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Everything posted by ash
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Here is a complete one off, a Gordy (the Gordon half of Gordon Smith guitars) Blueshift double neck bass. This was a custom bass built for a customer in 1985 by Gordon Whitham in Manchester. The bass comes with its original case and although a hefty beast it balances well and is comfortable to play ( but not recommended for 4 hour sets! ). As far as I can tell the bass is original and has Schaller hardware and passive pickups. There are two outputs so the bass can be played through two separate amps and there is a push pull pot to switch it through to a single output with a toggle to switch between the necks. The electrics feature coil taps separate volumes for each pickup but no tone control. The fretless neck is lined and plays beautifully - currently strung with new Picato flats 45 - 100. The fretted neck is also excellent and strung with Rotos. Both necks are in excellent condition with a narrow Jazz like width. The finish is satin and the grain shows through nicely. It's very prog and very eye catching! The bespoke soap bar pickups are powerful and punchy. This is a nice custom bass with a bit of UK vintage history behind it. No trades as I have my eye on something else. Pickup preferred but if you want to arrange a courier I can do that too.
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Oh dear the vintage GAS has got me again so today I'm offering this virtually brand new, boxed and cased Gibson Midtown Standard. http://www2.gibson.com/Products/Electric-Guitars/Bass/Gibson-USA/Midtown-Standard-Bass.aspx I bought it because for years I wanted an Epiphone Rivoli/Gibson EB2. Guess what? Less than a month after I buy this I have the opportunity to buy a vintage one! I got it from Thomann as part of their 'blow out' deal hence the low price. It comes with all the case candy and trussrod tool, I'm also including a very high quality leather strap in keeping with the vintage vibe of the bass. It's pictured wearing flats but I'll put roundwound strings on ( the flats are really nasty old ones that I liked for the thump ) if sold. The action is nice and low as I had it tweaked by my local luthier and intonation is spot on. I also had a thumb rest professionally fitted as it provides a more comfortable right hand position. It's in excellent condition as it has remained cased and smells of brand new Gibson! Construction and finish is top quality - it sounds fantastic and has a surprising array of tones thanks to the combination of thumping mud bucker and honky bridge pickup. I'm looking for a sale only and would prefer pickup unless the buyer wants to arrange their own courier. No offers - if the bass I want goes I will withdraw this. Cheers!
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You mean this - http://m.youtube.com/watch?v=54s3386KZVI
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I have some Shergold screws knocking about but think they won't fit that. I'm sure you'll find something suitable.
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Great please do - what size screws do you need for them?
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Got it playing great now - I've just bought a vintage Marathon pickup so I may wire it to this to see what it sounds like.
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Clearer pics of the body -
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'Thick as a Brick' a concept album taking the mick out of concept albums. Great playing throughout and brilliant lyrics. Brilliant band.
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[quote name='Gweedo' timestamp='1403966567' post='2488163'] You ain't getting that in my car mate...can barely fit that fireplace/frying pan/office desk/zepplin of a bass in as it is! [/quote] Welcome to the forum Mr Gweedo I thought you were supposed to be at work?
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I agree with the idea of more watts = more headroom but I do feel the older amps were over engineered and under rated (in wattage terms). There are a lot of churned out high rated amps that don't really deliver what (watt!?) they promise. I do think a lot of it is about how speaker technology has come on. An old valve amp through a modern cab can still push air albeit a little more polluted!
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My Vox AC50 seems as loud as my Markbass combo but very gritty sounding through the old Foundation cab. Putting the Vox head through the Mark combo speaker makes you realise how powerful these old amps really are. Despite the humble power rating. My Markbass is the best amp I've ever owned but I wonder if it will be working as well as a 1964 Vox in 50 years time. I guess modern power ratings are a bit meaningless ( like government stats on unemployment figures ) and seductive. Loud is loud despite what it says on the label. First decent amp I owned was a Trace AH150 that could shake the rafters of any club in East Lancashire and a university or two!
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Cheers guys - good advice!
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The original speaker is a Celestion and there are no rips or damage however it's rated at 50 watts so obviously unless you stack 'em it's not going to take 50 watts of valve amp! I'm thinking of replacing it with a more contemporary 18" - any suggestions? Here's a pic of the type installed. Once I've got it sorted I'll attempt some sound clips
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Here's my old faithful Hartke 4 x 10 Transporter cab. It's the one with aluminium speakers and puts out 300 watts into 8ohms. It's not too heavy and sits on 4 castors to wheel it around. It's finished in carpet which is quite scruffy but everything works as it ought to. Sounds loud and punchy. Bought as an extension to my Markbass so rarely used or pushed. You'll need to pick this up as it's big! No trades sorry - unless you have an 8 ohm 18" Celestion or Fane speaker knocking around
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As part of my gear clear out I'm selling this excellent little US made combo. The amp has a 10" speaker and a closed back I've played small gigs with this as it's pretty punchy for its size. It's also been used for recording. It's quite heavy so pickup only please. You can always organise your own courier? Cheers
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Quick payment and excellent communication many thanks!
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Ha ha!
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Since being a pasty faced teenager looking in an old Bells catalogue I've lusted after one of these. Yesterday I finally picked a YOB one in excellent condition with valve rectifier and original 18" speaker cab and I'm not disappointed - here it is with my ''74 Gibson Grabber. The amp sounds incredible. Though the speaker probably needs a recone as it farts at higher volumes. It still shifts a surprising amount of air however and doesn't weigh the equivalent of a buffalo. It's lovely and my aim is to use it for recording and possibly even a gig or two.
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Flats with all blue wrapping, anyone know what make they are ?
ash replied to lojo's topic in Accessories and Misc
La Bellas have quite a high tension compared to D'Addario - I have D'Addario flats on my Precision and they sound and feel great. -
SOLD Fender Precision Lyte 1993 Immaculate Condition SOLD
ash replied to Pestie's topic in Basses For Sale
