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rushbo

⭐Supporting Member⭐
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Everything posted by rushbo

  1. If the guy had stopped relicing this a third of the way into the process, this would be a nice instrument. I like basses with character, but this looks more like "fire salvage" than "mojo".
  2. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  3. Sad, sad news. The internet will be full of plaudits for the man and quite right too, but I really feel I need to say "thanks"...When I played with Heartbreaker - an excellent Paul Rodgers tribute band - of course, I played a stack of songs by Free. This meant that I had to sit down and really listen to what Fraser was doing. What an education. Powerful, melodic, inventive and funky. He was unique. I saw him play a while ago in a half empty venue in the Black Country and time had not diminished his musical prowess. One by one, the legends slip away, but it's always more poignant when that person has been an inspiration to you. The skinny kid with the cherry red Gibson bass and the wry smile has gone. His legacy is peerless. Thanks Andy. Thanks a lot.
  4. ead, feel free to pop in for a cuppa, but the bass is now sold....
  5. Roll up ladies and gentlemen and gasp in awe at my lovely Spector 5 string… It’s a bit of a rare best – made in Korea in the mid 90’s. Check out the unusual (for Spector) headstock. It’s active and beautifully made and very comfortable. It’s got a brass nut and sexy black hardware. The back has that lovely Spector contour which makes it a joy to play. The neck join is absolutely flawless. Lots of tonal possibilities – yeah Spector’s sound great for rock, but this machine can also sound pretty funky too. Condition? Pretty decent. A few little scratches, but nothing that a bottle of black nail polish and some T Cut couldn’t put right. I’ve had it for about a year and gigged it once. Through my Genz Benz Contour rig, it sounded HUGE. I put some new Rotosounds on it at Christmas and it’s had about 30 mins play since then… I’ve come to the conclusion that I’m not a five string player, so it has to go…and I’ve also got terrible GAS for a BC Rich Mockingbird… £300 gets it posted to you in a tatty but usable hard case. Or you can pick it up from Halesowen in the Wild West Midlands. Feel free to come over and have a twang- the kettle is always on, but bring biscuits… [attachment=186034:spector.jpg] [attachment=186032:headstock.jpg] [attachment=186033:back.jpg] [attachment=186035:neck.jpg] [attachment=186036:pups.jpg]
  6. The only time I've ever had a problem was when a keys player wanted to do "Superstition" in the original key. Other than that, the beauty of playing a (generally) non-chordal instrument is that transposition is fairly straightforward.
  7. Entwistle pups are amazing. I swapped my active Fender pups in my Precision special for the Neos and I don't regret it all. Really versatile, ballsy pick ups. And obscenely cheap.
  8. Maybe I’m missing something here, but I don’t see the wording of the advert as a slight on bassists or what they do – it seems to be saying (to me, anyway) that a love of that style of music and a commitment to improve is more important than technical competency. And I agree wholeheartedly. I joined my first band because the guitar/vocalist and drummer were great guys to be with and I really loved the material. I sucked big time at our first rehearsal, but because they could see how much I wanted to be in the band and how committed I would be, they asked me to join. I worked my nuts off for months, learning the songs, practicing, improving. It was hard, frustrating work and I lost count of how many times my Hondo Ric copy went flying across the bedroom (onto the bed – I wasn’t stupid!) in a hail of obscenities. But I persevered. And I turned into a reasonable bassist. To me, the ad says “You don’t need to be Geddy Lee to join our band as long as you love the music we play and work hard at it”. Take, for example, Tina Weymouth of Talking Heads. A complete novice when she joined the band (convinced by boyfriend/drummer Chris Frantz she could do it), she turned into a superb, innovative bassist. How good were you when you joined your first band?
  9. By "jobbing musician" at this level, I meant the person who will join a regularly gigging band just for experience and the (very) occasional few quid - people who are playing with a band "until the right one comes along".
  10. I can see what the person who wrote the ad is getting at. Aside from the grammar issues and the possible over use of the ellipses, this seems like a sensible way to find someone who really loves the music rather than a jobbing musician who may lack drive and enthusiasm. When I joined my first band, I could barely tune my bass, but I was a huge fan of the genre and got on really well with the guys in the band. That meant that I worked really hard to improve and my learning curve was massive and by the time that band folded, I was a semi-decent player. A few bands have formed in this rather ad hoc way - UB40 being a prime example. Who would you rather have in your band - the bored, uncommitted but competent guy or the devoted, driven beginner?
  11. Someone asked the seller for his "buy it now" price. £375. Free postage tho'.
  12. Never has looking at a Bass made me feel so sad.
  13. Aside from the inexplicable hole (?) and the battery box, that looks OK. Possibly a tad overpriced, but I bet those EMGs sound lovely.
  14. My favourite bass is an Aria bitsa which has been severly modded - EMG pups, gold hardware, new tort plate. Nearly all secondhand. Total cost...maybe just shy of £100 if you count the neck block decals and my Steve Jones "Saucy Lady" decal on the front. It sounds great. And it's unique. I've gigged with other bands whose bassists have "proper" gear and I'd put my mongrel next to boutique any day of the week. You have a cool looking bass. If it plays well and sounds good, then rock it live. In the words of Oscar Wilde - " A cynic is a man who knows the price of everything and the value of nothing".
  15. I can't remember the bass challenge, but I was amazed when a guy could name any Pet Shop Boys tune just by looking at the flickering of the LEDs on the HiFi amp....
  16. Just a feeler at the mo, but I'm hoping to go on Sunday and as the trains don't start until too late in the day, I'm driving. Anybody in the Halesowen/Dudley/Black Country up for a car share?
  17. The item is located in Hiroshima.
  18. Just a little background....this is my band - King Rocker. We're one of those "classic rock cover bands" that polarises opinions on this here forum. Our USP is that we have a bona fide Elvis impersonator on vocals - King Rocker, geddit? So if you've ever wondered what "Back In Black", "Mr Brownstone" and a heap of other youth club classics would sound like, if sung by Mr E.A.Presley (deceased), then we are the band for you. This was one of our Christmas tunes - the other being "Merry Christmas Everybody", natch. We did the basic track in the rehearsal room and the Guitarists did all manner of clever stuff on Cubase. Enjoy - and Merry christmas from The KIng. http://www.youtube.com/watch?v=pgHkXtnrm34
  19. I really want to hear what this sounds like. Seriously.
  20. His work with David Torn is outstanding. "It's OK to listen to the grey voice" is superb.
  21. I'm fortunate enough to have a bunch of Basses to pick from, so I'll always take two. In the gig box is a Behringer BDI21 in case of amp failure. Also in the gig box, spare leads, strings, mics, mini toolkit, gaffa tape, extension leads, tuners and two mini Hercules stands. Over the last few years I've used every item. Except the spare bass and the Behringer BDI21.
  22. As a diehard REM fan (OK, sue me...) I've seen Stipe use a music stand dozens of times. Does it bother me? No. Does it make me think any less of him or the band? No. I'd much rather see a band use stands and get it right than fudge lyrics and chord changes. If you're slavishly staring at the music stand, then you may need to have a rethink, but there are far worse crimes that covers bands commit than using stands on stage.
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