Dingwalls are for tension and for longer speaking lengths on lower notes.
Doesn't really help with intonation as such except give greater room for error on the longer scale side - like it's easier to be in tune on a double bass than on a violin.
I suppose ideally you'd have a fan fret and then those frets would be temperament wiggly as well.
Perfect.
Straight frets simply can't be perfect intonated for the entire board.
Depends on how picky you are I suppose. To me it makes more sense for guitars as guitarists are usually playing more chords.
Price drop to £1550.
Will consider trades - try me.
If you've got a EBMM Stingray 5 that weighs about 9lb (I know they exist as I have one already) then I'm definitely interested in that.
Anyone got a good transcription?
The usual tab sites seem really inaccurate.
Standard notation is fine. Don’t need tab, but I’ll take anything accurate really.
ta.
Genre specific of course...
but if the audience is dancing then they like the rhythm section at least. They'll tolerate mediocre guitarists and singers if the rhythm is right.
As for the OP's comment about compression - I think that gets lumped in with the dodgy sound caveat. And even if the bassist isn't using a compressor - the FOH guy will (or should) be.
I've been looking at the specs.
So it has all the models / cabs / fx etc - BUT it only has 6 blocks in the chain (only 1 processor)
But looking at 99% of my live patches, I haven't got more than 6 blocks in most of them anyway.