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Kiwi

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Everything posted by Kiwi

  1. Why on earth would you specify "4 strings only"? If they're right for the band they're right, regardless of how many strings they play. You've just discriminated against 5 string p-bass players who might otherwise be perfect for the job. BTW everyone on this forum in London looks good in a suit. You'll have to be more specific.
  2. If you check out this post you might find there are a few of us who are lefties that play righty. [url="http://basschat.co.uk/index.php?showtopic=2918"]http://basschat.co.uk/index.php?showtopic=2918[/url] Heck, two of them run this forum Welcome aboard
  3. ...and lead us into temptation. (For I've had one serious sniff of interest from a regular member...)
  4. [quote name='ped' post='50766' date='Aug 26 2007, 01:17 AM']Kiwi will probably buy this anyway lol[/quote] Kiwi would prefer a Hexavalve if one pops up at a reasonable price. A Twinvalve, tho a lovely amp, isn't powerful enough for the cabs I'll be getting.
  5. Thanks for your kind generosity johngh - I hope this goes to a good home. I have three Trantec S2000 units - they're virtually bomb proof!
  6. [quote name='Hit&Run' post='50606' date='Aug 25 2007, 04:53 PM']Here's his latest words to me: " yOU HAVE A GOOD POINT!!! MY MUSICIAN FRIEND SAID IT WAS GRAPHITE, SO ILE TALK TO HIM SOON AS I CAN FIND HIM. CHHERS FOR INFO." He concedes at last! "There is something funny about the neck: Have a look at the photo of the back of the headstock. see the join just above the first tuner?"; says merchant. It looks like there's a definite join there, but I'd have thought it would be easier to put graphite rods in from the heel end. I think it's just a cheapo construction method. That join could proove a weakspot. Quite a few basses feature graphite rods in the neck, but I don't reckon Gould would have gotten into that way of making necks.[/quote] For a bass at that price level, I would be very surprised if there was any graphite reinforcement in the neck. Most likely that the join is simply happened because they're using lumber that is too short for the full neck length. There are some basses where the headstock is deliberately glued on as a separate piece (such as Smith) to remove potential weakspots (anyone who has seen a Thunderbird with a snapped headstock will know them). I would leave this bass well alone unless you're looking for something you can trash with a guilt free conscience. The timber used is likely to be any old job lot they could get in on the cheap. I wonder if [url="http://www.ggould.com/home.html"]Geoff Gould[/url] (founder: Modulus) knows these guys are using Gould as a brand name?
  7. we use a place called Resident - its tucked down the back of some residential streets but the place is quite reasonable in condition and rates. We block book and so get a discount on the rates.
  8. [quote name='chris_b' post='50589' date='Aug 25 2007, 04:05 PM']On the other hand...... I know a very good keyboard player, currently living in the Medway, Kent area, if that is of interest?[/quote] Thanks mate, since posting we managed to snag 'Jim'. But if your guy is comfortable with rehearsals in Willesden Green part of London, if would be worth having his details anyway.
  9. Heh, if she'd walked off the promoter would have had a problem too.
  10. I agree.
  11. [quote name='The Funk' post='50163' date='Aug 24 2007, 02:21 PM']That's the probably the safest and simplest way. I'm sure noone in the audience would take pictures if people realised it was because of her epilepsy and not because she doesn't want people to have photos of the gig.[/quote] If you read some of the posts on that myspace profile, it looks like she threw water at people and verbally abused them as well. Any other artist might have walked off stage and refused to come back on. Alternatively, the promoter could hired blokes with torches to shine them on 'flashers' in the audience so the bouncers could move in on the floor with a one-time warning (which is what happened at the Prince after show party).
  12. Kiwi

    Hi Guys

    [quote name='Lulu' post='50029' date='Aug 24 2007, 11:30 AM']Hey, that could be interesting to set up some kind of a small bassday with guys from the UK and French forums. You guys come here and we go there.... London/Paris Bass Days.[/quote] I mentioned this to Ped, in passing, the other day, myself. Might be a bit of a laugh!
  13. [quote name='3V17C' post='50217' date='Aug 24 2007, 04:03 PM']Guilty as charged your honour![/quote] Me also... ...but you all knew that anyway. Can't make any excuses for it either. I'm just not a one bass person while I'm playing covers. At my rate, I'm racking up enough gear for an entire teen band except for the Roland TD drum kit... ...give it time though, I am a former drummer. I do play all the stuff I have, just not very well
  14. Kiwi

    Prince gigs in London

    There's a whole load of review links here as well: [url="http://prince.org/msg/12/240532/Catching-up-with-Prince-collected-O2-concert-reviews"]http://prince.org/msg/12/240532/Catching-u...concert-reviews[/url]
  15. It seems like a hell of a health risk for her to take though, doesn't it? Only thing I can think of to sort the situation out is for Prince-style confiscations of all flash capable cameras at the door.
  16. Oh well thats lot of number ones and number twos isn't it? Jon mentioned to me that he'd been looking at getting a local military machining workshop to make his hardware in the future - I wonder if these events will give him extra impetus to look into that? I hope it doesn't hold my bass up too although its still very early days yet. I reckon I probably won't get mine much before Christmas anyway.
  17. [quote name='dlloyd' post='49770' date='Aug 23 2007, 07:51 PM']Well, she had an epileptic fit brought on by flash photography...[/quote] it seems there was more as well, judging by some of those posted reactions
  18. [url="http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=95747580&blogID=262875460"]http://blog.myspace.com/index.cfm?fuseacti...logID=262875460[/url] Her manager says: [i]"These dates were misrepresented to her fans and ticket buyers by the promoter of these 3 shows (DC, Charlotte & Atlanta). Meshell had warmly agreed to participate in a double-billed show with her and W. Ellington Felton - Meshell going on first and introducing some NEW music, then introducing W. Ellington Felton, playing a tune or so together and then letting him play for the crowd. She - as those who love and appreciate her artistry know - is not ever likely to play a date filled with past music. She may inject a few 'old' songs into the set (as the mood takes her) but is not the type of artist that likes to dwell in the past. It was not until we arrived at the venue in DC that we learned that the promoter had thoroughly disrespected our wishes about the setup and promotion of the show and had also not thought it appropriate to inform us before we arrived. At the end of the day most have no idea that this is the case and it only reflects negatively on her - no matter that the promoter is ultimately responsible. I am so proud of her for going on with the DC show - despite a terrible cough and a general feeling of malaise about the whole thing. We were met with the same scenario in Charlotte and Atlanta - in Atlanta people chose to disregard the requests of no flash photography and pummeled her from the front row until she passed out and fell over - and she STILL came back and performed an electrifying set - against my better judgment. I have read some of the comments (and have been sent many) but feel the fans should know that - even with all the misrepresentation by the responsible party Meshell IS aware and respectful of her fans and the folks who bought tickets to see her - however misguided they were. Was she angry? Yes indeed. The beauty of a Meshell as an artist is she is ever-creative and moving forward with her creativity. The beauty of her shows is that we - the audience - get to participate in that process. Any true music lover knows that in a live performance setting the energy between artist and audience work together to create something unique and truly worth being there for. For no one more than Meshell this is true. If the audience are coming to her shows to hear their favorite CD cuts they should think twice about their own expectations. Expectations can only cause suffering. The promoter was missing in action of course and - for that - he has to live with himself. Shame on him. --Meshell's manager"[/i] Anyone find the sense of indignation a bit odourous? Her OFFICIAL Myspace page owner says: [i]"Yeah, there were a couple of folks taking photos, but this seems to happen at every concert of her's. This will continue since she is always gaining new admirers, and no matter how many times I personally tell people that using flash photography while taking a photo of Meshell can kill her, people will continue to do so unless they are warned THAT NIGHT by Meshell personally before the first note of music is played. I feel it's unfair to blame the fans who might not have seen the "No Flash Photography" signs in the dark venue. It's also unfair to blame them if they don't read their tickets. Folks don't know WHY they are being asked not to use flash photography. They need to be told at the beginning of every show. And the only person they'll listen to is Meshell. But hey, that's just my opinion. Yeah, it hurt reading what I read about the Atlanta show. Reading and approving of every heartbreaking comment posted by her admirers. Especially those that were at their first Meshell concert, saying it would also be their last. It hurt me knowing that they're going to miss out on what so many of us have experienced seeing Meshell live. To those of you, if you're still reading, this week has been an aberration. I know that Meshell loves and respects her fans, but from what I've been told by many who were at the Atlanta show, well... let's just say I'm thankful nothing from this past week has been memorialized on Youtube. To me, the water bottle incident, the cursing out folks -- it's just not the Meshell most of us have experienced in a live setting."[/i]
  19. oh give us this day our weekly bump...
  20. [quote name='Cantdosleepy' post='49669' date='Aug 23 2007, 05:00 PM']Hey guys. My main bass is a MIJ '75 Jazz reissue. I like it an awful lot, but it's pretty noisy around any kind of electronics (up to and including my amp and POD!). I need to keep my fingers on a string or the bridge almost constantly. It becomes noticeably worse if I turn the volume down on one of the pickups (I like to rolll a little off the neck to give it a bit more 'bite'. Is this just a shielding issue? Is it a pickup issue? Can I take it into a shop and get it properly shielded by an hexpert and make this noise go away? Does anyone have a reccomendation of somewhere in Lnodnon to get this done? Be careful about tempting me with new pickups. All this talk of Wizard here is giving me GAS! Cheers![/quote] Did you look here first? [url="http://basschat.co.uk/index.php?showtopic=194"]http://basschat.co.uk/index.php?showtopic=194[/url] This is why we have pinned topics! Shielding a bass is relatively straight forward once you have some adhesive copper foil or tape. I've done it myself and its a cinch to get a neat looking job if you have a sharp blade to trim the overlap off. See if your local maplins or electronics supply store has some perhaps? Or maybe check out [url="http://cgi.ebay.co.uk/Guitar-Shielding-Tape-High-Spec-Adhesive-Copper-Foil_W0QQitemZ250154745707QQihZ015QQcategoryZ42455QQssPageNameZWDVWQQrdZ1QQcmdZViewItem"]ebay[/url]? Your hum issue may be as much a product of your surroundings as it is of your bass. Shielding the control cavity may only address one area where hum can be picked up by your bass, the wires leading to the pickups too and pickups can also act as receptors. In fact, single coil pickups are fairly notorious for picking up hum when only one is being used at a time. It might be worth looking at alternative "stacked" jazz pickups if you really like your bass or saving to upgrade to a bass with humbuckers perhaps? If you decide to get a tech to look at it, there is another pinned topic in this Repairs forum with a set of recommendations. [url="http://basschat.co.uk/index.php?showtopic=253"]http://basschat.co.uk/index.php?showtopic=253[/url]
  21. [quote name='GreeneKing' post='49349' date='Aug 23 2007, 09:39 AM']A complaint! This is a forum ferrcrissakes, can't it be sorted in the open, err, sorta 'forum'?[/quote] Normally, we prefer to deal with things offline. By doing this, you guys stay positively focussed on the important stuff ie. talking about bass. The problem we get when things aren't dealt with offline is that there are some members who will undoubtedly feel compelled to express their opinions on the matter - as has already happened on this thread. Those opinions may or may not necessarily be informed in any specific instance, and will raise questions which invariably need to be addressed also. It's sometimes very easy for the mods to find themselves embroiled in a conflict that they were originally supposed to resolve diplomatically and efficiently. Obviously this state of affairs isn't desirable, as the mods should be setting an example to others in their own conduct. There are other times when there are issues of confidentiality that form the basis of a moderating decision which should be a matter just for the moderator and the individual concerned. In those circumstances the mods reserve the right to keep matters of personal confidence private. The mods should also be permitted to perform their role in these situations without fear of recrimination or bullying from third parties who have formed their own opinions about what has happened without necessarily being in possession of all the facts. We're all human and sometimes mistakes are made by all sides so if you have a problem with a mod, then you should talk to Ped or myself as owners and underwriters of this forum. We will take it up with the mod concerned. We're not going to carry out a witch hunt but its important to make sure that any direct action taken is in proportion to the seriousness and long term impact caused by the issue(s) raised. So if you have a specific query about what has happened in a particular situation, feel free to PM Ped or myself and we will clarify things as much as we can. I believe that any openness of exchange between an individual member and mod on solving any issues would be compromised if constantly subjected to the wider scrutiny and criticism of the membership. It's also far better for the general atmosphere on the forum if misunderstandings are dealt with on a 1:1 basis in private. It not only saves on bruised egos and potential embarrassment on all sides but it detracts from the general enthusiasm and positivity generated by you guys. Positivity that makes this such a great forum to be a part of! More importantly, it also allows facts to be checked and clarity to be achieved with a minimum of distraction. If a mod has just one person's issues to deal with, they're going to be more focussed on finding a resolution to the problem to hand than if they have to deal with a mob of diverse and strong opinions. Lets keep things positive and stay focussed on bass, ok?
  22. Given I've had a complaint about this thread, the matter is being taken up offline. G_Major, I'm pleased you sold the fodera, its a lovely bass and we don't get enough of them here.
  23. [quote name='lex_luthier' post='49212' date='Aug 22 2007, 10:13 PM']If there aren't any luthiers in your area who could do it why don't your look for a car refinishing or furniture company? I reckon either should be able to help you out[/quote] Zakly what I was going to post. There was a custom car painter on Bassworld who offered to do basses for something like £50. If he had a car to do, he'd just add the bass body in with it on the side and they'd both get hand rubbed. He could do custom "candy" colours on maple tops too.
  24. I saw it but it wasn't to my taste.
  25. Kiwi

    Greetings

    hi richie - welcome!
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