Jump to content
Why become a member? ×

fretmeister

⭐Supporting Member⭐
 View Profile  See their activity

  • Posts

    11,523

  • Joined

  • Last visited

  • Days Won

    5

 Content Type 

Everything posted by fretmeister

  1. fretmeister
    That's lovely. Ti Flats are by Thomastik and have red silks. Just thought I'd mention it.
  2. fretmeister
    The second option on that page. The first has entirely too much going on. If you've already got a stereo TRS to split mono TS cable then a suitable lightning to jack headphone adapter that you might already have would do as well.
  3. fretmeister
    There's 2 ways. You can either go lightning to a stereo cable into both returns on the Stomp. You'll need to go into the stomp settings and set the FX returns to be a stereo line in. That will make the Stomp do a clean pass through without any FX etc interfering with the backing track signal. Then the stomp main outputs or headphones to whatever you are listening with. The other way is to connect the stomp to the iphone and listen via the phone. This can be very useful if you are using other things in your phone like the camera for videos of what you are doing and that sort of thing. It's USB from the stomp into the phone and then a suitable app. Even something like Amplitube Free will use the Stomp as an interface and let you load up your iTunes library and even slow it down / change pitch etc. I don't think one is better than the other necessarily, just a different approach depending on what you want to do with your combined signal.
  4. fretmeister
    Yeah - they'll accept them. They just won't pay out. Dodgy practice if you ask me.
  5. fretmeister
    No. They still won't pay out even if their own additional insurance is purchased. The guys on thefretboard seem to use Overland Express - they were set up by a guitarist who is a member over there. I've not needed to use them as I haven't sold anything bass sized for ages, but the f'boarders seem pleased.
  6. fretmeister
    That's lovely! There's not enough green basses around.
  7. fretmeister
    I've got a couple of these. 45-105 works well and I like 40-100 on most longscales. One on of my SRMD I have Dunlop Medium Scale Flatwounds on it at 45-105. They cost a bloody fortune but they also last an easy decade. That bass has a lot of upgrades too - £300+ of EMG pickups and preamp. The build quality is more than good enough for upgrade spending.
  8. fretmeister
    $185 Canadian? That's only about £100 + shipping and incoming Vat. Seems a bargain! Love the idea of mixing in the cab too.
  9. fretmeister
    That seems to be a remarkable bargain for something so desired but discontinued. If I didn't value marital harmony, and indeed my marital organs, so much, I'd be all over that.
  10. fretmeister
    This. There's such a big move to modellers / IEMs even for small pub bands. I haven't seen a raging JCM800 for a good decade.
  11. fretmeister
    That sounds like builders going cheap on the build.
  12. fretmeister
    I'm wondering how many more strawmen / whataboutery / false equivalence comments that could be made. The proposed law is nothing to do with any of your post. It is to stop people moving / building / developing within earshot of a venue knowing or should have known that it is a noisy venue and then being able to complain and have it shut down. That's it. Nothing else. Land within ear shot of noisy venues often gets bought by developers very cheaply. They then build homes on the land and don't mention the venue nearby. The buyer of the new home doesn't do adequate searches about the location when they should have done as part of a survey, or does them and decides to buy the home in the anticipation of complaining enough to shut the venue. The developers know this will happen - in fact they are probably banking on it and it will likely make the venue fail and be up for sale too. Venues are often on the brink financially so they don't have the ability of say, an airport, to tell the new resident to sod off. And generally nobody can claim they didn't know an airport was there. All this law will do will make developers tell the truth about the properties they are selling, and it will stop new residents moving into a noisy area and then complaining about the noise they were already aware of. It will stop new residents lying that they didn't know about the venue / noise / etc. That's it. Nothing like any of your post at all - all of which can be avoided by not buying a home in earshot: "Your neighbours" made their own decision to move next to a live music venue. That is their choice and for them to move there, and for them to then try to change the behaviour of the people who were there first is the selfish act.
  13. fretmeister
    The best soundguy I ever had was for a village fete / beer festival type thing. The stage was used for a variety of acts during the day. There was a kit share with a bring-your-own-snare option and they did prefer that every body used the same bass rig. It was an actually very nice sounding Laney combo and extension cab. FOH took the di out of the amp. I used my little board (preamp / octave / tuner / little bit of dirt for richness). I plugged into the Laney and it was horribly bright - not great for big band jazz, but nice and rocky for the guys on before us. The sound guy just said - change whatever you want, every setting, I'll make sure it sounds good out front. So in the quick soundcheck I did change everything on the amp and also experimented with going into the FX return instead. I had a wireless on my board so I played a bit from out front as well during the SC. FOH insisted that I used the octave a bit in the SC just to make sure there wasn't a sudden explosion of low end. The guy did a great job. Sounded just how I wanted it out front. Thick and chewy with no flub and no excessive treble. Still left enough room for the trombones and the bari saxes. In 30 years of gigging I've never had anyone that good. I do wonder if he was also a bassist. Some of the band thought the bass was too loud - but you know, f*** 'em.
  14. fretmeister
    Overhang! aaaarrrrrrgggggggghhhhhhhhhhhhhhhhhhhhhhhhhh! (Nice one)
  15. fretmeister
    Then I suppose it comes down to whether you want the baked in T21 version of an Ampeg sound. I like the Paradriver more than the BDDI or the VTDI but as far as I know there aren't any clones of the paradriver. Most BDDI clones seem to be all of the V1 so no mid control. That would be a deal breaker for me. But the new Joyo Tidal Wave appears to be a clone of the V2 and the youtube demos sound good. https://www.joyoaudio.co.uk/bass-effects/joyo-r-30-tidal-wave-bass-guitar-preamp-overdrive-pedal-with-eq-and-noise-reduction-di Needless to say, it's a lot cheaper than a T21.
  16. fretmeister
    My home speaker is the HS7 as well. I use an HX Stomp. It’s great. I’ve got a bunch of patches for different genres and it’s great for guitar too.
  17. fretmeister
    Ooo! That will make sanding the edges even easier!
  18. fretmeister
    Slightly changing the subject... Is there a good 51 style shorty P bass? I seem to be watching a lot of ZZ Top vids and Dusty's various 51s look and sound excellent so I'm quite tempted.
  19. fretmeister
    Sorted!
  20. fretmeister
    I got the burst first - it was my first shortie and it was very cheap so it was an experiment. I loved it apart from the neck dive. The stock pickup was crap as were the controls - really on/off with no gradient to turning the knobs. But the basic construction was good enough to make upgrades worth it. The Sandberg was my 50th birthday present from my wife, and while I was waiting for that (custom order took about a year) the cream one came up on here so I grabbed it. I had planned on stripping it but when it arrived the colours worked far better than I expected. That one was quite badly set up when I got it (sorry to whoever it was) with a really high action. I think at some point the neck had been off and it hadn't been properly seated again when reassembled. That was an easy fix and now the action is nice and low. The EMG P-X version of their pickup is a lot better than the stock EMG P. More headroom and more mids so it sounds more like a proper P but with more output. The tone control on the X series actually does something too! It's my first choice for plectrum rock stuff.
  21. fretmeister
    I have very limited experience in recording vocals and I hardly have any vocal plugins so this really appeals to me - it's loaded with presets for just about every type of vocal. I'm going to download the demo and give it a try. The last time I sung properly was about 20 years ago when I fronted a power trio (that was a fun band) so it will be interesting to see what it does with my well out of practice voice. €199 but with 20% off if someone owns other NDSP plugins already. After conversion that makes it about £136 or so. Not cheap, but also cheaper than buying a load of separate ones. It's a great move from Neural too - expand the customer base from the rather limited metal guitarist crowd.
  22. fretmeister
    Well, here's 3 that sound like a P bass. The two Jim Deacons were very cheap to buy but they do need some upgrades. Both of them got Hipshot Ultralight tunes to get rid of the neck dive. The Cream one has an EMG P-X pickup and the burst now has an Aguilar AG-4P 1960s spec pickup and a Kiogon loom. The Sandberg is a custom order Superlight Lionel (5.7lb) that started as just a P, but I wanted more options so I had it modded to PJ. Aguilar pickups again, with a 3 way switch. I never use the bridge pickup alone on that, just the P or the PJ setting. The J pickup is slightly overpowered to match up with the P and I tend to add that if I need a bit more cut through. Cream has rounds - a great clanky rock sound Burst has ancient La Bella Deep Talking Flats - my main Duck Dun / Jamerson / Motown choice. Sandberg has Fender flats - does everything really. They all sound like P basses and the different pickups and strings give me plenty of options between them. The Deacons have very narrow bridge spacing which is not for everybody - it's about 16.5mm. The Sandberg is 19mm like a 34 scale would be. I was surprised to find that I really like the narrow spacing for finger and plectrum playing. It's a bit of a challenge for slap but when I slap I'm old school disco funk rather than Mr Wooten so it's doable.
  23. fretmeister
    It's almost like conversations evolve over time. Whodathunkit?
  24. fretmeister
    Now I’m wondering about how to fit mutes on my Pingray.
  25. fretmeister
    I wasn't mad on the Black Label pickups so I swapped them for EMGs. The original EMG J pickups were modelled after 1960s jazz pickups without any hum so they are not high output metal things. I did put an EMG preamp in as well as I like to be able to tweak when I'm miles away from my amp. As it happens I've just got my first set of Elixirs to try on it. I installed them last night. I expect I'll need a little truss rod adjustment today as it's settled in but they sound good and feel very nice under the fingers.
×
×
  • Create New...