adledman

rump

my first proper expensive bass was sr1305 prestige in 1994 for a little shy of £1400! these really are the nuts these basses. the necks are so bloody good.

cheers i will have a look. not a bass you see at all often. ad

gimme a shout if it falls through. ta

bump for trade for keys

are you selling the basses?

has me drooling. bet these cabs are fantastic together, and with two vigiers! dribble dribble,

i asked after the weight but alas no.

sorry sold months ago.

i dont know why there is a general sneering at peavey amps. i have had several over the years and all have worked perfect and never broken down. they dont have the bling factor perhaps thats true but they are well put together and sound great and are generally at a give away price compared to more desirable brands. i have used one of these heads and really liked it. got a lovely punchy sound from it.

that is a crazy price! mega bargain.

seriously good sound card style bump

[attachment=90879:EMU055card.jpg]emu 1820m card and breakout box. these are really high quality and produce some superb recordings. works perfect but the front plate has got a chip and looks a little bit sad. this was emu`s flagship card and comes with the Sync daughter card. works with win` 7 64 bit. the onboard effects are superb and dont use any cpu power which is fantastic for cubase etc. these were £300ish new and still hold their own compared to todays cards so grab a bargain. [b]Package Includes[/b][list] [*]E-MU 1010 PCI card [*]E-MU AudioDock M [*]E-MU Sync daughter card [*]EDI (E-MU Digital Interface) cable (3 metres [*]Sync cable [/list] [b]Features[/b][list] [*]Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign's flagship ProTools HD I/O Interface [/list][list] [*]Pristine 24-bit, 192kHz converters and flexible connectivity with 18 audio inputs, 20 outputs, 32 channels of MIDI I/O, plus a FireWire port for seamless integration with your entire studio [/list][list] [*]2 premium TFPro mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards [/list][list] [*]E-DSP 32-bit Multi-effects Processor offers you over 20 hardware- accelerated effects (over 500 presets) with no CPU overhead - plug-in architecture allows you to add new effects as needed [/list][list] [*]32 channels of zero latency hardware mixing/monitoring with super-flexible virtual patchbay - no external mixer needed [/list] [b]General Specifications[/b][list] [*]Sample Rates: 44.1, 48, 96, 192 from internal crystal or externally supplied clock [*]Bit Depth: 16 or 24 bits [*]PCI Bus-Mastering DMA subsystem reduces CPU usage [*]Zero-latency direct hardware monitoring w/effects [/list] [b]Analogue Line Inputs[/b][list] [*]Type: servo-balanced, DC-coupled, low-noise input circuitry [*]Level (software selectable) [list] [*]Professional: +4 dBu nominal, 20 dBu maximum [*]Consumer: -10 dBV nominal, 6 dBV maximum [/list][*]Frequency Response: ±0.05 dB, 20 Hz- 20 kHz [*]THD+N (1 kHz at -1 dBFS): -110 dB (.0003%) [*]SNR (A-weighted): 120 dB [*]Dynamic Range (1 kHz, A-weighted): 120 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB [*]Common-Mode Rejection (60 Hz): > 40 dB [/list] [b]Analogue Line Outputs[/b][list] [*]Type: balanced, low-noise, 2-pole low-pass differential filter [*]Level (software selectable) [list] [*]Professional: +4 dBu nominal, 20 dBu (balanced) [*]Consumer: -10 dBV nominal, 6 dBV max (unbalanced) [/list][*]Frequency Response: +0.0/-0.35 dB, 20 Hz- 20 kHz [*]THD+N (1 kHz at -1 dBFS): -105 dB (.0006%) [*]SNR (A-weighted): 120 dB [*]Dynamic Range (1 kHz, A-weighted): 120 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB [/list] [b]Combo Microphone Preamplifier/Line Inputs[/b][list] [*]Type: TFPro combination microphone preamp and line input [*]Frequency Response: +0.8/-0.1 dB, 20 Hz - 20 kHz [*]Stereo Crosstalk (1 kHz): < -120 dB [*]Line Input: [list] [*]Gain Range: -12 to +28 dB [*]Max Level: +17 dBV (19.2 dBu) [*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%) [*]Dynamic Range (A-weighted, min gain): 107 dB [*]SNR (A-weighted, min gain): 107 dB [*]Input Impedance: 10K ohm [*]Common-Mode Rejection Ratio (60 Hz): > 40 dB [/list][*]Microphone Preamplifier [list] [*]Gain Range: +10 to +50 dB [*]Max Level: -12 dBV (-9.8 dBu) [*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%) [*]SNR (A-weighted, min gain): 106 dB [*]Input impedance: 330 ohms [*]Common-Mode Rejection Ratio (60 Hz): > 80 dB [/list] [/list] [b]Headphones[/b][list] [*]Type: linear power amplifier [*]Frequency Response: +0.0/-0.35 dB, 20 Hz - 20 kHz [*]THD+N (1 kHz, max level) [list] [*]33 ohm load: -69 dB (0.035%) [*]600 ohm load: -94 dB (0.002%) [/list][*]SNR (A-weighted): 117 dB [*]Dynamic Range (A-weighted): 117 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS, 600 ohm load):< -100 dB [*]Maximum Output Power: 500 mW [*]Output impedance: 22 ohms [*]Gain Range: 85 dB [/list] [b]Phono Input[/b][list] [*]Type: RIAA equalised phono input [*]Frequency Response: +/-0.5 dB, 50 Hz - 20 kHz [*]THD+N (1 kHz, 10 mV RMS unbalanced input): -76 dB (.015%) [*]SNR (10 mV RMS unbalanced input, A-weighted): 90 dB [*]Stereo Crosstalk (1 kHz at -1 dBFS): < -80 dB [*]Maximum level: [list] [*]Professional: 80 mV RMS [*]Consumer: 20 mV RMS [/list][*]Input capacitance: 220 pF [*]Input impedance: 47K ohm [/list] [b]Digital I/O[/b][list] [*]S/PDIF [list] [*]2 in/2 out coaxial (transformer coupled) [*]2 in/3 out optical (software switched with ADAT) [*]AES/EBU or S/PDIF format (software controlled) [/list][*]ADAT [list] [*]8 channels, 24-bit @ 44.1/48 kHz [*]4 channels, 24-bit @ 96 kHz (S-Mux compatible) [*]2 channels, 24-bit @ 192 kH [/list] [/list] [b]FireWire[/b][list] [*]400 Mbps 1394a port (6-pin) [*]Compatible with DV cameras, storage peripherals, etc. [/list] [b]MIDI[/b] - 2 in, 2 out (32 channels) [b]Synchronisation[/b][list] [*]Internal crystal sync at 44.1, 48, 96, 192 [*]External sample rate sync [list] [*]ADAT [*]SP/DIF (optical or coax) [*]Word clock (75 ohm termination, switchable) [/list][*]SMPTE LTC Timecode [list] [*]Converts to/from longitudinal time code (LTC) to MIDI time code (MTC) [*]Regen, stripe, and conversion modes [*]24, 25, 30 drop, 30 non-drop frames/sec [*]Compatible with 29.97 fps timecode [*]Input level: 0.5 - 4V p-p [*]Output levels: +4 dBu, -10 dBV (software selectable) [*]Input impedance: 10K ohm [/list] [/list]

price?

i used to have the full set up. the bass was superb quality and i managed to get one of the best actions i have had on a bass. it was so slick and fast feeling. can you believe i got it mid 90`s from a swap with a second hand alesis sr16 drum machine that was on sale in the shop where i worked for £70 and he was thrilled to bits! fantastic market leading midi guitar stuff and always ahead of the rest. latching was good on some and not on others but it did work pretty well i thought. wish i still had mine. very much missed.

[attachment=90710:preview.jpg]brand new combo that i got that was brought as b stock as the screws that hold the head in place had come loose and the bolts that hold the transformer two had come away from the case. i fixed it all with some epoxy glue and its perfect now and is as it should be if brought new. its a do all amp with a built in tuner 3 memory positions and a superb compressor. its basically the same amp as in the RH450 but without the lights on the dials. 2x 10&quot; drivers &amp; 1&quot; driver (Eminence TC Custom), 500W (1000W peak), thomann SpectraComp, TubeTone, Tweeter Tone, 3x channel memories, bass tuner, 4x tone controls, instant EQ, balanced DI output, headphone output. its an absolutely cracking amp and got more power than i will ever need as i only play at home so up for trades for something smaller but pref` with a compressor on board. [url="http://www.gear4music.com/Guitar-and-Bass/TC-Electronic-BG500-210-Bass-Combo-Amp/CZE"]http://www.gear4musi...s-Combo-Amp/CZE[/url] its pictured above and not much point me putting up pics as its 100% brand new.

trouble with bass gear postage is not as bad as you think and you will find the same issue on ebay. best way is to let people organise their own courier so they foot the cost. a bit of cardboard on places that need protection is ok on a big cab and drivers appreciate you leaving the handles usable. if you shop around there are some amazing deals on courier fees. hope you get sorted. ad

aha, i think i get it? lovely bass all the same. that grain is something else. looks like wooden knobs? ooh er missus

nice bass and a good price. hands down the best necks out there for my money.

looks lovely. whys it called a video bass?? cheers