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- Past hour
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I cobbled this board together for a couple of gigs last week. Ok, the switching is a bit random atm but have a Morningstar MC6 to integrate when I have the time to get round to it.
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Kemper rack unpowered and footswitch reduced £800
Cameronj279 replied to Cameronj279's topic in Effects For Sale
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Immediate red flag for me.
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Under The Boardwalk - John Mellencamp
- Yesterday
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Musicman Stingray 5 HH - PRICE DROP TO £1800
terryblyth replied to terryblyth's topic in Basses For Sale
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I'm very attached to my two 4-string Thumbs, even though I'm now a 5-string player. They get occasional outings for open mic nights. If I return to 4-string they are exactly the basses I would want so I may as well keep them. I did have a 4-string sitting in the wardrobe that I wasn't attached to, and saw an advert from someone wanting to swap an OLP Tony Levin (which I had kept an eye out for for a while) for a 4-string, and he fancied it so the deed was done. So I can see both sides of your dilemma. But as Stingrays aren't as rare as JD Thumbs, and definitely not as rare as Thumbs with reprofiled necks and replacement fretless ebony fingerboards, the sensible thing seems to me to be to try for a swap.
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Geek99 started following Big-A$$ Bass Head Build
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This is all just other-worldly - I don’t get how anyone can do this
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They do it in subtle 3tsb with maple I am in so much trouble- all it needs is red tort
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What about those cream pearlescent pickguards?
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Pure Tone are great and that’s what I meant. For some reason I keep calling them True Tone. I only opened a packet the other day, doh!
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Effective cooling needs turbulent airflow. That means if you have to shift lot of heat, it will be noisy unless you have huge heatsinks or heatpipes served by multiple low velocity fans.
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30 W x 16 ≈ 500 W QED
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My bandmates wanted a different sound to certain songs. I put an SWR Interstellar Overdrive to the Glockenklang Soul power amp in. I can say that the power amp sounds really good with another (good sounding) preamp, too.
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hedgepigbass started following Vanderkley MNT112 cab 8ohms. and Vanderkley 112 EXT for sale PRICE DROP now £399.00
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Vanderkley 112 EXT for sale PRICE DROP now £399.00
hedgepigbass replied to amesbury's topic in Amps and Cabs For Sale
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Another gap occasioned by visiting family, holidays, and a load of gigs. Tonight I wired up the input socket, deep switch, and some connections on the preamp valves.
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I want to load an EMG system into my Sterling Sub Ray 4. The pickup I want is a MMHZ model and want a three knob layout with volume, stacked bass/treble and stacked low/high mid freqencies (plus jack socket). Might seem a stupid question, but can I get an EMG onboard preamp (say a BQC) which comes with four knobs (inc a balance pot) and just leave the balance pot off? The Sub doesn't need a balance pot obviously as it's only got the one pickup. Can it be wired vol > bass/treble > mids > jack? I want to keep it as simple as possible, and I don't want to start soldering or drilling into the bass to fit a side jack. Does anyone have experience of doing this, and have you had any problems?
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Ernie Ball Bass case tool pouch, unused- from Musicman Intended for use with Ernie Ball Music Man bass models. Includes the Music Man truss rod wheel tool, 1/16" saddle height screw wrench, 5/64" knob set screw wrench and Ernie Ball Wonder Wipe sample pack in black velour drawstring pouch embrodered with the Ernie Ball Music Man logo. The Wonder Wipe sample pack includes one single-use wipe of each; instrument polish, string cleaner and fretboard conditioner. The sticker is based on availability and will vary in each bag.
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- ebmm
- case candy
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Just have to merge 3-4 outputs
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I had the same issue with my QC but no alternative way of powering without buying a Sol or DC7, which with the size just made me meh about it all. Anagram I’ll largely power off usb c or if it goes on a board a dc7 since I have one now. And for those thinking it’s a double standard against my issues with the qc well the anagram will fit on a nano with 2 pedals whereas the qc pretty much fills a metro16.
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I tried a CAR 65 Strat that Clive Brown had restored and examined it closely. The finish was convincing. In particular, the parallel line checking that seems more prevalent in CAR than any other vintage Fender finish was replicated perfectly. It was indistinguishable from my own examples, both of which have sufficient provenance for me to be confident as original finish. I would have had no hesitation in accepting it as original had it been so described. Any example of his work without the “tells” would only need to pass through the hands of one miscreant to be established in the canon of the bona fide. I wonder how many times that has happened- I hope he’s never worked for the Harrisons.
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theres an evo 4 walnut at BD at the moment,in case anyone is interested"