uk_lefty

This is surely down to EQ rather than volume? I play fingerstyle 99% of the time along with two guitarists and never gave a problem being heard. Being heard at the right pitch and at the right time, however....

Sounds like a bug to me.

I didn't realise but for the last few rehearsals one of my guitarists has been using a Hotone (is it "Hot 1" or "Hoe tone"?) Ampero One with a Head rush 1x8 speaker and sounding excellent. He is one of these who really spends time with learning his equipment and getting it to mimic whatever exact sound he's after. He's had loads of separate pedals and loads of different multi set ups, I was surprised to see him using something from the cheaper end of the market but it really did sound excellent in his capable hands.

Aha. So you're obviously pleased with it. Do you know of you have access to the older Boss multi effect presets for bass units, on the unit itself or via the Web?

Has anyone on BC got one of these yet? I've read the whole thread, lots of talk on number of effects and specifics and some reviews, but what I really want to know is... Can I import somehow the presets from the old Boss GT10B? They were awesome and I'm missing those on my Helix stomp, which is a great bit of kit but there was a whole gamut of excellent cleaner tone presets on the old GT10B that I would love to have right now in a much smaller box without having to programme it myself.

If I was right handed that would be an image of heaven for me.

Buying online I guess. You can make an AliExpress China fake special look like the real deal in pictures but its not until its in your hands that you'd notice it's good for nothing other than hanging on a wall to look at.

Here's an oddity... https://www.ebay.co.uk/itm/Ken-Bebensee-Lefty-Strings-Fretless-Base-4741-/174812815240?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l49286&mkrid=711-127632-2357-0

The Way You Make Me Feel by MJ is my current song to learn. Easy to play just got to not let my hand cramp up by playing the same pattern over and over and over and over and over... Then a full and back to the same pattern over and over and over...

For anyone thinking of buying a Stomp... I sold off a Zoom G7.1ut electric guitar multi, a zoom 502 or whatever it is acoustic multi, and a Boss GT10B thinking the Stomp would replace them all. And largely it has. I didn't want to go back to my pedal board days of worrying what would work nicely with what else, what if I buy a flanger only for that song to never make it on the set list... Etc. The Stomp was to be my single box solution. Well.... Here's my pedal board now... Ignore the TC Helicon, that's a vocal fx unit that's there purely for sharing the power source and portability. But in addition to the Stomp I've employed an external tuner so I can use more buttons on the Stomp, an external 2 button footswitch so I can use the Stomp buttons to control effects and the external to scroll through presets, an external bass wah because using an expression pedal (not pictured) with the Stomp just isn't as good, an external power supply to power everything except the Stomp. In addition to the Stomp there's probably close to £150-200 of other stuff, board and cables included (TC not included) , required for me to get what I need out of it. Still, it's cheaper than buying individual fx and finding they don't play nicely together or they introduce shed loads of noise, or they don't sound like the demo, etc.

I've had an absolutely shocking experience with DPD. Bass went missing in their system, customer services don't have the same info as other departments, nobody cares or wants to help you, package turned up a month later to the recipient (who'd already had a refund off me through Reverb and I'd instructed DPD to return to sender) looking like it had been savagely beaten. No compensation whatsoever was given, not even the cost of delivery. I used APC to get it back and they were great and they I sure instruments. But weirdly next time I wanted to send a bass they said the package was too big and wouldn't do it! Just avoid third party agents to buy the service through. If anything goes wrong they just shrug their shoulders, plus the courier won't help you because their contract is with the agent, not you.

Stop it! 😋

Hipshot D tuners. Had one on a jazz bass for playing a few songs so when the jazz got traded in against a Stingray the Stingray got one! I'd want a Badass bridge on a jazz bass. I loved the extra zing I got from mine (please don't pile on telling me I'm imagining it, if I am then great, if I'm not, Greater still). Bartolini jazz pups. I butchered some into a Mex jazz I had, two bridge sized pups in to the same bass because it was a 90s Mex jazz with the same size route for each. Gave a really nice sophisticated sound to the bass. I've got a gig recording where I play a Sire V7 most the time and the Bart loaded jazz for one or two numbers and there is a difference I can notice at least and I find it very pleasing. I'm LOVING the DiMarzio model P pickup in my bitsa. It is classic P bass. So much so that I'm thinking of getting rid of my jazz and replacing with a P, though I've already got that in my Bitsa... Kiogon wiring looms. I've got one in my Kramer fretless, it has simply "turbo charged" the most budget bass I have. The bass has sentimental value and I still gig it, now with this mod it sounds amazing even with the stock cheap pups. I have a Kiogon loom in my Aria SB Elite too, its brought a new dimension to that bass and gives an extra coil switching option that the original never had. I've also got a Kiogon loom in my Bitsa, easy install and workings, powerful output, essential item!

Burns on ebay.. I have now learned my lesson. I DO NOT have the skill, tools or time to restore a vintage guitar. So I will not be bidding! Still, looks lovely. https://www.ebay.co.uk/itm/BURNS-BALDWIN-VISTASONIC-BASS-LEFT-HANDED-/154527983370?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l49286&mkrid=710-127635-2958-0

Yes, almost like "Tuner" being an effect block... But without taking a block up, that could work for me if it could be done like that so you can bring it in and out, move it around.... You could also only put it on 1 out of 5 patches for a guitarist so they aren't constantly, constantly tuning between each song.

No because of global settings, as already stated by someone here... But I find having a micro external tuner helps. Then you can always have it there and use it as a mute switch. I've got mine feeding the input to my HX so I go bass>tuner> HX. I've then got all three HX buttons as on/ off for different effects and an external 2 button footswitch to do Preset up/ down. It's then really really clear what everything does so it's easy to use quickly. That's if you can remember which preset you want for each song 😉 And there was me buying a Helix so I would only need one pedal forevermore...

In reality I think the only people that would bring us anything close to the old TE sound is Ashdown. And I'm not sure they want to, or that there's a market beyond 3 or 4 of us on this site, who would buy one new. Reality makes me sad sometimes.

Why can't we all just get along?! I love both headless and headed basses. If it's a bass then it's good with me. This cannot descend in to Britney vs Christina.

Yeah but not all evolution is great. Dinosaurs used to roam the earth, then they completely disappeared. We've now got useless animals that won't breed to survive, like pandas.

Ah fair play then.

Anyone got good recommendations for strings? I've got Status strings on my Washburn Status at the moment, I had Pyramids on my old Hohner and they were great, but never tried any others... Looking for a bright, zingy sound and light weight. Thanks!

I don't know why anyone would do that though, just get double ball end strings, surely?!

Got one, all working. Just in time for band practice tonight. Thanks again

I don't think I've ever heard it. Which is why me trying to play it because it's a "new song" (I have no idea when it was released, but in the last 5 or 10 years?) would look like a sad 37 year old man trying to be popular to 20-somethings. Except there's no 20-somethings in the place, it's all people 35 and over who don't want to go from bar to bar, just sit there and drink and sing along to a few songs they know.

Hang on though, my response was about it being childish to want to quit a band if you don't like the material. There is absolutely no disputing that playing Sweet Caroline and "Peter Kay's Amarillo" will go down a storm in 99% of drinking establishments in England.