Happy Jack

The main thrust of the discussion seems to have veered towards the rights & wrongs of sound limiters and playing at low (sensible) volumes, but that would not be my concern in this situation. I have no problem working with sound limits and I personally hate overly loud bands anyway, but that doesn't mean that I'd be prepared to insist that my band gives up an afternoon's work/pay in order to - effectively - audition for the venue, still less take full responsibility for anything going wrong. The venue will be earning serious money from this event. They want my band to play for them (i.e. audition for their sound limited to get onto their approved list)? Fine, they can pay for that. They don't want to pay? Fine, sex & travel.

I'm impressed at how clean and dry the barns are near Bognor Regis. It's almost as if that bass has never been near a barn in its existence ...

I just hope the fee is large enough to justify all the electrons that have been sacrificed to this thread! My advice can be summarised thusly: Sex and Travel. One to walk away from.

Hi Richard, good to see you're keepin' busy. 😎 IMHO the audio (and your playing) deserve rather better video quality than this!

If what you want to do is (a) learn to play 5-string and (b) remain married, then this would seem to be the simple option. At that price, you haven't 'spent' £199, you have converted £199 worth of cash into £199 of bass, and you can convert back again at any time.

Best value in the BC Marketplace today (IMHO, YMMV, the value of basses may go down as well as up) =

You're over-thinking this ... just open a specialist bass shop and you'll have the run of the stock. Until you go bust.

Those GR dual-channel basses are lush, but ever so slightly more expensive than a pedal! There are options out there ... have a look at https://www.gak.co.uk/en/two-notes-audio-engineering-le-bass-preamp/127076?gclid=Cj0KCQiArt6PBhCoARIsAMF5wahuZQRnGykVb6ncZ1CtWcbK8IZQDtfDCJZfaxrqA97KR_KxCM8Uz38aArIaEALw_wcB&gclsrc=aw.ds

The obvious Ikea-style solution is to flat-pack your basses. Just saying ...

If you have significant medical issues with your back, then I'm not sure a twin strap will help you. I use them extensively because they balance the load much better and improve my posture, but they don't actually reduce the weight! Have you considered playing a bass you don't carry ... DB or Upright?

Correctamundo! Sounds absolutely lush.

£1200? That's a pretty serious knockdown. These basses haven't been a commercial success and I don't know for how much longer RIC will carry on with them. They have previous form for abandoning 5-string basses. I didn't buy mine as an investment, but I wouldn't be surprised to see them start appreciating somewhere down the line.

I play mine at every gig with https://www.lemonrock.com/junkyarddogs. We're not nearly as busy these days as my other band (https://www.lemonrock.com/damoandthedynamites) or as we were pre-Covid, but we still average two gigs a month. I bought the bass for a number of reasons - extensively documented elsewhere on Basschat if you're interested - but always with the intention of using it with this band. We're a 3-piece without a recognised lead guitarist, so I'm alternating between filling out the sound with my bassline and playing 'lead bass' on a number of songs. The Rick does both jobs perfectly, especially when paired with a Sansamp BDDI. Other fuzzy pedals are available. The 4003.s5 is on the heavy side, like all Rics IME, but I play with a twin-shoulder strap which distributes the weight nicely. A younger me probably wouldn't have noticed the weight. Any 4-string Rick would fit the description in the last paragraph. I have the 4003.s5 because in this band I need to play a 5-string bass on perhaps a third of the songs. Switching between 4-string and 5-string basses within a set was leading to too many cockups ("No you fool, you come in on the C, not the G!") so if I wanted a Rick at all then it had to be a 5-string Rick, and there's only one such bass out there. The styling is (IMHO) a very nice update of the classic Rick design, and I've had a couple of those too. Body edges are more comfortable, the pickup arrangement is WAY more user-friendly than the 60s/70s basses, and the stealth black finish looks great just as soon as you ditch the appalling cheapo cheapo white p/g and trc and replace them with after-market parts in black. The neck is classic Rick too, and one I find easy to play. I've had mine for nearly two years now, storing it in a very dry atmosphere, and I'm just starting to get a bit of fret-sprout which I'll be dealing with next week. Like most Ricks it responds very well to being played with a pick (something I do on maybe half a dozen songs at a 3-hour gig), and on a boomy floor or stage it sounds better with the Low rolled off than most of my other high-end basses. I'm known for being an advocate of flats, but it would never occur to me to fit them to my Rick. The original-fitment rounds are just fine. As to the Low B itself, I'm a huge fan of 35" scale 5-string basses and my two favourites are both Mike Lulls, partly for that reason. I've always found 34" scale Low Bs to be frankly rather flobbadob and under-whelming, although I know that plenty of Basschatters believe that neck construction is far more important than scale length in determining this. And of course the 4003.s5 is a mere 33.25" so must be utterly hopeless? Actually no, it compares just fine with various 34" scale 5-strings I've had in the past, as also with the Status Streamline sitting by my right elbow as I type. I still prefer the Lulls for the Low B, but I have no problem with the Rick's Low B at gigs.

Mine is sitting on the corner of my desk, running through a Crazy 8 cab. It's WAY over the top for home practice (what with me having converted the garage into a studio an' all) but it's a delight to have it right there when I need it. And now for today's edition of SPOT THAT AMP!!!

https://www.bax-shop.co.uk/bass-guitar-combo-amp/trace-elliot-elf-1x8-combo-bass-guitar-amplifier-160-w?utm_source=google&utm_medium=organic&utm_campaign=surfaces&gclid=Cj0KCQiAubmPBhCyARIsAJWNpiMdTaT5damGhVE-Q94BycHOe89tg9TrYD2A7DFiIF-ye2Q66Ou0qPwaAqw2EALw_wcB

Why should I worry what she might catch? 😉 I was a bit taken aback myself (as you can probably see in the video), but show a drunken woman a microphone and sure as night follows day ... In fairness to those of the female persuasion, what the video doesn't show is the completely blotto guy to my left who started the gig by insisting on getting a selfie with me using the banner as backdrop ("for my blog, yeh?"), then spent set #1 asking if he could play my bass and set #2 asking if he could "have a go on the drums".

GIBSON G2 CUSTUM ELECTRIC BASS GUITAR, 4 STRINGS, RIGHT-HANDED IN GOOD CONDITIONS. I buy and sell, doesn't know much about guitar. While it doesn't actually say Millennium hand and shrimp, you feel it should really.

We can't have closure without some footage of the new neck's debut (and also its first appearance). If you're expecting a Pino Palladino-fest then best look away now - that ain't what I do. 🧐 But if you like this sort of thing, this video is worth staying to the end for ...

In truth, service like that deserves to be recognised. Which shop was it? Do tell ...

And in comes a lovely EA Doubler in as-new condition, combined with several pints in a pub near Denmark Street and a wildly entertaining afternoon swapping yarns about gigging and yoga. Move along, nothing to see here. 😎

Pah! Amateur! I write out my setlists using coloured oxygen-free gold-plated tone ink mixed with pixy dust ... people often come up to me at gigs and tell me how good my setlist sounds. Then I start playing and ruin it all. 😉

Outstanding! Have a great time. 🙂