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  2. £150 but open to offers EDB-1 provides a beautifully voiced and practical solution to the diverse and critical needs for high quality acoustic musical instrument amplification. Suitable for stage and studio signal processing. EDB-1 offers huge amounts of gain, EQ and other highly versatile facilities, to get the best possible sound from amplified acoustic stringed instruments. Refined Class “A” inputs with 2 FET stages. • Voiced for clarity, warmth with low noise performance. • Effective EQ for problem solving and creativity. • Clear easily read pro audio style panel layout. • Versatile inputs, switchable to optimise a comprehensive range of passive and active pickups, plus microphone. • Tunable notch filter with switch, as acclaimed on Shire King amps, for extended range of control of acoustic feedback and problem frequencies. • A range switch with settings for Guitar, Bass and Violin, remove unwanted boom, handling noise and low frequency feedback, to leave clearer, more musical tones from the instrument. • Signal splitting is available, e.g. personal/stage monitoring, plus output to the front of house system, recorder or tuner.
  3. Rain Tree Crow - Rain Tree Crow
  4. Electric mountain bikes are fine, as long as they're proper pedal assist ones. ive got one and you still put a lot of effort in but go further and faster. Unfortunately they also attract people to the sport who haven't bothered to learn any technical skills.
  5. For example, I would meet up on the A14 ( albeit my side of Cambridge) if we went back to the original asking price of £230. Other destinations are possible. I just don't want to eat into the £200 I would retain for myself. Thanks for the interest Martin
  6. Ah, sorry: mis-read... You want to play it on the bus/train/tram. That could be annoying for the other passengers.
  7. I have an Ashbory (Fender) and I find it a completely different instrument to a bass, so I'm not sure how practicing on it would be particularly beneficial. I'd suggest a Steinberger Spirit or Hohner full-scale headless bass. (My Rickenberger.)
  8. I'm now 68, and although still in the music business, I retired from live playing a couple of years back. I was basically a freelance player all my working life since the age 17. Although I did the regular show/cabaret tours and static theatre runs (cruises in the early days), the rest of the time was filled out with depping. Even on shows I would dep out my show to go and do other dep work. Functions/sessions/pubs/weddings/corporate events and even other shows! It would break the boredom and often more/extra money. I was probably part of a scene with a few other Bassists (other musicians as well) who would share the work around and get calls from the same fixers or bandleaders. Most would be good sight readers, always good buskers/good listening ears and knew a lot of tunes. Quite often, on West End function gigs, the Rhythm section would do dinner music anywhere between one and two hours, so a knowledge of busking Jazz standards/show book tunes would be common as well. Although the fake book could be used if there were tunes you didn't know. Sometimes I would know days or weeks in advance all the relevant details, other times, like others have said, it could be very last minute and I wouldn't have a clue who I would be working with. All the same criteria were involved though. Good prompt timing, dress code, keep your mouth shut on gigs, keep up to date with popular tunes that most bands would do, including certain Basslines that tunes would be reliant on. Watching and listening on the gig for cues for endings, key changes, what key the tune might be in. Not overplaying or showing off. Band leaders would often hold up or down a certain number of fingers for the keys. Two up/three down etc... If reading was involved, always ask if there were any tricky parts that I should be aware of. It all became just second nature, with the occasional flying by the seat of your pants thrown in. Depping for me, was an important part of filling in the gaps in my diary, so it became a parallel way of life. As it was with many musicians from my generation. It was the normal, really, and all part of being a working musician. Some dep work/freelancing took me to all kinds of places in the World as well.
  9. Around and under 200 quid. If it's a gig bag on a bus, I don't want to be worried about dings I didn't know Harley benton offered a mini, Need to check out string availability
  10. This lovely condition 2023 Aubergine Fender American Performer Mustang is for sale/trade. It's been with me for a few months and is set up beautifully with 40-95 Elixirs (of course!) Plays like a dream and is in excellent condition with no scratches or dings that I can see. It has only been used for one set on one gig in our live tribute show, so it's not earning its keep and therefore has to go. Comes complete with bill of sale from original owner and the original Fender Deluxe Gig Bag & case candy. The American Performer Mustang is also another instrument in the line (since the Highway 1 series Jazz/Precision) which utilises the 'Grease Bucket' tone control, which lowers tone without losing bass/volume. I would record you a demo, but I'll let 'Nick Campbell Destroys' do the honours below - he does a lot better job than me! For sale at £825. (Recommended retail price on these is now nearly £1400 these days!) Interesting trade options considered. Buyer to collect, or can meet half way at a distance of up to 100 miles from DE7.
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  11. Rain and Dole and Tea. Dave Greenfield & JJ Burnel
  12. Fits a 2EQ or 3EQ Stingray with truss rod wheel, so approx 1990-2018. Made by the people in California that produced the original EBMM matte black pickguards back in the 90s / 00’s, this is one I custom ordered a few years ago. But my bass is now HH so I have a similar replacement. It’s got some scratches, as pictured, but you don’t want a shiny new pickguard on your 30 year old instrument right? 😊 £35 posted
  13. Good condition, home use only, with unused strap.
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  14. Fire And Rain - James Taylor
  15. Electric scooters on the road, no regard for, and taking no responsibility for their own safety
  16. Let us know how it goes @Blondy
  17. Good luck today. Have a good one.
  18. Just electric bikes in general. And even worse electric scooters. Mind you, I con't consider disliking them irrational. There's someone near me who rides his e-scooter on the road at night; yesterday evening around 10 they were going along the road, parallel with an e-bike.
  19. JB-62CC Mini SP - Harley Benton https://share.google/PcjFJeHxomT5Dheq6 A 23inch scale Jazz bass might do the trick?
  20. Any headless is about the length of a g-word. If your background is violins, and your fingers understand very short scales, a fretless Guild Ashbory is small.
  21. Do you have any preconceptions about each amp SIMs tone or that you simply didn't like ANY of the amp tones it has? I only ask as I scrolled through the amp sounds and I was underwhelmed that I 'really' disliked the classic SVT sounds etc BUT I stopped listening with my eyes and happened upon a couple of amp SIMs that I thought were good and with a bit of tweaking (inc some cab tones) they were very useable; in particular the SWR SIM. I would never have delved into an SWR tone if choosing from any amp available but when I switched off my preconceptions I could really get it to work for me.
  22. Have you ever seen the rain? - Credence Clearwater
  23. Just got it, thanks for the heads up 👍
  24. EBS Multicomp for sale in excellent condition, complete with box and manual. Velcro on the base, but can easily be removed. Price includes UK wide delivery via Royal Mail or Parcelforce, or can be collected locally in Cardiff for a small reduction.
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  25. Today
  26. And replied, thanks. I should have said in the first place that I'm looking for sale only at the moment as I'm pretty set on my gigging pedalboard and it looks like I'll be gigging a lot less on bass in future.
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