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GreeneKing

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Everything posted by GreeneKing

  1. Stunning. Marcus Miller CIJ with MM Retro or Grover P/J of any interest? Peter
  2. Pete, I can't pm on my phone for some reason. I am the numpty. I would have liked to have put this in my 90 NT thumb myself but with it being 4 knob I decided to sell it. But, the passive tone is just an add on wired into the pup inputs. So I can use it in my thumb and get sweepable mids! Your post made me realise the obvious and I'll need to cancel the sale and keep it. Humble apologies. Peter
  3. [quote name='Ou7shined' timestamp='1397830331' post='2427764'] Sorry bud been unwell for a few weeks and all work has had to come to a halt for now. I hope to be back in the saddle soon though. I made up a complete set of utile/mahogany pickup covers and surrounds before I had to take time off. I might be able to get some pics up soon. [/quote] Here's hoping your soon sorted Rich
  4. [url=http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3211109334&k=dhw988w&lb=1&s=A][/url]
  5. I've just taken this East U retro out of my ACG Salace (having replaced it with an East made ACG filter pre). It has a non switchable passive tone fitted so it's not strictly speaking a U Retro Deluxe but it's part way there (the Deluxe has active/passive switching on the passive tone control). I've decided to re-use the knobs in the photo and I've re-priced the pre to reflect this. It is 3 EQ with a treble boost and sweepable mids, a very worthwhile feature imo. [quote] [i]BASS & TREBLE [font=Swis721BT](The middle knob stack) [/font][/i] [i]TREBLE (+12dB @ 3 kHz, -12dB @ 1kHz) [/i] [i][font=Swis721CnBT]The upper knob is the Treble control with boost and cut. The central 'flat' position is indented. The cut settings work on lower frequencies compared to boost to give a deeper sound when the top is rolled off. [/font][/i] [i]BRIGHT (+8dB @ 7kHz) [/i] [i][font=Swis721CnBT]Pull the Treble knob for the Bright setting. [/font][/i] [i]BASS (+15dB @ 50Hz) [/i] [i][font=Swis721CnBT]The lower outer knob is the boost only Bass control. The frequency band of boost getsp regressively lower as the boost is increased. An in dent midway is included to aid the setting of thiscontrol. [/font][/i] [i]MID LEVEL & FREQUENCY [font=Swis721BT](The knob stack nearest the jack) [/font][/i] [i]BOOST/CUT (+/- 12dB) [/i] [i][font=Swis721CnBT]The upper knob controls the amount of Mid boost or cut at frequencies according to the setting of the Frequency knob. The midway indent is the 'flat' position. [/font][/i] [i]FREQUENCY (150Hz - 3kHz) [/i] [size=4][font=Swis721CnBT][i]The lower outer knob is continuously variable and sets the Mid frequencies for boost or cut[/i]. [/font][/size][/quote] 7 connections, pickups with screw clamps and 3 wires for jack output and return and power. I'm looking for £95 plus £5 delivered to the UK Peter [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3211095676&k=km6cqJw&lb=1&s=A"][/url]
  6. Lovely LP there, what does it balance like? Peter
  7. Hmmm... Buy an ACG with an acrylicised (sp) fingerboard then you aren't limited to certain more stable woods and maple won't get quickly grubby. Tone differences? marginal at best in my opinion. Wenge is nice. Balsa anyone? How about this one though? [url=http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3135566933&k=nTGRb8x&lb=1&s=A][/url] Peter
  8. I sold this pedal some months ago. It never arrived and I refunded the buyer. I walked into the local post office a few weeks ago and I was handed the pedal sans stamps. They claimed I left it but I know I paid postage. I mean why wouldn't I So it's up for grabs again. Bargain price of £75 posted to UK addresses. Condition as new and a great pedal. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=2318156001&k=LNzzkwZ&lb=1&s=A"][/url] Peter
  9. Michael sent me the Roscoe Beck scratch plate that he still had, gratis. What a star [url=http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3134115202&k=Bhw8jN4&lb=1&s=A][/url]
  10. At the recent Moffat Bass Bash I was really keen to try one bass more than any other. The Mike Lull with the retro engineered 60's Thunderbird pickups. To be specific a Jeff Ament Sgnature model: I have to say, the construction and playability were everything I'd hoped for although I'd rather have these pups in a P or J body. I played the bass passively and listened to Matt playing it against his EB2014 and I'd have to say that in my opinion the EB2014 won the audio test. So that's GAS relief. Peter
  11. [quote name='kyboo' timestamp='1395131187' post='2398922'] I thought I could use a bit of the odd morning sunshine [/quote]Lovely
  12. I had an absolutely amazing weekend for many reasons, the Bass Bash being central to them all. Anita was really keen to come along and she had heard all about it well before the event. So for me it was a welcome weekend away in a town I've grown ever so fond of with a lady likewise. Well, she had a great time, I had a great time and we had a great time too I'd like to thank Alan, Lihnnie (I always get the spelling wrong I suspect) Dave, Shaun, Sandy and all old friends and new for a great time. I even emerged on Sunday without a hangover which with my lack of tolerance for alcohol was an absolute winner. Sadly with my band life being a pathetic series of failures the Basseokey seems to be my annual gig! So thanks for the opportunity to do two songs. Was it just me or did the ACG's all sound great with the band? I didn't take so many photo's this year but I'll put a couple up. Bass wise, highlights for me were probably my own ACG Finn which might seem a little unusual but believe me that IS a success It was the first time it's breathed in anger. I suspect that Anita and I will be back to Moffat this year on the bike as it's a great area for motorcycling. We did keep off the motorway in Scotland as it was and explored some nice detours. Here we go: Paul S playing my Finn whilst praying to Dave's Foundation 212 cab. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126921804&k=SLSTdwn&lb=1&s=A"][/url] More worship, this time the tuning genuflection in front of a wall of ACGs. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126920378&k=LRt3hSN&lb=1&s=A"][/url] Dave P in a reflective mood, with the overhead lights causing it. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126921868&k=zKKkg2K&lb=1&s=A"][/url] Andrew W sharing many strings with Peter J and John [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126919452&k=hCwJwkq&lb=1&s=A"][/url] Anita laughing because she spied a card transaction machine and discovered that it wasn't me that bought this stunning Gordon Smith bass. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126919031&k=cd999c6&lb=1&s=A"][/url] This is Matt's (Neepheid's) Gibson corner after I started hallucinating. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126920934&k=BbGzTh9&lb=1&s=A"][/url] Paul (Mr Thumb) in the same location with the awesome EB2014 thinking 'I see the light!' [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126922447&k=3dZ954S&lb=1&s=A"][/url] Gary G with the very beautiful and unusually finished ACG. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126922500&k=nGmrhWW&lb=1&s=A"][/url] Paul S's amazing looking ACG Salace with added Krell-like modification. My favourite looking bass. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3126922795&k=pgqSNNR&lb=1&s=A"][/url]
  13. [quote name='karlfer' timestamp='1394904574' post='2396554'] Aha. A lovely looking bass No Peter, it's one of the following and despite the rep Mex's have, I love them. I've had 6 good Mex's now. Even though I love 'em I can still sell them on. That's because I'm fickle Oh, and the description is wrong, the nut width is 38mm jazz. [url="http://www.gak.co.uk/en/fender-fsr-deluxe-pj-bass-sea-foam-pearl/92874?gclid=CKzjos2Hlb0CFWvkwgodhRoA0A"]Fender FSR Deluxe PJ Bass (Sea Foam Pearl)[/url] [/quote]
  14. [size=3][font=arial,helvetica,sans-serif]We're coming up on the A6 and the Lockerbie road to make it a bit more interesting. We might make The [color=#525163]Baccleugh for lunch. It's a good bikers hotel [/color][/font][/size]
  15. [quote name='karlfer' timestamp='1394481014' post='2391835'] This is from The Bass Doc's value range. Superb again Howard, cheers boss. [url="http://s1354.photobucket.com/user/Karl_Altdorfer/media/DSCF0470_zps416ee3bc.jpg.html"][/url] [url="http://s1354.photobucket.com/user/Karl_Altdorfer/media/DSCF0469_zpsd8bab225.jpg.html"][/url] [/quote]Loverly CIJ 70's re-issue? Lovely basses.
  16. [quote name='skelf' timestamp='1393880239' post='2385485'] It would be good to see you back at the bash. [/quote] Aye
  17. Excellent, bringing the EB for an electrics comparo Matt? Looking forward to it (as I've already said, at least twice)
  18. Or even a P/J? Fender scratch plates courtesy of Howard 'The Bass Doc'. P with Badass II and Seymour Duncan SPB-4 Steve Harris pickup. J is a Roscoe Beck Finally found Fender satisfaction. [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3120242630&k=62Zh65p&lb=1&s=A"][/url] [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3120242683&k=FBQVjHH&lb=1&s=A"][/url] [url="http://peterb4407.smugmug.com/Other/SmugShots/20297576_MJZnTm#!i=3120242580&k=SMj4sJb&lb=1&s=A"][/url] Peter
  19. Super sustain AND fretless?
  20. My better half is coming. There's usually a fair few fairer ones who enjoy the day
  21. This bass thing? One minute I understand it and the next I'm flummoxed. In my head I have the perfect bass. It growls, it's articulate, it's smooth and bluesy, it's got attack and clarity and it's muddy and warm. It's functional, well made and finished and it looks kinda wonderful too. I love Rics. I've owned 4 including a Chris Squire and a Macca model. I've tried and I've not got on with them tonally or ergonomically. A part of me still wants one (what's that about?). I don't/can't play with a pick and maybe thats partly the problem. I love the look and the tone when others play them. The Yamaha BB2024MX that Chris traded with me is a superb bass. It's got Yamaha's wood treatments which really work in my opinion. The pickups are a marvel and as a P/J it really works. The only aesthetic thing I'm not keen on is the neck laminates running through the headstock but it's superbly well made and finished. It's all anyone 'should' want methinks. I recently bought a 70's re-issue P bass entirely because it sounded so good. On a whim I put a Steve Harris pickup in (and moved the Bare Knuckle 65 into my Tony Butler sig) and I have to say that for a pure P bass sound it's the best I've ever heard. It isn't very flexible though, just pure P bass goodness in extremis. For the nearest Ric tone my Gibson EB2014 in series/series/series mode is a good approximation but more ballsy. For growl my 90 Thumb NT takes some beating. For articulation and clarity plus great flexibility my ACG Finn Uber spec has it nailed. The Roscoe Beck IV I traded with Chris does so much and is playable in the extreme. But, in a band situation that I'm likely to be in the bass will likely be fairly irrelevant, especially to the punters. Most if not all of my 12 basses would cut it. So what's my point? What I'm trying to say is that one bass wouldn't keep me content for many reasons and the reasons I enjoy my basses has more to do with playing them sat at home as the mood takes me than in a 'real' gigging scenario. If I had to have just one bass to rule them all I'd really struggle. Peter
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