bassist_lewis

it could, but then it depends who's playing it... and what sort of egg you're intending to boil... kind of depends...

I should have known better than to ask! [quote name='discreet' timestamp='1367151688' post='2061729'] I'd say 'Yes', but I [i]am [/i]biased. I expect you'll get a variety of responses! [/quote]! While I'm here, what do people think about 5 and 6 string basses

I've heard it said many times, on here, in video reviews and by people I know, but can a one pick-up passive bass carry off any musical style? Opinions wanted for a quiet Sunday!

hello BC I've just got involved in a production of Whistle Down the Wind! I've been playing through the score most of today and will be doing so again tomorrow and have been listening to the cast recording (though it doesn't seem to be exactly the same as my score). What I'm asking for is any advice on playing in a musical. I'd like to make a good impression so that I might get work in the future. thanks

the Sadowsky: they sound really good, 2 pick ups for a bit of tonal versatility (your keyboard player is WRONG ) and its a 5 string which takes care of flat keys and low voiced singers

Its a job which is related to my intended career, much like someone who wants to be a chef starting as a kitchen porter. Its also pretty good money, you get to meet lots of other musicians and quite frankly I've had far more great gigs playing covers than playing originals (I've had a few stinkers but hazard of the trade). I'm not anti original music but I feel that both have their place: playing regularly in a covers band is great for your musicianship (hearing through chords, interacting with other players, appropriate note choice, transcribing, professional conduct etc) but after a while a lot of it becomes second nature which is where the original music comes in: to stretch me musically!

Saturday booked!

Is it not a kind of "Tesco Syndrome"? Everyone slates them because they're the market leader yet a huge number of people regularly shop there. On the other hand people gravitate to the familiar, which, due to them having such a long history with many big names attached to them (and even the bass guitar being called a "Fender bass" - as opposed to a double bass - for decades) gives them a massive advantage over say, Lakland, meaning that other manufacturers can easily be overlooked by the beginner, which continues the cycle of familiarity.

Snarky Puppy's GroundUP (I missed all three of their gigs up here this week )

Arrived at the venue well on-time (I'd been late the last couple of pub gigs so made a special effort) to find another band setting up. Spoke to our guitarist and singer and it turns out the pub had double booked and hadn't noticed for nearly two months! They gave us a bar tab which the guitarist, my girlfriend and I abused for a couple of drinks but I had my gear in the car so couldn't exactly make a night of it. Ended up watching trash TV online (a big thanks to Gok Wan and Paddy McGuinness) with the missus and drooling over 75 RI jazz basses , from which I'm now £70 further away thanks to last night! Could have been worse...

I enjoyed Guthrie Govan's interpretation of the vocals far more than the bass player. that Frank Zappa thing was ace!!

Played a wedding in North Berwick, which is about and hour from Edinburgh. So far this is my longest solo journey since getting my license. I managed to get to the drummer's girlfriend's house (in this case the joke is true) just about on time and got to the venue 25 minutes early (a big improvement on being half an hour late). It was a funny one, the crowd danced to a few then everyone disappeared, then up again then gone again... still, the bride was very appreciative (we saw the groom at the very start then again in the last ten minutes). Music-wise we played a couple of new songs which could have gone better but we'll work them out later

I've had a successful day as bass player. Only got one shift this week but got 2 gigs so I don't need much more. I got a looper a few weeks ago so really enjoying playing with that. I start this morning by making a loop of Cm and Ebm and finding ways to link the 2 tonalities. Then my new flatwounds turned up so changed them over and I love them! Just the sound I was looking for. Then I used the looper as a click, playing a 4/4 loop and changing the place of the click. I started putting it on beat 1, beat 2 etc, the 'and' of beat 1, 'and' of beat 2 etc, then played slightly faster so that the click landed on 1 in the first bar, 2 in the second bar, beat 3 in the third and so on. Then I did some sight-reading with the Hal Leonard big band series, played with looped chords again. I also emailed a couple of guys about blues bands so maybe some new gigs on the horizon. Then i signed in here.

maybe its coz the bass looks like a guitar and lots of kids don't realise the difference? I was speaking to a friend who teaches guitar in about 20 different schools around the Borders and he's expected by the schools to also teach bass, which he strongly disagrees with (the only guitarist to have a conscience!) so in that instance it seems to be the council/head teachers' fault. I think its quite simple: the majority of people just aren't interested in playing bass.

I'll be crashing at a friends in Borough but my girlfriend's brother lives in Clapham Junction so that's also an option. [quote name='OliverBlackman' timestamp='1350332614' post='1837531'] You'll need to brush up on your fusion playing and slapping triplets [/quote] It'd be a nice change from an indie band followed by singer-songwriters followed by an indie band (with great hair) followed by a singer-wongwriter... many thanks

Hey there, Londoners (or those who live nearby or those who just 'know') I'm going to be in London in December and wanted to have a wee jam while I was there. Which ones do you recommend? I prefer playing funky stuff or pop stuff or funky pop stuff but I'm pretty happy just to play outside my comfort zone. I'll be there Monday to Thursday. Many thanks Lewis