Muppet

My drummer always liked the sound of 'the one with the yellow speakers' the best. I owned both and eventually decided the Rumble 210 was the best for me, but I always miss that little CMD121. When paired with the matching NY121 it shifts some serious air though, and remains ultra portable.

I find the Hold function on this pedal is underrated. I'm using it live to hold an underlying organ sound whilst I play over the top, releasing and re-holding at every chord change. I don't have recordings but I'm using it for the intro to Python Lee Jackson's In A Broken Dream...works well.

Beatles. Much to the disappointment and amazement of my current band members who assume I should know every McCartney bassline created...

I had exactly the same experience and I assumed it was the cabs I had at the time - RS212 and RS112. I'd like to have tried it with the Barefaced cabs that I have now.

Same here - mines the one with the pedal board receiver/tuner. Brilliant kit but not cheap.

I’ve only got the studio 10 -I use it as a practice amp just for my den - but it’s got great features and a classic baked in Ashdown sound, which is the sound in my head. I dont think you’d go wrong with that range.

Bit confused - you've just posted a link to the thread that you've just posted in which is in fact this thread.

I get a lot of background 'hiss' when using the headphones with the RM800. Not noticeable when playing or with music in the aux feed, but on its own it's quite annoying. I just don't use it with headphones any more.

Yes good point, I forgot about them. I even had one of the 210s and the 115HP before that. Neither set my world alight unfortunately.

I think now Yamaha are running the show they've got some good business guys in who've identified that there's a pretty big market segment that they were missing out on with their previous hefty combos. They've joined the party now and I'm sure they'll sound great. Just a shame it's taken a while. And as far as price, wow....!

http://www.ampeg.com/rocket-bass Just seen these. Ampeg are a bit late to the party here I reckon and are turning up with nothing special on the face of it. Could be a reasonable competitor for the Rumble (although that’s moved on now) or the Ashdown studio range. Depends how good the Ampeg sound is replicated.

Same here, with no problems. Although the RM800 through a BF610 is lovely....!

Bucking the Ashdown cab trend with either a BF 210, 610 or Supertwin, depending on my mood..

Is this through a cab or also with headphones? I'm off to try it!

I've got a Rumble 500 somewhere. I'll dig it out and try this.

I had a chrome red 2007 jazz. There was a sticker in the neck pocket that gave the colour code.

I've always sworn by Hiscox cases and even when flying my guitars have arrived safely after being in the hold.. I do have a couple of the current Fender Deluxe ABS cases too which are really nice and seem pretty rugged.

Yeah I know, it's just such a small thing! I don't like being forced to set the knob in a particular position, however miniscule. It certainly won't stop me from using the amp at every opportunity mind!

I hate it. It's the only thing I'd change!

The headphone out is a tad noisy but you can’t hear it when playing. Dave Green told me not to use quality headphones, in jest mind. I love the sound out of this and it’s my default preamp for recording. I’d like to test different valves too. I have the yellow/gold version but I’m not sure of the difference if any between that and the red one. Mark Gooday mentioned that the difference was ‘More drive’ .....

Have you tried to swap out the valve? I started to give it a go but you can't get to it from the rear or the front of the pedal, so unless I'm missing something a pretty comprehensive dismantle may be required...

Have they changed the name? When I bought one it was called the OriginAL Valve DI and it's still called that on Ashdown's page... Anyway, I have the yellow Norman Watt Roy edition and it's brilliant. Here's a review that @Merton wrote last year which covers pretty much everything. I think at £200 it's a great deal.

Interesting. First glance suggests your EQ settings are partly cancelling out the use of the Shape EQ?

That was it then?

Yes I read that. I can only think it's coming from the sub harmonics. I'm pretty sure I'm not experiencing anything like that. I'll check through headphones later just to be sure.