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EBS_freak

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Everything posted by EBS_freak

  1. EBS_freak
    And another one. 👍
  2. EBS_freak
    This actually really surprises me to read. Having had correspondence with him (I quizzed him quite hard when he came to market), he seemed to know what he was doing, especially when he came to the choice of BAs and tuning.
  3. EBS_freak
    Share some pics.
  4. EBS_freak
    So why not the reshell of your MEE audios via lugs? That’s where I’d be going with your budget - You like the sound, they work for you. Would be proven and still cheaper than the s2. Dont do custom tips - I guarantee you’ll still want customs. Cut out that waste of money and go straight for the end game. It’ll be cheaper in the long run and put the biggest smile on your face.
  5. EBS_freak
    A lot of channels - but can make life a lot easier in a way. Ofcom co-ordinate frequencies for such events outside of the typical shared mic licenses that are typically used. I'd wager they are all patched via Dante - all devices get plugged into a pair of routers (for redundancy) via ethernet. Way, way easier than messing with a spaghetti of cables. Everything is digitally routed with an ID, so you don't have to worry so much about plugging into the right socket. Just turn on the rig, plug in the two ethernet cables from the wireless rack into the main pair or routers, plug in the two cables for the mixing desk... patched. Also worth mentioning that the higher end wireless systems can run in high density mode (lower power, typically gives you 30m coverage (which is more than enough to get from the wireless receivers on the stage wings) - but gives you circa 8 channels per 1 mhz). For comparison in a 606-623 shared mic environment where you can typically deploy 12 (standard) wireless units, you are now looking at 136 channels of high density wireless. Pretty cool stuff.
  6. EBS_freak
    “Hi, I’m @Jon Liebman, welcome to funk bass”
  7. EBS_freak
    Not really - it's the rarity aspect, the wanting of a birth year bass, a slice of history etc... Going by your logic, nobody would buy or want vintage cars, or classic Ferraris (or other marques). Most modern cars can out perform the classics in every aspect... but these run of the mill modern cars will never have the same appeal or price tag of their classic cousins.
  8. EBS_freak
    In 20 years time, try selling the two and see the price difference. Heritage counts for a lot.
  9. EBS_freak
    Musicman experience here. Bizarre that they became stockists. Probably just after Musicman fixed all the issues… Its all part of the bass buying fun though.
  10. EBS_freak
    Just remove a string. Problem solved.
  11. EBS_freak
    As above. IEMS.
  12. EBS_freak
    Am I alone in thinking that Comply tips are a super case study where the branding has won out over the actual product? I never had any luck with them... and then tended to fall apart. To be fair though, I never found anything that would stay in my ears - I don't know if thats because of the shape of my ears or not... but it was that that send me on my merry way down the customs route. Spintfits were my favourite - but again, silicone - so if silicone not anybody's bag, probably a bit of a non starter. Anyway, as you were.
  13. EBS_freak
    Nah, he doesn’t have PR. I just sent him a message about it. Said he CBA to reply and doesn’t believe in the institution of marriage anyway. 😜
  14. EBS_freak
    These folk do not owe you anything - and you shouldn't assume what pulls they may have on their time or reasoning for responding to, or not responding to your message. I think if I was a celeb, I would be very wary of responding to anything. You never know who people really are... or what associations may be presumed from such interactions.
  15. EBS_freak
    Nup. Had to come back. With an EQ like that, I immediately thought we were being trolled by Fieldy. Anyway... Whilst we are at it, let's talk about "quality" drivers. There's only real two main players in the manufacturing of balanced armatures, Knowles and Sonion. Given that the vast majority of the leading brands of IEMs make use of Knowles and Sonion, it would also be worth pointing out that the drivers that are found in many Chinese IEMs are Knowles - and you may be interested to learn that the exact Knowles drivers found in KZ IEMs are commonly found in their more expensive custom counterparts too. Anyway, I'm just off to look at my mixer and try and understand what "20" is.
  16. EBS_freak
    JTUK, is that you? In the interests of a balanced considered response, EQ by numbers mean nothing. You need to EQ with your ears, not by numbers. The last paragraph is quite something. Do you just want to slam it out on the desk and get a ruler out too?
  17. EBS_freak
    Jeez. This escalated somewhat.
  18. EBS_freak
    Glad you got a result
  19. EBS_freak
    May be worth a go.
  20. EBS_freak
    @stevie nice work!
  21. EBS_freak
    Enjoy Dave!
  22. EBS_freak
    Depends upon the desk, but typically you can confiigure pre/post fader as well as pre/post DSP. Whatever DSP you apply to FoH will apply to your aux (unless you bypass the DSP). You can do a digital split if you have enough channels to apply different DSPs and effectively have a FoH channel and a monitor channel for each instrument (assuming you have enough channels on your mixer - or you could use two mixers - one for foh, one for monitors)
  23. EBS_freak
    You've unearthed one of the problems of digital desks. More virtual knobs to turn. Just because it's there to use, doesn't mean you should, especially if you don't know how to use it effectively. Compression is the number one culprit. People have survived for years without going into compressors on analogue desks... yet, give somebody a compressor, with no idea what they are doing - and without using their ears, will slam compressors all over the place... because.... compression. And compression is good, right? There's compromise, and compromise. Compromise due to stinky poo setting on a desk is not one that should be taken. Tech rehearsal time... before you all fall out.
  24. EBS_freak
    Sounds like you haven't got a sound engineer that knows their onions! And IEM should sound clearer than a cab as you are effectively taking a DI without any of the ambient fluff (assuming you aren't micing a cab) - I could understand if you were using some rubbish IEMs, but the KZ10s have bags of bass response and headroom (so there shouldn't be any distortion or farty bottom end) Got knows what they are doing to cripple your sound that much. Early compression is a bad idea on IEMs, as it impacts the way that people play and sing - singers especially as any make up gain really screws dynamics and singers tend to back off the mic.
  25. EBS_freak
    I used to hate this song. Boring. Pants guitar. Yawn. etc... Thing is, now I've got older and listen to it from a different pov, I've come to realise that it is in fact beautiful. It cropped up on my youtube feed again... I remember watching this for the first time on headphones (suggest you do to) and was blown away by not only the performance but the mastery in the engineering. This, and the Hell Freezes Over of Hotel California... just take me to my happy place. So, any other songs that you hated but come to love?
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