EBS_freak

Heil are great. They seem quite marmite with sound engineers but I've had nothing but good results. Some mics just do it for you... Like a D6 on a kick. Love the dishonesty of that mic!

Right you are! ;-p my fat fingers!

Duplicate post deleted.

Heil PR45. Very good gain before feedback.

A result!

That certainly makes life easier. Moog have always been a bit of a challenge with their power requirements!

http://www.hotroxuk.com/voodoo-lab-ppap-parallel-adapter-for-pedal-power.html Link for cable

Yankee PS-M2 Current doubler cable on 6-24v DC section. Should be able to power a whole host of your standard 9v devices also. Pricey kit though.

A 'u' is generally 19 inches wide (unless you get the 1/2 u things... which are a bit of a confusion as the u should refer to height... Anyway... 1u is 1.75inches tall, so 2u is (2x1.75) 3.5 inches tall... and equally, 4u is 7 inches tall.

[quote name='Gunsfreddy2003' timestamp='1440059827' post='2847868'] What's the easiest set up to get a feed from a desk to use just for me as an IEM mix? Would it be the P1? [/quote] Yes. P1. It is a rip of the Fischer unit as Martin above implied. Its a lot cheaper than the Fischer offering and actually quite robust. Don't be put off by the Behringer name on it!

You seen the P16I/P16M combo? There's also the P1. Behringer seem to be really pushing the monitoring thing at the moment. Which is all good stuff.

http://www.youtube.com/watch?v=7Aa6lJPa5FQ Check out the scratching on this. Probably better sense of timing than all of us... especially when he's scratching pitch and rhythm in sympathy with the original.

There's DJs and DJs. Go and and YouTube DJ Qbert and tell me that's a laptop.

I'm sure OBBM could knock you up something similar... I know he's done similar -

[quote name='Pow_22' timestamp='1438171296' post='2832218'] Yup, always my first choice. Waaaaaaay better than Roqsolid stuff that gets recomended on here [/quote] I think so. Have to say though, my d2f covers are amazing and still looking great after 500 odd gigs - but of course they need to be imported from the States. Made exactly to my spec with little extras (like velcro handle flap cover things. Excellent. But yeah, locally, hot covers are hard to beat.

Hot covers are absolutely superb. Will be ordering some more no doubt as the gear collection grows!

MoJoKe - good to see your in ears journey progressing. Knew you'd go customs in the end! To those reading the thread, you can save yourself the money by bypassing the middle stages! :-p The end game is inevitable!

Umm... having read the question properly now, I'm not too sure.

[quote name='The Badderer' timestamp='1436372027' post='2817632'] Just got back from having moulds done by the Custom IEM company to get 1964 V6S. Fortunately for me I'm going to the states and will get V6S for less than you would get Quads for in this country and the same price as generic Shure 535s. It's amazing how much cheaper things are in the States if you're going there. Paul from Custom IEM's was great and really professional taking the moulds and 1964 have been great to deal with. Will be a nice arrival present when I get to the States! [/quote] Indeed - especially if you wait for the Black Friday deals that they have on. Congrats on your purchase!

A decent XLR is all you need. Speak to obbm on here - http://www.rock-wire.uk.com I'd also sack off your amp DI (just so FOH carries on even if your amp dies). Speak to orchid electronics - http://www.orchid-electronics.co.uk/classic_DI.htm

Holy thread revival!

I use a Tascam DR05 Barrie. The removeable SD card makes it the winner - no problems with ever fighting with space on your iPhone if it's loaded with videos, pics and music. Sound quality is immense too. As mentioned, can mount on a mic stand too. A very capable unit

[quote name='Bilbo' timestamp='1435659131' post='2810993'] No disagreement with anyone who wants to do it on electric. Just expect to be everyone's last call guy. [/quote] Cottle seems to do alright without playing upright... But then again, with skills like his, people can turn a blind eye

Zayne Malik.

[quote name='SmoothHoundChris' timestamp='1435159124' post='2806072'] There's a flautist using a set in Greece! The ultra low harmonic distortion makes is great for that sort of instrument. I'm not sure I agree that the market is saturated with products at this price point with this level of performance. It really is very high fidelity. [/quote] Flautist - nice. How is that set up then? Presumably there's some adapters going on to get to get the mic on the end of that jack? At that price point, (off top of my head) what we got? Audio Technica System 10 Sony DWZB30GB Line 6 G30 Alesis Guitarlink Behringer ULM stuff (coming soon) Joyo (err...) Intellitouch Freedom One Wi Audiolink Actually, looking at this - you are probably right and I'd say your main two worries are Line6 and Sony. Sony is a bit of an anomaly as they are only competitively priced at Thomann and not very well represented on the high street. The quality of your product looks to be good, especially when compared to those lower down in the list above. Realistically you are taking on the top 5 in that list and some of those are higher than your pricing point.