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Reduced to £145.00. Neunaber Immerse mark 2, in pristine condition and perfect working order, boxed and with rubber feet and plectrum. Collection welcome or can post insured (UK) for £7.00 With richer reverbs and a Mix knob that goes 100% wet, the Immerse Mk II is our best-sounding reverberator to date. Delivering the same no-nonsense flexibility as its predecessor, it s more user-friendly than ever before. Experience studio-quality tone in a pedal that can be used with instruments of all stripes. The Immerse Mk II is packed with eight versatile reverb effects, including the new W3T and Sustain effect. Less Feature1 Stereo Reverb Processor Effect Type Reverb Technology Digital Mono / Stereo Stereo In, Stereo Out Controls Mix, Depth, Time/Tone, Pre-Dly/Mod/Blend Modes 8 Reverb Types Switches Kill Dry, Trails, Program Bypass Mode True bypass or buffered bypass Power supply 9 VDC, Center negative Power Consumption 80 mA The Neunaber Immerse MkII is certainly not a one-trick pony when it comes to options. Boasting 8 different reverb types, including a blissful Shimmer verb and a Sustain mode, the Immerse MkII also sports more standard Spring and Plate reverb sounds to satisfy the traditionalists. However, Neunaber's flagship W3T reverb mode has been refined too, delivering a smoother and more three-dimensional sound. Now with adjustable pre-delay, it enhances what you play without covering it. A new feature on the Immerse MkII, the pedal's Mix control now allows you to go to 100% wet. This means that you can enjoy a huge, engulfing ambient reverb sound that'll fill a venue or a track with unbridled echo! Modern Features Like their entire range, Neunaber's Immerse MkII is aimed particularly at contemporary and experimental guitar players. This means that apart from its class-leading sounds, the unit can also be seamlessly integrated into your rig. Boasting an analogue dry-through signal path for low noise and zero latency, the Immerse MkII also sports a high-quality buffer to ensure that your signal remains strong and clear. Stereo outputs also let you take full advantage of the incredible reverbs offered by the unit, so that you can achieve an ultra-wide wall of sound when using two amplifiers. Modes: W3T (Wet version 3) — exclusive to the Mk II, our new flagship reverb is smoother and more three-dimensional sounding than ever before. Now with adjustable pre-delay, it enhances what you play without covering it. Plate – Bright and diffuse like a studio plate reverb. Hall – The lush, open sound of a concert hall, now with adjustable modulation depth for achieving deep modulated tones. Spring – The distinctive twerp of a tube-driven spring reverb. Now with adjustable modulation speed, it can achieve a vibrato-spring sound. Sustain – A new algorithm built on the W3T reverb. This magical, versatile effect can be configured as a sustainer or infinite reverb. Echo – Combining the W3T reverb with stereo echo. Detune – Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb. Shimmer – Reminiscent of a synth pad that follows what your instrument plays, this effect combines the best qualities of our previous shimmers-
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Now £225 Boss ME90B up for sale, in pristine as new condition boxed and comes with a very nice boss carry bag and boss power supply. Also works very well using AA battery power. Collection/try out welcome, or UK insured postage for £15. Boss ME-90B Bass Multi Effects Processor with Power Supply is a cutting-edge tool for bassists seeking to push their sound further. If you want a comprehensive FX platform but don't want to deal with fiddly touch screens and layers of impenetrable menus, then the ME-90B is just the solution! It boasts a whopping collection of 61 meticulously curated effects - all from the BOSS bass effects library - and each with physical, tactile knobs to adjust parameters and dial in your ultimate sound. Alongside that are ten onboard AIRD preamp models, delivering studio-grade tones in a compact performance package. This hands-on approach is complemented by an expression pedal and direct-access footswitches to offer you an array of adjustments on the fly. Moreover, the ME-90B shines in terms of connectivity and adaptability. Whether you're connecting to stage amps, house PA systems, or computers, this processor is equipped for it all. Its superior sound quality is assured through 24-bit AD and 32-bit DA conversion, alongside 32-bit floating-point processing and a 48 kHz sampling rate. From the rehearsal room to the stage and the studio, the ME-90B is a powerhouse of creativity, offering bassists the tools they need to explore new sonic landscapes and refine their signature sound.-
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£80.00 WMD Parametric EQ in it's original box with user information sheet. This unit is in excellent unmarked condition and perfect working order. Great quality EQ in a compact pedal, tryout/collection welcome or insured UK postage for £8.00 There are 3 bands of EQ with frequency ranges from about 40Hz to 15kHz. Each band is an independent bandpass filter with adjustable center frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like. Stomp Switch - This footswitch activates the EQ. The center LED will be lit when the pedal is engaged. Freq - This selects the center frequency of the filter. The three frequency ranges are: 31Hz to 1.6kHz, 100Hz to 4.8kHz, 300Hz to 16kHz. Q - The Quality Factor (Q) gives you control over the sharpness of the filter. Turn it up and the filter section becomes resonant and more abrasive. Low Q settings sound like a traditional EQ, higher Q adds resonant nodes. The Q ranges from about .1 to around 30. Level - This controls how much cut or boost you have from the band. Center it (0) and the band is out of the circuit. Turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less. If all 3 controls are at 0, you should be able to click the pedal on and off and not hear any difference. Overall Level - This gives a overall cut or boost at the output of the Parametric EQ. Like a volume control, but with some gain available.-
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A few straps available, prices include UK postage: All measurements are from the strap pin holes. 1) this one is now sold. Right-On, very high quality strap. 2) this one is also now sold. Comfort Strapp. 3) Unbranded strap, nice quality 7cm wide, feels like leather outer, suede inside. Excellent condition, minimum length 93cm to maximum of 130cm. I added an extra nut and bolt (with plastic cover) to stop the wider section from riding up. Now just: £14 -
On a 2013 Rick you should be able to turn the rods without having to manually flex the neck into your desired level of relief, then matching this by tightening the rods. The latter is a technique more associated with the hairpin rods seen on the 4001 basses. Still plenty of reasons the rods can be ineffective in a 4003, however.
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Easily the best speaker cabinet I have ever used: am downsizing to lighter Genz Benz cabs as I rarely play live now. The Eden D210XST Cab is loud enough to be heard and yet still small enough to be used at home or in a small studio. For those players who need a portable, high-performance rig with even more low end than the XLT, Eden has designed a 2 x 10" cabinet for their XST woofers. Punchy and clean, the D210XST produces a full and clear tone through its two 10" speakers. It's excellent for delivering articulate bass lines with volume. This 2 x 10" cabinet handles more power than many 4 x 10" cabs on the market. The D210XST offers huge bottom end with its cleverly-designed tuned and ported cabinet construction and speaker selection: the low end is full but tight, the mids are open and well-defined and the highs are clear and crisp. Durable build quality makes this ideal for touring and live performances. All Eden enclosures are constructed with 5/8" thick void free plywood with full dado and rabbet jointing. Massive internal bracing prevents vibration and keeps the sound deep, tight and clear. Exclusive Eden Cast Frame loudspeakers and Eden Cast Bell low distortion tweeter horns are designed, hand-built and tested in their own factory in the USA. Very Good condition. Comes with an official Eden cover. Power Handling: 500 Watts Impedance: 8 Ohms Speakers: 2x10" Eden-spec Eminence EC1060XS speakers Tweeter: Eden Cast Bell low distortion Crossover: 3.5KHz @ 18dB Frequency Response: 30Hz - 14KHz Sensitivity: 103dB SPL Connections: Parallel 1/4 Inch and Speakon Dimensions: 23" w x 18" h x 18.5" d Weight: 59lbs / 26.8kg Only £325. Collection from East London preferred, although happy for buyer to arrange a courier. -
Hi. Here you go (from the Gator site)... Length 12.50" Width 19.00" Height 9.00" Cheers! -
Thanks, Terry – much appreciated, mate. It's too good to be a backup!- 14 replies
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- sterling by musicman
- ray35
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Been fitted but still in great condition,some small marks in chrome but nothing bad includes screws £27 posted -
Lightly used rubber knobs fitted briefly to my JT bass. These are standard fit for Canadian-made basses and very nice! You can only see four sleeves in the picture but trust me there are five! These are £100 new for the set, so £75 posted seems fair. -
After much experimentation over the last few months, I have now settled on my preferred strings for each of my basses, so these unused sets are all up for sale. All prices are posted per set, but happy to combine and discount for multiple purchases. GHS Pressurewound (39.25" winding and custom made to fit Dingwall basses and imported from the US) - £40 3 x Newtone Platinum nickel roundwounds on round cores - (2 x 37" and 1 x 38" ball end to taper) - £35 2 x GHS Brite Flat groundwounds (38" ball end to taper) - £38 1 x Elites Groundwounds (38" apart from the B, which is 37.25" I think) - £30 Thanks for looking.
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I pulled this as the new price has dropped below £500 now. However, on reflection I think £600 for the amp in mint condition, plus the bluetooth adapter, footswitch and carry bag is still a good deal, so it's back up again.
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Yes, all good thanks, Gareth! 🙏😊 -
Great job Rob!! always nice to see your process, love it!
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It sounds to me like insufficient neck relief. Have you checked that you have tangible relief on those strings? Hold down the string on the 1st fret and the 15th and then tap the string at the 6th fret. There should be a small but perceptible gap. If the string’s hard down on the fret, then there is insufficient relief. With a Rick, there are particular techniques to adjusting them so, if the above is the case and if you aren’t familiar with them, best to report back here before doing anything yourself 🙂
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Hey B, great track. I wonder if this may help? https://www.ytbmp3.la/ Seems legit although I’ve not tried it myself. Good luck.
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If they come to see you regularly and know your sound, they would be a good choice to provide a check that nothing was badly out of balance. Not a replacement for a decent soundcheck but preferable to only finding out at the end that something was wrong. And all for the price of a couple of pints.
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Detained Under The Mental Health Act Clown Posse Professor Dre The Notorious C.H.O.N.K.I.E B.O.I
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There's a hydraulic press at work, I'll let you know how I get on 🤠 -
Open to reasonable offers on this. -
One of your kidneys should get you over the line … -
I found this old article @BassByBeck, might be a very interesting reading for you and a good starting point to get that Mark King early tone: http://www.gazzbass.com/articles/articles.aspx?ID=5 By the way, don't worry about thread derailing, it's BassChat's signature. 😉
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The Hulla band played a 50th birthday party last night in what is becoming a regular venue for us in Port Eynon on Gower. We've played inside and outside the hall, in teepees and marquees there and, for the first gig I played with them, open air outside the fish and chip shop on the sea front back in 2022. That day we were paid in food. 😀 The stage was cramped but I wanted to play my new 5 string Ibanez. I was aware that it might not be possible without repeatedly stroking the guitarist's lower back with my headstock (not a euphemism) and took my headless shortscale Ibanez as an option. But I managed to find a little spot between drums, keys and guitarist that I was able to make my own. I had planned on using the onstage monitors rather than my in ears but the cramped conditions and proximity to the drums and the guitarist's amp meant that I ended up with the IEM. Our sound man had brought the PA subs and during the soundcheck my bass was booming away but once the hall filled up and he'd EQ'd properly, the sound was good. I kept the board to a minimum - Zoom MS60b giving me a noise gate, compressor and tuner and my Ampeg Classic preamp going into a DI box and into the desk. IEMs were through my Behringer P16 via Ultranet from the desk and a pair of KZ ZS10s earphones on which I've replaced the silicon buds with foam ones for much better isolation. Footwear of choice was the lace up black Skechers which have become an intergal part of my sound. This was my first gig playing a 5 string for several years and there were a few string faux pas but nothing the derailed the night and overall I was happy with my performance, and with the 5 string. I love the narrow string spacing and neck, which suits my hands perfectly. As usual, we had a lot of fun on stage and the audience were up and dancing from the first number. Hiding behind the guitarist.
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£550 for one of two bass which a fellow BCer kindly sold for £75. Are there any upgrades? -
Or Brick House
