQ and a DI. It's been on my pedalboard sonce i bought it ages ago. The drive is great, really ticks all the boxes for me and i'd use this pedal if this was all it did, indeed the drive is the main reason i bought it. One of the only Distortion pedals i've used that retains all the cut and low end from the clean signal, so you can switch it in without going overboard on volume. By that i mean it sounds like a distorted version of the source, rather than an over-processed sound that smothers the original signal. The blend knob is the key to this pedal i think.
  22. [quote name='kevin_lindsay' post='1188109' date='Apr 4 2011, 06:40 PM']Quickest sale was 30 mins from placing the ad to receiving the money in my bank account![/quote] Yeah that Wal plays alright for a tenner, cheers matey!
  23. [quote name='shinhoman' post='1185728' date='Apr 2 2011, 12:45 PM']I picked up the red $$ got it for 416 [/quote] Wow, what a score, well done!
  24. When i needed a spares i just rang up, their contacts page is here: [url="http://www.samsontech.com/main/misc.cfm?pageID=6"]http://www.samsontech.com/main/misc.cfm?pageID=6[/url] I'd imaging a quick email to the Hartke support would get you what you wanted, they don't seem to give a UK phone number now but they were really helpful when i rang.
×
×
  • Create New...