fretmeister

I didn't realise that was you. I've been sub'd for a while. Great videos!

Why are Warwick Black Labels so hard to get in the UK? Gear4music have some occasionally but never in the right gauges. Do they not have proper distribution here? I have ordered from Germany in the past, but shipping charges are steep for small items.

If you go used you could find a 900 head. They do seem to have less reliability issues than the smaller ones. Or you could go a different way completely and get a Line 6 HX Stomp. Loads of bass amps and drives, IR / Cab sims and some useful FX like EQ and compressors even if you don't use any of the other FX. Dead easy to use.

I've just had a look at the cab specs. Switchable 4 or 12 ohms. The Mesa WD800 will run at 2 ohms - there's a little switch on the back. So just use the cabs in 4ohm mode giving a total of 2ohms and make sure the amp switch is set correctly. Full power and headroom available. Job done. If the amp fails then use the Mark Bass and flick the cabs to 12 ohms each giving 6 ohms total. Impedance is not a static thing anyway so you really won't notice that much difference between 4ohms and 6 ohms. Just turn it up a little if you need to and get to the end of the gig.

Lovely bass. Still, by the rules of this place - now you need to get a spare....

I am a big fan of a split rig when it suits the tonal needs. I reckon it is only needed in 1 situation - where the FX and drives are extensive and it's easier to EQ a separate clean amp underneath rather than have 1 cab do it all. So 2 outputs from the bass, or a splitter box then into different paths. 1: The drives and FX into an amp with some of the low end rolled off. Loads of mids and high end clank. 2: Into a different amp & cab with the treble and some of the mids rolled off. Like a reggae dub sort of thing. The important bit is compression. Different amps and using drives means the note decay in each rig will be very different. The clean low amp will decay far more quickly than the other. So compressors on each to make sure the note delays at the same time is important to make it sound like 1 rig and not 2 bassists. It takes a lot of experimentation to get the note decays to match. When it does, it's lovely. All the FX / drives etc stand out well and they never affect the low end at all. No cross-overs needed, just EQ each amp separately. They will sound terrible in isolation and awesome when combined. However, after using a rig like that for 20 years my overall conclusion is that unless you need that variety of FX and drives it is just unnecessary. Modern bass drives have very good clean blends for a start, the bass drive market is now saturated with options. Unless you are duplicating Billy Sheehan's sound or playing a load of Muse songs in your set then you don't need it and it's a waste of time. I say that as a massive fan of that sound.

You star! I will do that after work. thank you!

Just share a google calendar with the band members.

I’ve done this many times. Sometimes with a stereo FX pedal to start with or a dedicated transformer isolated splitter box. I’ll dig out my pics when I get a mo.

Very kind of you.

In that case I cannot figure it out at all. When I take the little screw out (with the red collar) nothing comes out apart from that contact and I can't see anything else at all. I think I'll just order a regular one and swap it.

Sorry for the stupid question Is the spring the bit the screw goes through - looks more like a contact for the jack plug and is actually connected to a wire? Doesn't it need that to active the active electronic when plugged in? Like on EMGs?

I’ve taken out the star shaped screw but I can’t figure out how to disassemble further. I haven’t got a lot of wire to work with. Is there another screw somewhere?

Lovely! Thank you. Pointless things. Cable always goes around the strap anyway. Or I use a wireless.

is that easy? How do I get to the spring?

I've been playing it for hours today. It's only 7lb dead on. It's super comfy. The funny thing with the fan frets is that if I look at the bass I get confused - if I just play then I'm spot on. Very odd! The included finger ramp is crap - it's too thin and doesn't get anywhere near the strings. I like ramps so I'll get some thick double nanotape and put it on that way. Many people don't like the Barts apparently, but so far I'm liking them. I like a sort of Duck Dunn tone most of the time, maybe a bit clankier in the mids, and they seem great for that into a T21 VT500 head and a BF Super Twin. The nut *might* be a tiny little bit high, but I'll wait for my strings of choice to arrive before getting the files out. Don't want to get that wrong! The fret markers are crap and are difficult to see. I'll put some stickers on when I get a mo. Not really an issue as I don't often look at my left hand when I'm playing anyway, but nice to know they are there as I get used to the fan frets. It came with a pretty good gig bag - not up to a Mono standard of course, but still nice, and being Ibanez it came with 3 allen keys for adjustments. It also came with Schaller strap locks too. The colour is almost impossible to photograph well. In the flesh it is tasty. I didn't pick the colour - it is the only option in the UK for this bass, and TBF I don't really care about bass colours. It's the very last thing on my list when looking for a bass. But I like it. I might do a little video demo if I get the chance, but the colour will definitely play havoc with my green screen! GAK were great in getting it out of their warehouse and weighing it for me. A few other large shops who had them in stock told me they didn't have time to weight stuff or just didn't offer that as a service... Bad choice boys.

You know those really annoying teaser campaigns on Instagram and Facebook that make me want to murder marketing executives….

Loving it so far! Obviously it's an Ibby so out of the box the action was far too high, but I've sorted that. Just need my preferred strings to arrive on Monday now. However the Neutrik locking jack is the work of Satan so I'm going to try this in a mo...

Agreed - but there is literally zero reason why any modelling device can't deal with guitar and bass now. The guitar version could just be updated with bass sounds. Job done. Instead they've done a bass specific one at a higher price. That's taking the michael.

I think I've owned more white basses (and guitars) than any other colour but I'm not sure I have a favourite. At the moment I have 2 black and maple, a green and maple, white and rosewood, and metallic blue and pau ferro. I don't mind any of them but I wouldn't be upset if they magically changed colour - unless tort was involved. Urgh. I do have a soft spot for the Sandberg aged finishes though - especially the Masterpiece really battered looking ones. No idea why they appeal and the base colour isn't important. Nice that the existence of them seems to enrage some people though!

Funnily enough I read a review that said players would likely be disappointed with the pickups if they played anything newer than about 1970. But that sounded perfect for me! 😀 Found this too. Sounds lovely.

The collaboration album with Cory Wong and Dirty Loops

I've taken the plunge and ordered the 5 string. Should be here on the weekend (Saturday delivery now includes Sunday!) Looking forward to it.