bassist_lewis

I play a lot of big hotel function rooms without PA support - our PA is guff - so I need to fill a lot of space! I do fine but it'd be good to have the headroom. The reason I'm thinking of a double midget (gen 2) stack is for the footprint on stage.

[quote name='JapanAxe' timestamp='1402949518' post='2478270'] Are there any Midget owners near you Lewis? Happy to meet up in the interests of bassology if you are near me, or maybe you could attend a Bass Bash? [/quote] I'm based in Edinburgh, and not aware of any midget users nearby. Tbh I never have trouble hearing myself at gigs but I am almost always running the amp near full.

Just played one thus afternoon, very very nice bass. Lightweight, nice thin neck, great sounds, and it's even got lines on the side of the neck I case you're new to fretless. The only drawback I found was that the fingerboard goes up to the neck pup so slapping is awkward. Otherwise a fantastic instrument.

I was thinking if grabbing a second second hand one for a monster stack, anyone else tried this? PS I know there is one for sale, I just can't afford it right now

Printing...

[quote name='arthurhenry' timestamp='1402595316' post='2475178'] No instruments will be left in the car will they? That would be crazy. Other gear can possibly be covered up/squeezed into the boot. Take a gig bag and prepare for a sore shoulder. [/quote] Taking our guitars into rehearsal. There'll be 2 1x15 speakers, 2 amps and a bag of cables left in the car

I have a nasty looking blanket I'll take with me, at least then it'll be covered by insurance. The singer has just informed me there is a multi-storey car park up the road from the rehearsal room, safest bet I think.

Hello!! On Saturday it has transpired that my wedding band is going to rehearse our dep drummer in Glasgow then go on to our gig (also in Glasgow) my concern is leaving all mine and the guitarist's gear plus our PA speakers parked on the street for 3 hours. Anyone got any tips on deterring opportunistic thieves? Cheers

Haven't read the whole thread so apologies for any repetition. If you subscribe to Victor Wooten's belief system then everyone is self taught (see the Music Lesson) so wether you go to uni/college or not is almost irrelevant, especially nowadays with the internet providing all the information and lessons you could possibly want for free. What a degree does give you is time to focus on your craft and to gain contacts. On my degree course there was definitely the feeling among students that marks we're awarded arbitrarily, I knew people who worked 12+ hours a day for months in their final year on projects and performance exams and got mediocre marks while others threw stuff together haphazardly in the 3 days before the deadline and got merits. In my opinion music is too subjective to grade in any meaningful way (aside from the basics like technique, professionalism). Your music degree is what you make of it.

[quote name='bonzodog' timestamp='1401033552' post='2459351'] We have the ZLX 12s and they sound amazing and are 300 quid each so well within your budget. We use them without subs for a vocal PA and easily play to 100 people plus [/quote] Is that with a full band? Typically we have keys, kick and 4 vocals going through our PA, do reckon it could put those out at a decent volume?

Thanks guys, JTUK, I guess we're looking at £800 maximum. A sub isn't really an option at the moment - we've only 2 cars between 5 members and mine's a corsa. after a bit more research 15s are probably a better choice for the kick drum, though we will be listening to 12s and 15s before we buy.