Clockworkwar

Mine doesn't track really passed a low C, I mean it does a little so I would say an A.

Use meths, metal and water does not go together.

Email ashdown, they will fix it if you can't.

You were on here at 1 in the morning

It is BS, all these business goals are

SM57 job done

[quote name='Pookus' post='446471' date='Mar 26 2009, 08:49 PM']I usually dial in a bit of sub from my Ashdown head. Works reaaly well with the warm tones of Celestion green lables. Yum yum bass.[/quote] My trace cab really does sound amazing with the sub.

I am thinking those pedals are by the same company as Ashdowns.

I tend to prefer ebay sellers that show more pics aka inside the battery compt. and also a heck of alot more detail that what he is giving. I agree it does look pretty weird the neck does.

[quote name='escholl' post='446120' date='Mar 26 2009, 03:54 PM']i've never had a problem getting it to work and sound good on the few ashdowns that i've tried. ok, not everyone needs an octave effect, but it's one control, how can you get it wrong? O_o[/quote] It always works, just alot of the time, you get a horrid sound or it doesn't come across very well.

It doesn't seem to produce mud on mine, it is a nice clean sound.

I have somehow managed to get a really nice sound from the sub-harmonic button on my MAG 250 head into my 15" cab. It is really melodic, it is amazing! It even seems to be working on chords to which is nice. Has anyone else actually managed to get this function to work properly?

Buy a MAG and get some real manly weight.

I am a bassist of 5 years and have recently purchased a pretty cool gigging rig, I am looking for musicians to join in a blues group or some me to join any of yours. Just sent me a PM.

Sell it, but second hand.

The largest rip off is the Rickenbackers, they went from £1000 to £1600 now.

I just played through them, after about a weak of pretty constant playing my fingers were as hard as anything *flexes tendons in fingersss ooofff*

I would just make one, oh, you can't do that.

I fear he would have to pay a fortune to the publisher of the music to release it on here.

If I had the money I would be a gear snob, but I don't, so cheap and used stuff is the only way.

I will continue to do my own thing, I know music theory but I am not going to be slave by it.

Didn't know they made them.

[quote name='Mr. Foxen' post='441468' date='Mar 22 2009, 01:47 AM']Our drummer has a 70s Slingerland drum kit, its huge, and he reckons it's worth over a grand. He never lets anyone he doesn't know pretty damn well using it. We have a gig in Cardiff. The promoter wants us to lend our kit and bass rig to the other local band who he has added to the bill ahead of us 3 days before the gig. We told him no, due to drummer, and the fact I am borrowing the part of the bass rig from my housemate (we share gear fairly freely). Gig day: Because me and guitarist Bunjy were working drummer and van driver go to rehearsal space to get the stuff, collect me from work and head out. Bunjy and singer are driving there seperately. We get there, find the room nis up 2 flights of narrow stairs, I have 2 cabs the size of fridge freezers, lug them, amps and cases up the stairs. The local band have already set their kit up on stage, our drummer is all 'can I move it back to fit my drums on?', they say 'no', so he decides to set up in front of stage, he has a carpet with where all the drums go marked out to make it easy. That's when he realises he has forgotten his whole kit. He then has to beg to borrow the other band's kit, which wans't nearly loud enough, and we looked like a right bunch of idiotss. And the promoter refused to pay us the agreed fee, after we'd given money to other band for using their kit, so we ended up losing bunches of cash.[/quote] Sods law does work amazingly.