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Marc S

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Everything posted by Marc S

  1. Marc S
    I had a NBD recently - got myself a Fender Classic series Precision, and I absolutely loved it, as soon as I picked it up. It came, pretty well set up, with some (unknown) rounds. They sounded clean & bright and in great condition - almost like new. Anyhow, I decided to get a new set of TI Flats for it. After a slight tweak of the truss rod, it set up even nicer, and plays even better. Took it to rehearsal last night and it sounded spot on. I've grown to prefer the feel of flats much more now too.
  2. Marc S
    Hi @blue The lead guitarist in one of my bands bought himself a Kemper during lockdown, so he could explore & play around with sounds & effects. He used to have a huge array of pedals, and his levels were sometimes up & down like crazy. As you say, his Kemper is really small.... and crazily loud for its size too. His levels are far easier for him to control now. Some great sounds with the unit. He can even choose a particular guitarist's sound - and its spot on. He's still learning some of the myriad of controls, as there seem to be endless options. We did a gig last weekend - and it was just one trip from the car for him. That's a huge bonus
  3. Marc S
    Thanks @gypsyjazzer I thought that might be the case. I previously had Spirocores on my acoustic upright, and there were times when I thought the E string was just a bit "weaker" - which I think is why someone suggested replacing it with the Dominant E.
  4. Marc S
    Hi @gypsyjazzer I was just wondering whether these were higher tension than Thomastik Spirocores? I think I've actually got a Dominant E string.... which I've never fitted lol
  5. Marc S
    I've done fewer gigs so far this year than I would have expected. But I have to say, the ones I've done have been pretty good. I think most punters are up for a bit of live music - having missed it so much. I really missed playing gigs during lockdown, and I missed my band-mates. Some of them are great pals who I'm glad I know. Last summer, my acoustic covers outfit played some really nice pub garden / ale festival outdoor events, and they were brilliant. Thinking more about it - were it not for gigging, I wouldn't have met some fab people, and there are pubs and towns / villages I may never have discovered. Perhaps I just didn't gig enough when I was first in a band many years back? Perhaps my near 25 year absence from playing made me more keen to play live? Perhaps I've met the "right" band-mates? Perhaps it's all of these factors, but I'm really enjoying playing and gigging again, and long may that continue Re the "lugging equipment" issue - I've worked on putting together the lightest weight, least bulky gear that I can reasonably afford, and that helps.
  6. Marc S
    Looks a cracker. I'm a fan of MIJ / CIJ Fenders too - not played a bad one yet. GLWTS
  7. Marc S
    I'm not really sure which way to vote. I play in a covers band, and an originals band, but I have also played several tribute bands too (and would again, if / when the opportunity was right). I also record with a couple of other people - mainly singer/songwriter acoustic guitarists. I really like each aspect, and for different reasons. Maybe I enjoy the covers band most, as it can bring in a bit of pocket money, and I enjoy playing live anyway. However, I also like the other aspects a lot too..... Sometimes, even a small audience at a folk club or acoustic event can be as rewarding, or even more rewarding than playing to a packed pub, where people have danced and sung along all night. Just a couple of months back, my pal released his CD which was also the soundtrack to a small, independent film - and I was really pleased with that too. It's never going to make any money, it will probably only be played on Radio Wales (Frank Hennessey's "Celtic Heartbeat" show - fingers crossed) but it was great to be involved in the recording, and rewarding to hear the final result. Hence, I wanted to vote 4 times in that list - but really can't choose
  8. Marc S
    I've got a TC Electronic BG208 thats pretty good with upright. My preference is to use my Markbass EVO1 head, and my Epifani UL110. But of course, that's not really a cheap option. I use the EVO1 head, as it has two separately controlled / EQ-able inputs, and a nice range of preamp sounds for each input. I have found that smaller speakers seem to work better for upright. Having owned & tried several 12" & 15" speakers that worked well with BG, but produced muddy, ill-defined low end tones with upright (more so with EUB too, I think). So something like the TC 208, or that Markbass 208 would be a good place to start. Beedster's AER also looks a good bet, if you can afford it. Also a point worth noting, is that EUB and BG require very different EQ'ing. I tried an ABY switching pedal, but struggled trying to EQ for upright and BG through the same channel. You could of course use an ABY switch, and EQ each output separately, with an EQ pedal for each one.... Good luck with your search.
  9. Marc S
    This lovely, unusual and rare bass is off to Moto Music in Cardiff tomorrow. They're going to sell it for me, for commission. It will be harder for me to access this bass for anyone wanting to try it out (you can of course, pop into their shop to do this). So anyone seriously interested in buying - it may be best to PM me today or this evening, to arrange a viewing (as I said, I'm also willing to travel a few miles to meet in the usual motorway services / pub car park).
  10. Marc S
    Thought I'd better add a photo of the inside of the case.
  11. Marc S
    That's it then - once GAS escapes, it's out of control and too late already I'm so glad I'm not alone in suffering this condition lol
  12. Marc S
    That's a cracking colour, and that mint scratchplate really suits it well. I've sometimes thought about getting one of these, to attempt to (a) play something a bit different and (b) to try out Barre Chord playing in a duo Just wondering @6feet7- what is it that didn't work for you re the Barre chord playing? Interested PS. If I was going to go for one of these - this would be the one, as all the others I've ever seen have been either black or Sunburst (mainly black, I think)
  13. Marc S
    Getting low offers on a Facebook group for this pedal - but they're pricey new, especially as they don't seem to be in stock in the UK... so price + P&p, plus import duty makes them very expensive. I'd much rather sell to a trusted BC member. Any interest on here?
  14. Marc S
    Photo of the purpose made case, which as I mentioned is also in great condition for its' age. Just a few scratches here & there. Tolex is in great nick, as are the corners. Latches & handle are great too....
  15. Marc S
    @shoulderpetyes, these are definitely a step up. I once had a really nice US p bass in oly white, which I sometimes miss (all too predictably of course) and this Precision compares very favourably with that. In fact, it sounds better, especially the lower notes. But also, this one looks even nicer, in Fiesta Red. I must say, I like the look of your model too - it suits the anodised gold plate best imo
  16. Marc S
    Hi @Mickyk I'm not sure. I should perhaps have taken a closer look, when I took the pickguard off. Whatever they are, they sound amazing. Perhaps this MIM range use US pickups? Maybe - but I think this is the best sounding Precision I have owned, or even played.
  17. Marc S
    Actually, I was being a bit dozy.... (no surprise there). But after fitting the plate & removing the protective film, I later discovered that it had a 2nd layer of protective film on it! And now it looks brighter and even nicer 😀 😀
  18. Marc S
    I did the same, when one came up here on BC ages ago. Then it became an itch I had to scratch! Lol 😆
  19. Marc S
    So, my tort plate just arrived - and I had to fit it immediately! 😀 😃 I grew to like the anodised gold plate, but Tort is still my preference, especially on Fiesta Red Perfect fit (well, one screw is just a tad out). Got it from "Musiclily" on eBay, about £11. Not bad value imo I think the bass sounds even better now 😉
  20. Marc S
    Just a heads-up on this bass. A pal of mine owns a rare guitar shop in Cardiff, and he has told me he'd be happy to take this bass in - to sell, for commission (obviously, that's how he's in business) Anyhow, I'm mentioning this here, as it will be more expensive in the shop. So grab it now.... or pay more
  21. Marc S
    I've only recently become a fan of headless basses, and that looks a great instrument. Have you weighed it by any chance @Old Horse Murphy? My digital scales have a strap attachment, which I wrap that around the base of the headstock.... but that would be rather difficult with one of these! lol
  22. Marc S
    I can't believe this rare pedal / unit hasn't been snapped up
  23. Marc S
    I played several gigs with my acoustic upright on a stand - so I could quickly switch to bass guitar. Even though I often play EUB (which of course is permanently on a stand) it felt very different. Playing an acoustic upright on a stand was much more "awkward feeling" and I couldn't get myself in a comfortable position. @NickA's point about "wrapping yourself around the bass" is quite right, IMHO. Somehow I felt less "connected" with the bass when I played it on a stand. Someone once said to me, that you need to almost dance with your bass Of course, if needs be - then you just have to learn to get on with it. I know at the handful of gigs I did this, I would have struggled for space and avoiding accidents, if I'd not kept the bass on a stand. Nowadays, I just play my EUB on such gigs. I would say though, that you should also practice with your bass off the stand, as well as on it. I'd also be careful about your posture - you may be causing issues for yourself in future. It would be interesting to hear what other Upright players think on these issues...
  24. Marc S
    With me playing - it's like a join the dots picture, completed by someone with numeracy dyslexia
  25. Marc S
    Further to discussions about neck width & chunkiness, which really is a discussion about mass and sustain (I think). Here's an interesting video about the "mass" of a guitar body and sustain - apologies if you noted that I posted a link to this before But I think it's a really interesting experiment, and an entertaining video if nothing else Of course, it's a guitar not a bass, and this concentrates on the body and not the neck - but I think such factors as weight of wood, mass etc are all linked - unless I'm missing something? Anyhow - enjoy... but DON'T try this on your vintage Fender!
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