[quote name='Bobby K' timestamp='1360271926' post='1967980']
Andy is very under rated, to say the least and brilliantly inventive. The bassline to [i]Heaven knows I'm miserable now [/i]is a wonderful example of his musicality; it's probably my fave bassline of his.
The gig on Sky Arts was probably the one from Rockpalast, Hamburg in 1984; it's been shown a few times. Did you notice he played in F# Lemoncello (each string up a whole step) - I've never really got to the bottom of why he did that.....
John Porter, formerly bassist with Roxy Music produced a lot of the early Smiths stuff. Might explain the prominent bass in the mix; he apparently always insisted Andy put new strings on before each recording, for maximum punch and brightness. It shows in the recordings.
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It was the Rocklpalast one and no I didn't notice the step up at all, says something about my ears! I did dabble with effects a little while ago and have gone back to my preferred clean sound now. A bass should sound like one I think. 'Miserable' was fab, inventive and musical with the Bass playing an equal part. I've got a few Smiths albums including Morrisey's newish one Years of Refusal, which I really rate - very rocky, but still unmistakably 'him'.