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EBS_freak

⭐Supporting Member⭐
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Everything posted by EBS_freak

  1. Just reading back - the comment about auxes, remember one of the mega pluses of the XR18 is it’s ultranet functionality! Check out the P16M.
  2. 5Ghz, using like for like power, has a reduced range and not as good as passing through masses, such as buildings... and bodies of people.
  3. I take it you guys haven't ventured into the IEM thread where I delve into the joys of latency of wireless... and cumulative latency (when you start introducing digital pedals/models/mixing desks etc). Comparing latency in IEM use and latency through distance from standing from a cab are different - the brain compensates in different ways
  4. And not one mention of latency yet! (Which should be another point of consideration!
  5. ULXD here. Not cheap... but it is a pro touring grade system. RF never means reliable, as I've always advocated, cable as a backup. Everything but a a co-ordinated radio setup, where every frequency is specifically calculated and allocated is a bit of a crap shoot. A lot of consumer devices won't give you the flexibility to do this!
  6. Ask Zoom how well their PSU and audio shielding next to their auxes worked out for them... Im with you on built in power supplies... but you know.
  7. Keeps the transformer away from the mic pres - less chance of noise. If something goes wrong, it's going to be the PSU, so again, user replaceable. So from a consumer pov, probably makes sense... and also makes the unit smaller.
  8. You mean the younger singer (that’s gets the importance of protecting her ears and hearing a much better mix) that has an IEM in her left ear (you can see the cable running parallel with her neck) and the other one hanging over her left shoulder? (Admittedly I wouldn’t recommend doing that)
  9. Always loved that song, nice authentic sound too. Nice to see some additional angles on the go too. Always lifts stuff up. How have you miced up the drums? Sounds like a kick and overhead but unless I'm being blind I can't see it...
  10. Its nothing particularly clever, it's just a high end roll off, to mimic what you would get due to the capacitance of a longer instrument cable.
  11. The erectile disfunction of websites.
  12. Wireless defo brings with it extra challenges. Realistically, for reliable wireless, you want to be investing in Channel 38 kit... however, that comes at a much greater cost than the consumer 2.4 stuff. Co-ordinating wireless at a professional level, is not just turning gear on and scanning. Every unit is given a specifically calculated frequency, that works with all the ambient rf, without clashing. I don't think vendors really sell that mixing brands and models all adds to the chaos.
  13. Yes. Don't use 2.4ghz. It's oversubscribed and only has 3 truly intermodulation free frequencies. Totally uncoordinated chaos.
  14. OK, they havent got the overhang of the Wal, but it's quite a good likeness?
  15. Designacable or Custom Lynx.... https://www.designacable.com/ https://custom-lynx.co.uk/
  16. Take the hint! He was hot just like an oven, wanting some Waddo lovin.
  17. Having done a fair few folk gigs, I know exactly what a low whistle sounds like (she even name checked in in the petition)... an annoying recorder... and I suspect the real culprit. I note it was left out of the Beeb piece. Just imagine 1:50-2:29 for hours on end. Something about the whole debacle does not make sense. I see she has put up a few conversations with the council on her Youtube channel. Of course, totally pointless as they aren't exactly impartial.
  18. Just watched. Something about this just doesn't add up. Of course, if she goes on tele, she's going to be playing an acoustic guitar, very softly. This however - Looks like this thing could sound like a right racket.
  19. I have worked with enough musicians to know that the position I propose is far from straw man. But you know, you are welcome to your opinion, as I am mine. Must admit, I'm not quite sure which point(s) you think aren't reasonable assertions.
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