fretmeister

Don't use a cab at all. Then EQ out / hi cut 4K and over.

I see Ian Allison has a set about to hit the shops - slightly smaller gauges and apparently slightly less of a polish so there's a little more roundwound feel. I wonder if La Bella will expand the range with non-signature lighter gauges.

I like the original EMG J pickups. They were designed to be like 60s J pickups but without any hum. There's some good Bobby Vega and Guy Pratt vids of them - they both use them. The only thing I would say is that the stock Tone control doesn't go as dark as a regular tone control can, if that is an issue.

One of my favourites!

Anyone tried them? Any comment on flexibility and tension? I often use Dunlop superbrights 45-105 which have a very thin hex core so they are very flexible and tension wise feel more like 40-100 for other brands. I’m trying to avoid new US products until the insanity ends so I’m looking at alternatives for when I need some. Has to be stainless steel as I have a nasty reaction with nickel. ta.

I'll take the Short Scale Alembic....

I am currently working my way through the complete Blues Brothers sound track. I love DD's playing so it's about time I did that. I'm also doing going back to a tune I used to find easy - Metallica's Master of Puppets. I played it for years in covers bands but then I ruptured a tendon in my right hand middle finger and the reduction in mobility has made that song really difficult ever since. To be fair, the recovery was such a drawn out affair that I thought I'd have to swap to playing only with a plectrum (urgh) so being able to play with my fingers at all is a relief. But it's time to unlearn old hand positions and see if I can work out how to do it all over again.

I have sub'd to the channel. I use Moises all the time but having some tab is very useful. Thank you.

This has been updated. If the tunes are on your PC already then you can now highlight 20 and drag them over.

I had a Superlight TT5 for a little while as well - amazingly for a 5 it was only 7lb but the neck shape was just wrong for me. Too chunky, big shoulders etc. I also find that I prefer the very very slightly narrower nut on a Stingray 5 at 44.5mm along with the 17.5mm string spacing at the bridge. Unfortunately ray5s do not get that light so I'm sticking with 4 strings for the future. Unless EBMM decide to do a paulownia body version anyway. Mind you that would probably be £4000 so I wouldn't buy it.

Doh! On my long scales I have 45-105. I've just remembered that on my Lionel I have Dunlop Standard Stainless Rounds at 50-110. They don't do a Superbright 50-100. The core is a little thicker and I think that works better on the short scale and they sound very similar to the Superbrights. I did compare it to Hi Beams 50-110. I tend to like a slightly heavier or stiffer gauge as I have a really really low action so I need some stiffness to stop it clanking too much when I dig in. I've got a different shorty for plectrum playing with a higher action.

Yes - 45-105 for me.

I love my Lionel Superlight. Took me a while to decide on strings for it and I tried lots but I have settled (I think!) on Dunlop Steel Superbrights - because they are not remotely 'Superbright' despite the claims. They are like Hi Beams that have been on for 6 months but not quite as flexible. I love Ti Flats on it as well but as I have a nickel allergy I can't do that anymore, alas. I did swap the pickups - it was a passive P with the Sandberg pickup. I thought that pickup was a bit too modern. Too much in the lows and didn't have that mid poke that a vintage p pickup has. So it's got an aguilar in it now, and while I was at it I had a J put in as well. I went with a 3 way switch so I can remove the J completely. I never use the J alone on it - most of the time it's just the P, but if I want a little more bite or a slap then I turn the J on as well. And it weighs 5.7lb.

Dunlop Superbright Steels - I know the name suggests something that is super bright but they actually really are not. They are nicely flexible and have a really solid fundamental tone with a bit of grit on top. Failing that - one of the DR roundcore strings would probably be pretty close too.

ah dammit - I have 3 shorties already.... all of them P or PJ. Maybe I should learn the words for "Abide with me"....?

I've owned 5 over the years and they've been consistently great. I do think they do themselves a disservice with the stock strings though, I like steel rounds but the ones they fit are horrible! I don't know who makes them for Sandberg but they come straight off. I like quite an extreme set up too so I always have to tweak. When I've got the truss rod set where I want it I can't even get a business card between the string and the frets when the string is held at the first and last frets. With the 2 I have currently (Superlight TT4 and Superlight Lionel) I don't have to tweak it in the summer or winter, it's rock solid. I only change it if I change string type.

My favourite bass brand. I love my two.

It's been about a month... I love this thing. I've got rounds on it at the moment for a bit more clank but the over powered tone control really knocks it down when needed. When the year of abstinence is over I might have to think about making another one so I always have one for rounds and one for flats! I can only assume that my new love for a P bass is just a sign of getting old and nearing death.

There is another big thread on this somewhere. Short version - the arrangement is far more important than the tones. Enjoy the space.

£375 for the small and another £180 for a bag? Get. In. The. Sea.

Oooo lovely! Those 15s sound ace.

Sandberg will do a Lionel with an extended fingerboard. They made some full scale extended ones for Doug Johns after Pedulla shut down. Custom order though with a good 18 month waiting list.

I suppose I could gut an existing awful pedal and see if the bits would fit. I've got a Boss ODB-3 lying about somewhere! Or build it into a food delivery tupperware thing!

All cab sims in the Stomp are actually IRs. When you buy external IRs you often get hundreds of files - all with different mic types and placements even for just 1 type of cab. Line 6 have a great UI process where it says "Cab 1, Mic at 2 inches away" type thing, and then "Cab 1 mic at 3 inches away" but when you move from one to the other all that has happened is that the Stomp has loaded a new file that was made with the mic being 3 inches away. It's a very nice system of letting us navigate by what we want to happen rather than file names. I've had a Helix since they launched and to start with I did use quite a few external IRs including some Ownhammer ones and Celestion's own ones. Then in a firmware release about 2 years ago now Line 6 completely revamped the included Cab Models and they massively improved them. Since then I use them 99% of the time. There are only 2 external IRs I use now - a specific Mesa 4x12 one and a Celestion 4x12 that uses the G12-65 cone because that sounds quite different to the usual V30 and Greenbacks etc and at the moment there isn't a G12-65 in the Helix. So - you can't really tweak an external IR because it is a set file. But you can't really tweak an internal Cab Model either - it just seems like you can. You are loading a new file for each control change. As a result there are hundreds of thousands of them hidden away in the Line 6 gear. When I record, I tend to record without any cab sims or IRs at all because then I can listen in the mix and change them after the recording. If I hadn't already bought the IRs I do own I would not have bothered now. The latest version of the L6 cab sims is excellent. A lot of bass is recorded direct as well - so no cab sims, no IRs, not even any real physical cabs either. Just straight in with EQ and compression. Some times when I record I don't use any cabs at all, just compress it, and then EQ to taste. Or sometimes mix a cab with a direct signal. If you use the Stomp with a real amp and cab then you'll want to turn off the cab sims anyway - a cab running into another cab is usually a dull mess. But then again, there are no rules. Within the HX system you can do what you like. Even build a patch completely backwards if you want. Bass into the Cab > FX > Amp last > output to speaker / headphones. Whatever you like!

If I have a box of electronic components and after having looked through them realise I actually have enough bits to make a fuzz pedal... but I'd need to buy an enclosure... Would buying the enclosure be a breach?