Mykesbass

Only drawback with Cort is their resale value if you don't like/get bored with it.

I'm disappointed - should always be this one 😯

Probably not the right section to post in, but the one I thought I'd have most chance getting advice! Has anyone had metal knobs turned, and if so, could you put me in touch with the person/company that can do this please? Actually looking for a clutch for a telescopic lamp, but is the most difficult thing I've ever Googled! Thought a turned bass knob would be much the same technique. Thanks, Mike

Yes, with you on the first bit, and even this oik dragged up in South London knew the meaning of the second bit. Some people just can't resist a bit of Frankie Howerd style humour 🤨

I would have thought asking their opinions on the musical style would be wrong, but asking on technical issues (how to create the sound you are after in the studio for example) would be very sensible.

As already advised, for speaker cables go to @Chienmortbb He has taken over from another Basschatter and makes cables from the highest quality components at very reasonable prices. Many brand names rely on snake oil to justify their high prices. These ones rely on reputation on here. I know which I trust more!

Dave Robinson at Stiff was notorious for speeding up recordings. I think it was Tracey Ullman who was interviewed saying that even miming her track on TOTP was exhausting!

There's another notable version of Have You Ever Seen the Rain? Oh, and sorry to be the pedant, but that would be Mark Robson's version of Valerie. Amy's own version was possibly even slower than the original.

Many examples like this, particularly when the original version is a bit obscure - Tainted Love mentioned earlier, which apart from Northern Soul afficionados was pretty much unknown before Soft Cell, I Will Always Love You was pretty much unknown as a Dolly Parton hit (at least here in the UK) before Whitney. So I would say Deep Purple is 'right' and Kula Shaker 'wrong', and the others don't count. But that's purely MY objective opinion.

It is indeed - just that I often find my preference to be at odds with public opinion! Let's hope the rest of your post doesn't come to fruition...

Funnily enough, that was one that broke the mould - we did do the Creedence version.

Just checked Babbitt's discography on his own website. He didn't claim it (although he did record with her in 70 and 71).

Anyone else find themselves on the wrong side of popular opinion when it comes to original versions vs cover versions? Three examples for me that I've had to play: Ain't no Love in the Heart of the City - brought the Bobby Bland version to a band, everyone else wanted to do the White snake version. Too Hard to Handle - can't find anyone else who wants to play it in the Otis Redding style. Knocking on Heaven's Door - we played mainly Dylan covers, and the drummer insisted on ramping it up like the awful GnR version.

Kudos to @Rob Cook Williams for using the search function 😎

Dripping with Soul, and some lovely grooves going on. Aretha at her absolute Gospel finest.

Interesting. It was pretty much saturation on my feed for a while. I'd love to know what sort of budget they had.

I think we all now know @lowdown's Mastermind specialist subject 😎

Me and a colleague (late 80s) were obsessed with Johnny Staccato. Great Big Band theme by Elmer Bernstein, and even a stylish clip (blink and you'll miss it) of some double bass playing.

I used to put very small amounts on FB ads and made a highly focused target audience. Got nothing from it. There are a couple of bands who I have become aware of due to FB ads - When Rivers Meet are the ones I can name. No idea what they are like as I haven't listened to them, however, I have seen them climbing up the festival circuit bills.

He kept that quiet! Really good to know (apart from OBBM's cables being so good I don't know if I'll ever need another)!

Darned sight better than Yesterday.

Nooooo!! Now if you had said Superman, Black Lace I would have wholeheartedly agreed.

Some great names here, but all highly acknowledged albeit in their specialist fields. Unlike another example here of Andy Partridge who had some huge hits in the mainstream, but whose name, and musical contributions are somewhat overlooked. But then that's the joy of discussions such as this one.

Martyn Ware - Impressive discography as a musician - Heaven 17, Human League, BEF, and producer - Terence Trent Darby, Tina Turner, Scritti Politi etc.