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Kiwi

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Everything posted by Kiwi

  1. [quote name='P-T-P' post='47459' date='Aug 19 2007, 06:16 PM']THis is an exquisite instrument, that is utterly loaded with tone and which plays like a dream. Apart from the obvious good looks, it is far lighter than you would imagine and after a brief initial stumble over the extra string, I found myself whizzing about like I'd been playing 6 all my life.[/quote] [quote name='silverfoxnik' post='47464' date='Aug 19 2007, 06:37 PM']It is a beautiful instrument that seems to make you want to play it more, almost as though there's something inherent in the design that makes you adapt and develop your playing.[/quote] Pete and Nik - Wow, thanks for the endorsement! It was great to meet you both yesterday too. With comments like that I hope the Smith 6 sells before I change my mind...
  2. Kiwi

    South East Bash

    [quote name='lukeward2004' post='47314' date='Aug 19 2007, 11:35 AM']Oh by the way - I owe someone my share of the room - can whoever organised it please PM me and ill sort you out with some spondooleys? Cheers![/quote] Me too - is paypal OK?
  3. [quote name='Hamster' post='47277' date='Aug 19 2007, 08:18 AM']You can come if you have a Tardis - please bring an air freshener and a +600w cab with jack connectors Hamster[/quote] LMAO!! Oh yes. BTW I had a go on this bass yesterday and I was very impressed with the sound - loads of firm mid range growl and strong sounds from both pickups, without any trace of boom or brittleness.
  4. Kiwi

    South East Bash

    [quote name='Oxblood' post='47192' date='Aug 18 2007, 06:54 PM']Really disappointed we never got to hear the V8, CK Next time, eh? Maybe by then I'll be able to bring the full VA350 rig and the two of us can have a mammoth ACME-vs-BFM Trace-Off! [/quote] Ken, how about I bring the V8 next time (cabs permitting) and a Burman AND the Mesa Boogie Strategy 400 power amp?
  5. Kiwi

    South East Bash

    I think your voice sounded pretty good mate, I had no problems hearing it.
  6. Kiwi

    South East Bash

    [quote name='ped' post='47213' date='Aug 18 2007, 08:42 PM']By the way kiwi, sort yer' captions out - its a Passion bass, not an Arpege ;0)[/quote] Noone cares about it mate, get over it.
  7. There's thumbo, Telebass and a few others as well based in Plymouth. You should all have a get together somewhere - it would be good to see some photos.
  8. Kiwi

    South East Bash

    [quote name='Sibob' post='47188' date='Aug 18 2007, 06:34 PM']No pics showing up for me dude! Yup, cheers for the play on the Smith, will write more of my thoughts of the bash later, just shooting off to my gig Si[/quote] They're working now.
  9. Kiwi

    South East Bash

    OK here are some photos from the SE Bassbash - the location of the venue was excellent! Top marks and thanks to OBBM for setting it up. It was nice to see some new faces and a load more players having a bash on the Smith 6 compared to the first time I brought it. One day I hope we'll be able to organise an impromptu jam! Don't tell the wife! He's supposed to be limiting his salt intake!! Hamster offered to bring his spiders in next time! He reckoned they got a bit excited by low frequencies! Dr Funk (aka Thebassistformerlyknownasfunky_bass_guy) gets nasty on the Vig Arpeige "Deltametal"(tm) fretless G-77 on MacDaddy's Shuker 6. I tried this bass and it was as punchy as a Jaydee! Made me rethink the spec for my own impending Shuker 6... In the meantime, MacDaddy had a go on my Smith... ...and so did Lukeward2004! The hardest man in Whitney showed up and put the lot of us in our place via the gift of sign language. I asked Si-Bob (right) to stand next to him but he was too intimidated. I think we all were coz once he'd stepped outside most of us left for home!
  10. I'm a former lefty drummer, converted to bass after wrist issues at the tender age of 14. Started in blues, then jazz/funk and dance covers. In the last few years I've settled in soul/rnb very comfortably. For 12 years I played a Jaydee MK until my career finally took off (thanks to a skills shortage) and then I was lucky enough to dabble in a few other instruments. Influences started with Adam Clayton and Herbie Flowers. Then I switched to a load of 80's bass gods like Jaco, Stanley Clarke and Mark King. The 90's sucked for me (which is when I played mostly jazz and my influences were Marcus, John Patitucci and other fusion players like Marc Johnson and Jonas Hellborg), then I listened to a load of Meshell N'degeocello, Bernard Edwards, Robbie Shakespeare, Nathan Watts, Norman Watt Roy and other groove players. Its been goin' on since then. Julian Crampton is one of my favourite players right now - he's just taken up the bass chair with Incognito. I was lined up for some lessons with him but he had a nasty habit of going off on tour and could never commit to a date...
  11. Hi Al, I'm still keeping the Smith 5's as my main basses for the forseeable future. The Smith 6 is a completely different beast and I simply don't have the facility to play it live yet. So I'd rather sell it to someone who can use it the way its supposed to be used. Jon's agreed to make a 6 for me that is more in line with how I'd normally use a 6 - ie for mucking about with at home for chordal work or to save me faffing about with a keyboard too much. I can take it out occasionally for a live gig if/when I get comfortable enough with it. If I ever reach that point then a matching fretless may well be on the cards too. After approaching a few makers for quotes, Jon's basses impressed me with their value for money and ergonomics. He had the Smith 6 for a few hours yesterday so he knows what he's up against in terms of sound. I asked him for a bass that sounds the same but with more prominent midrange. Whether that means using wenge laminates of 6mm or 12mm wide is up to him as the master craftsman. I'll let you all know how it turns out.
  12. Here's another clip - ignore the credits, the clip carries on for a while afterwards. With 11 secs to go, check out the back of the T-shirt when he turns at the end of his solo. LOL
  13. What kills basses is when the instrument is being subjected to either extreme changes in temperature or humidity. In normal room temperatures your instrument will probably be OK. Just keep it away from direct sources of heat. In the US keeping a bass overnight in a car during a winter frost (say any temperature below freezing) and then taking it into the house (heated to 22-25 degrees C) the morning after can cause the wood to relax faster than the finish resulting in cracking (which is why you sometimes see the linear crazing on some older basses with cellulose or nitro finishes). Condensation can cause the wood to swell unevenly also which may make the instrument warp. But the chances of this happening are greatly reduced if your instrument is completely covered with a polyester finish (ie no oil finishes). Finally, sometimes there are just inbuilt tensions in the wood that have not been released by adequate drying and there's not much anyone can do to avoid these apart from making sure you buy from a reputable maker. For example, some of the cheaper Parker guitars, the P38's and P40's have been experiencing problems with warped necks because of this maturation process. The wood for the necks probably wasn't dried out properly enough when first milled. I remember with my status necked Stingray after it came back from the Bass Gallery, that the neck was significantly bowed. The reason for this was that the bass had been stored in a cold room and the cold had caused the epoxy resin or even the truss rod in the neck to contract. It took 48 hours for the whole bass to relax again so that the action was half playable.
  14. I tried a very basic shuker jazz yesterday which was featherweight - he'd used white ash for the body. It had quite a bit of punch too.
  15. any takers? I'm calling the council on Monday...
  16. [quote name='overwater#1' post='46864' date='Aug 17 2007, 02:24 PM'] You know how much I love that bass Steve.. hey well.., good luck with the sale..!! [/quote] Thanks Matt - I hope it sells to a Basschatter, it would be nice to keep it in the family. I love the sound of this bass and nothing would make me happier than seeing it go to someone who can really exploit the way it sounds. [quote name='dood' post='46890' date='Aug 17 2007, 04:15 PM']I have that video... I really can't watch it seriously when he's pulling the 'face' lol lol[/quote] See? If you look like that you'll end up attracting Yamaha! Stand back baby! The Yamaha players got their mojo workin'...
  17. [quote name='ped' post='46828' date='Aug 17 2007, 01:11 PM']A couple of sound clips....[/quote] Thanks matey, I apologise in advance for the playing
  18. I think graphite neck manufacturers should stop mucking about with unnatural substances and get back to working with real living materials! Whats wrong with a nice bit of wood for a neck, hmm? There's no need to go pouring out all those air pollutants while sucking up oil reserves just for the sake of a fat B string!! There's loads of perfectly good wood sitting in the amazon and congo going to waste. Imagine all the time wasted on making plastic necks and basses so far, which could have been spent making more authentic vintage Fenders for example! For goodness sakes, there's not nearly enough of them on Ebay. If God had meant for us to work with plastics, he would have given us vacuum molding buttocks and xacto blades for fingernails.
  19. In order to make room for the Shuker Custom headless MIDI 6 which is heading my way at some point, I'm selling my beloved Smith BSR6GN. I probably don't need to describe the attention to detail and craftsmanship or Ken's reputation for no compromise in his quality control. Each bass is inspected and signed personally by him before leaving the factory. These basses are THE ultimate instrument for jazz-fusion, RnB and soul, but the warmth is such that the bass will sit in most genres happily and it records beautifully! Overall, the sound is completely different to anything else out there. Its warm, deep and growly in the lower and mid registers and the treble response is clear and sweet without being brittle. In the upper registers the instrument sounds very mellow almost like a flamenco guitar and it makes chordal playing extremely musical. The bass has NEVER BEEN GIGGED - thats right, home use and rehearsals only because I get confused by the number of strings sometimes and didn't want that to happen in front of a room full of punters! It was made in 2003, I bought it in 2004 and it features quilted maple facings on an unusual black walnut body core which gives is a crisp and clean sound with a full but not boomy bottom end. The 5 piece, graphite reinforced, through body neck is aged rock maple with bubinga laminates and a lovely, smooth carved cutaway heel. The neck is 34" scale, has 24 frets and is very flat which is also great for chordal work. Ken Smith uses many techniques that are employed in double bass construction so you can expect an instrument that is designed to last for years and can be easily repaired in the event of wear or an accident. The pickups are Smiths own passive humbuckers mated to a 9v Smith 3 band eq. and the frequency centres of each band are tuned to the characteristics of the bass. String spacing is 18mm at the bridge and the nut is 55mm wide which is very comfortable and easy to get around on. The action is very low and buzz free and the neck is free of any twists or warps thanks to that huge slab of ebony used for the fingerboard. Here's a couple of vids of John Patitucci playing an older Smith BT6 Custom, but the sound is almost identical to mine (although mine's probably warmer sounding though). Beautiful huh? It could be yours for £2000, no trades or offers thanks though because I need the cash! I can bring it to the SE Bassbash tomorrow if anyone asks but if it doesn't sell in the next few weeks before I put my deposit down on the Shuker, its going to go to the Bass Centre where their commission will be added on to the asking price. You also get the Smith hard case and lots of case candy such as brochures, allen keys, strap, duster, Smith polish and a packet of crisps.
  20. [quote name='Johngh' post='45391' date='Aug 14 2007, 07:17 PM']Your PM replied to. I'm having it, job done ! [/quote] Blimey matey - with the Shuker too, you're having a real GAS attack!
  21. Kiwi

    Hello

    [quote name='JimD' post='46627' date='Aug 16 2007, 09:34 PM']Hi there Joined recently. Based in Oxon, and have been playing bass and guitar for 21 years. Currently own a Westone Superheadless, a Hohner B2A and a few other goodies. Super-fan of guitars in general and lust after different models daily.[/quote] Hi Jim, welcome. One of my first bouts of GAS was for a Westone Super Headless many, many years ago. Has it got the dark birdseye maple finish or light? There was a refinished purple one on Ebay a couple of years ago too.
  22. [quote name='Tinman' post='46715' date='Aug 17 2007, 06:33 AM']CK, I don't suppose you saw anything covered in Buckeye lying around, did you?[/quote] I don't remember seeing anything that stunning I'm afraid. He only showed me the basses that were finished (as in they had a finish applied) and the discussions of spec for my bass got quite involved. I held John's headless 6, played Colin's myrtle bodied bass and another with camphor facings. There was a stack of bodies on one shelf in a back room and there were a couple of necks with graphite reinforcing bars being glued up as well. I expect one of those necks might have been for your bass?
  23. As has already been suggested, the loudness of the amp is probaby more relevant to me. I used to run an Eden WT800 into a pair of 8ohm 2x10" cabs and they were pasted by a GK RB400 combo as far as volume goes. Better quality sound from a single driver also - much clearer in the mids and lower frequencies to my ears. I've also played my '79 Alembic Series 1 through a 100w Burman valve head through an Ashdown 4x8 and 1x15 and blasted away the guitarist who was playing through a 100w Fender Twin. The GK RB700 1x15 combos I keep raving about are more than enough for most gigs I play in small - medium sized bars and would probably be OK for a larger venue like the Clapham Grand if it wasn't too far from me and used like a wedge monitor. I tried adding a 2x10 to the combo for fun once and the volume was just silly - I couldn't get the amp quiet enough.
  24. [quote name='Johngh' post='46643' date='Aug 16 2007, 10:25 PM']Just a quick update. I spoke to Jon yesterday and he is still waiting for the hardware to finish it off. The pups are in and he says I might be able to collect it next week !![/quote] I had a look at it today while I was visiting him. It looks nice - the black hardware (when it finally arrives) will set off the light woods very nicely. I really liked how comfortable the body was and told Jon I wanted mine identical in shape to yours. My neck profile is going to be different though - a bit chunkier so my left hand doesn't cramp up.
  25. Kiwi

    Prince gigs in London

    Its definitely worth going, although the aftershow party is better, you're not guaranteed to see him though. Just leave your camera behind, they confiscated 3000 on Tuesday night at Prince's direct request which resulted in 3000 irate people waiting in line for an hour at a single 5m wide counter. Half of that time was spent with the staff looking stupid and doing nothing. The official word was that Prince didn't like the flashes, I think he objects to video and images being posted on sites and forums. Maybe he's planning to release the London concert on DVD too eventually.
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