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Hellzero

⭐Supporting Member⭐
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Everything posted by Hellzero

  1. I really love this bass, being a fretless player I like the idea of the "stereo" output and the ability to tailor the sound with it. Congratulations! And the bass looks beautiful! 😍
  2. Here is the link to the user manual explaining the ROM system: http://www.vigierguitars.net/bmanuals/bv4m.htm#ELECTRONIC That said @itu as the neck is a 90/10 type (90% wood, 10% carbon), then it's more probably the one made on November the 15th of 1986. πŸ˜‰ Superb looking model @KUSKU and my favourite transparent colour too, would be a perfect companion to my Leduc MP 628 SF...
  3. Excellent work! Congratulations! Following with interest!
  4. Yes, @Rich it's indeed a built-in tuner, and if you go down the page in the link below, you'll see that the option is still available, but David King has stopped his activities for the moment... : https://www.kingbass.com/info.html
  5. Nice 400 years old wooden floor on the last photo, @Rollo. πŸ€”πŸ˜‚
  6. Hi Ben, just look here for headless designed basses as he is still using this design today : Another headless specialist is David King as he only builds headless basses : https://www.kingbass.com/
  7. It's kind of obvious that he simply is a retailer for this unknown brand, which is quite common and not suspicious at all. πŸ˜‰
  8. Time to learn to read, Mick... The bass was made in Italy, but the seller is in ... London, U.K. πŸ€¦πŸ»β€β™‚οΈ
  9. It's more a flame maple neck than a birdseye maple one, Paul... πŸ˜‰ That said as with all the anniversary editions, it's a superb looking bass ! GLWYS.
  10. And I had the opportunity to play a BassLab fretless sixer in the early 2000's as Music Store in KΓΆln was an official retailer. It's a bit strange at first, but then you understand the ideas behind the conception quite quickly. It sounded huge with some kind of inherent reverb, but was way out of my league money wise...
  11. Roland started the G-707 (synth guitar) in 1983 and the G-77 (synth bass) in 1984, both with the Stabilisation Arm aka Bow. Jerry Auerswald only started building instruments a decade later. So definitely Roland, @itu. πŸ˜‰
  12. The Basslab preamps have always been made by Andreas Richter, just like the StepAbout (I owned one and it's a very versatile dual preamp, and expensive). There's a collaboration between the two since the beginning. That said Richter preamps are simply, to date, the most transparent preamp you can find. You can find Richter products here (only official retailer for Europe) : https://www.bassparts.de/epages/61038859.mobile/en_GB/?ObjectPath=/Shops/61038859/Categories/Richter-Elektroniken
  13. Thanks a lot. 15mm at the bridge(s) is really too narrow for me: Too bad, I'm out. GLWYS.
  14. What's the strings spacing at bridge and nut @PunkPonyPrincess? Any idea of the weight (in kilos please)?
  15. Nice work, Harry and good idea to keep basses under 4 kilos, which is something all manufacturers should do to spare our backs. πŸ˜‰
  16. Don't take it bad @Andyjr1515 but ebony is not as stable as maple when it comes to drying and taking (and releasing) humidity, so you better glue two ebony reinforcements in the neck otherwise this scenario will reproduce itself during the winter. During this very hot summer all instruments I know have been moving a lot including my Le Fay with a stainless steel fingerboard!?! All instruments? No, my Leduc's didn't need any single truss rod tweaking. Strange? No, the explanation lies in the way he's making the necks and the woods used. My main bass is a Leduc MP 628 SF with a slim one piece hard rock Canadian maple through neck, a Brazilian rosewood fingerboard and a single action truss rod and this bass never moves. This is a strong alliance of woods. I have another sixer Leduc (HMP 624) with a Macassar ebony fretboard and to prevent it to move, Christophe makes the neck in 5 parts of the very same Macassar ebony and hard rock Canadian maple all glued together, this way the neck is as stable as possible. Check this: His woods are also stocked at permanent same hygrometry for years or even decades and this helps too. In fact, if you ask for an ebony fingerboard, the 5 pieces neck becomes ... mandatory. So, one will ask why don't classical instruments move even without truss rod? The ebony fingerboard is way thicker and ... rounded stiffening the whole neck a lot more than conventional modern electric luthiery approach. It's all about mass or even masses and mastered rigidity. πŸ˜‰
  17. Out of curiosity, is it the usual 16.5mm strings spacing at the bridge(s)?
  18. Woods moving at different speed like ebony and maple. If one wasn't as dry as the other, this may result in this scenario.
  19. That said the terminology used is against the common sense. I think that using correct and non subject to interpretation words like concave and convex will make explanations way easier to understand. πŸ˜‰ It's just like the front and rear pickups... πŸ€¦β€β™‚οΈ
  20. Or the trussrod. πŸ˜‰
  21. Amazing build as usual @Andyjr1515 and some clever ideas too. πŸ‘
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