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I’ve never seen one advertised at less than 4.3kg - I window shopped them for 18 months before buying mine (and promptly traded it a fortnight later! This is the bass that taught me a hard lesson in making sure you’ve played one before buying one! 🤣)

I like the general look of the two shown here, but I'm very much of the mindset that if the body design is asymmetrical then this needs to follow through to the headstock design (a la Gibson EB3) and conversely if the body design is offset, then then a Fenderesque is fine.

Off-the-scale craftsmanship

Cold Gin - Kiss

Nice! I hope there is some softening of the break angle at the nut. Your strings might not like a sharp transition.

Your G string is all yours.

My BB P34 was 4.33 kg.

I like these - it's good to see a builder with the guts to use their own designs. The three models appear to be the same apart from the body shape - the offset NQ appeals to me, the other two do look a bit neck-divey... I'd quite like to see that in confetti pink with a pearl scratchplate - in fact I'd quite like to see pics of a real one in any finish - I'm pretty sure the pics on the site are all digital renders.

Simple but with a lot of thought going into it. Peterson Strobostomp HD - Mojohand Cream Pie - Beta MK1 - Subdecay Noise Theory - Bright Onion Patchbay - Darkglass Element. This was basically my gigging rig until I got the Anagram, it’s just so blissfully simple, sounds great, easy to dial in, everything stacks. I have an effects loop where I can drop a filter or modulation after the noise theory and any other gain or octave pedals just slot in before the board. Gigrig Generator into a Cioks 4 gives me the ability to power the board with IEC or Usb C, also I can use the power out of the Peterson to power anything I add in the patchbay. Board is also tall enough that if I ever wanted to add something, the Element fits underneath. Very pleased with how this has turned out.

@thisisswanbon what I did for my NAMs other than capture a load of studio gear (that doesn’t have any controls) is dialled in my tone on my favourite piece of equipment, captured that and now I just have a single block I drop in and am ready to go.

I play 5 string basses mainly and used all the strings when playing in a function band (I resisted 5 string basses until the keyboard player said "you wouldn't need to change bass mid set if you had a 5" lightbulb moment 😄). Now I'm in a rock band I think in 2 songs I use the B string and never use the G string at all. I could go back to a 4 string and occasionally do in rehearsals but I'm scared I'd have to sell my lovely 5s. Could you use the G string for your other passion @SteveXFR ? Are G strings any good as brake/gear cables? 😄

You would want it to give it the note to aim at for the next bar so not actually play any of your notes as you would be playing a bar ahead of the tune. Not so lazy if you can pull that off.

Not sure how I’d cope without G strings….