EBS_freak

Do like the looks of those drop head combos though...

Sorry, I misunderstood. When I read "Hot News", I thought something was on fire!

Same here. A 34" scale doesn't equal a floppy B, there are plenty of basses around in that scale with a great sounding B - although the 35" scale is generally accepted as a method of maximising the clarity of the B. Anyway, don't get caught up in pickups. True, less winding does bring out more of the tops and more winding will give greater output... however that will be at the expense of both bass and tops and gives a more humped mid range response, not a "flat" response. Don't think stronger magnet is better either!

[quote name='ezbass' post='1087202' date='Jan 12 2011, 08:48 PM']Really? Because the Octavia is waaay bigger then either the A3 or the Golf. Anyway enough of this off topic malarkey.[/quote] [url="http://en.wikipedia.org/wiki/%C5%A0koda_Octavia"]http://en.wikipedia.org/wiki/%C5%A0koda_Octavia[/url]

[quote name='wesfinn' post='1083382' date='Jan 9 2011, 06:14 PM']Yep. going to be relic'd as per Herbie's! I'm trying to set up a meeting with him through a friend so I can hopefully get some more detailed pictures and to check he is happy with me doing the bass.[/quote] Knowing Herbie's enthusiasm, he'll be well up for it!

Ooh, this should be quite interesting. I know you are doing the little touches, but are you going to relic it as per Herbie's too?

[quote name='Pete Academy' post='1080510' date='Jan 6 2011, 09:59 PM']I just think these instruments are absolute works of art, which is why they aren't seen in gigging situations.[/quote] I think you have hit the nail on the head. Having said that, the finishes in the flesh so to speak, aren't as impressive as they look in the photos. I always make a point of seeing Jen's stand at Frankfurt though... it's always good to see what craziness he has got up to! I love the fact that he handles his basses with white cotton gloves too!

[quote name='algmusic' post='1079780' date='Jan 6 2011, 01:08 PM']I've heard you can change the valves, I was thinking of doing the same with my terror. I can't remember the name of the alternatives. I'm worried it won't sound as good though[/quote] I'm guessing that the preamp uses 12ax7s, (haven't looked at the amp so don't know for certain) so 12at7s, 12au7s would lower your gain.

[quote name='Roland Rock' post='1079727' date='Jan 6 2011, 12:27 PM']The EBS T90 (6550s rather than KT88s but a reasonable comparison) didn't really take off in the UK, I think people think 90W is too quiet. More on: [url="http://basschat.co.uk/index.php?showtopic=102651&st=0&p=955888&#entry955888"]http://basschat.co.uk/index.php?showtopic=...mp;#entry955888[/url] Like others on that thread, I think it's plenty with the right cab. Perhaps that's something that would need to be emphasised in the marketing material[/quote] Bernie didn't sell one when he was distributing EBS.

Brave move... Going by what seems to be most popular, you should probably be looking at either an Ampeg SVT clone or a B15 clone. Of course, you then have to convince people that your fixed spec boutique amp is better than an Ampeg (OK, thats going to be a given, but thats a strong brand name to go up against) and better than a Matamp where you can have an amp custom built to your exact requirements. (within reason). How many of these units are you looking to sell and have you got a ballpark figure?

Looks like the love for BGM is vanishing again. Half the fun of getting a new BGM is finding all the errors in it. It's like a high brow "Where's Wally?" On the bright side, we don't have to deal with the whitterings of Jon Herrera at BP mag now (at least his reviews are generally sound though)

[quote name='tauzero' post='1078411' date='Jan 5 2011, 11:40 AM']First gig with new Warwick Thumb at the Mean Fiddler. Decide to adjust truss rod slightly before going on. It breaks. I play gig with rather unusually high action...[/quote] Ouch. Not a good one. I've played a gig where I played a bass that hadn't been out of the case for 6 months. Not taken any tools or spares - it was just a last minute call to a wedding party gig and I just grabbed an amp, a cab and a bass. About five minutes before the band kicked off, I discovered that the neck had moved and the first three frets were choking out on all strings. The only saving grace was that it was a fiver and I could play up the neck. Close call.

[quote name='tino' post='1077610' date='Jan 4 2011, 06:16 PM']+1 I have always found them extremely helpful...the tech guys are superb no problem seems to big and all info and advice has been freely given[/quote] Indeed. I have to agree with this.

Nothing serious has happened in the bass world... but in the guitard world... Fender Deville died on me at a gig. Had to plug my amp modeller into the PA and hope for the best. "Fixed" Fender Deville died at a recording session in the studio. Had to borrow a Hughes and Kettner Warp 7 amp to record. I've never sounded so pants on record Brand new Fender Twin (Deville replacement) died on me at it's debut gig. Plugged into my Laney LC15 I had back then, draped mic in front of it and hoped for the best. Replacement brand new Fender Twin died on me at the very next gig. Plugged into my Laney LC15 I had back then, draped mic in front of it and hoped for the best. Replacement Fender Twin (number 3) has never given me any issues... touch wood. Can't beat a Fender though - still on the look out for the right Fender Dual Showman.

Speak to Ou7shined and ask him about his Pingray. I'm sure he'll be able to offer some sensible advice and insight into such a project, having done it himself. [url="http://basschat.co.uk/index.php?showtopic=86953"]http://basschat.co.uk/index.php?showtopic=86953[/url]

Nice one dude!

All depends upon your ears. The basses I think of when it comes to slap are - The "traditional" Jazz Bass or derivative (probably the most common slap machine) Stingray (for the LJ and Flea fans!) The "modern" (extended top end response and sound greatly influenced by the onboard preamps) GB - my favourite Status Alembic Jaydee Kubicki Fodera and I always find the Nathan East signature has a killer slap sound - Of course, once you've got the bass, you've got to set your EQ appropriately. Typically a scooped mid sound for the more modern slap sound, less so for the traditional slap sound.

Couple of Rumours... one new, one older!

[quote name='Higgie' post='1073594' date='Dec 31 2010, 11:48 AM']Someone tell Pino he ruined his career with all that fretless stuff in the 80's! He'll be kicking himself![/quote] He obviously took a trip to that shop and saw the light.

PS wattage not equal to volume.

Tried here? [url="http://www.adamhall.com/uk/AH_K--Flightcase__p--project_2__k--2__f--1"]http://www.adamhall.com/uk/AH_K--Flightcas...t_2__k--2__f--1[/url]

[quote name='Chris2112' post='1072651' date='Dec 30 2010, 12:55 PM']I didn't realise The Bass Cellar had a shop in Scotland.[/quote]

Sounds like you haven't done your research and you don't really know what you are buying/want to buy. Don't get fooled by the pricetag. Come back home, research and then be prepared. If you are certain it's the one... as mentioned before, you can always mail order it. If it's already gone, then it wasn't meant to be and move on. If he told you it was a Custom Shop and made by John English, would that mean anything to you? What I'm trying to say is, if the guy was telling you anything, are you be in a position to question it? PS, there isn't a shortage of basses either.

Why? Easy. Ashdown = woolly * runs away *

[quote name='EssentialTension' post='1072715' date='Dec 30 2010, 01:52 PM']The fingerboard doesn't stop at the nut on any of my Fenders - and the thicker the fingerboard the further it extends beyond the nut. Are there basses (or guitars) where it does stop at the nut?[/quote] True... but there aren't many that extend the length of the Lakland and spread out like that at the headstock end.