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GreeneKing

⭐Supporting Member⭐
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Everything posted by GreeneKing

  1. I had a Kingbass and found it just about unplayable. I've owned about 100 basses and it was the only bass that I couldn't play due to ergonomics. Other Status were much better. I know a bass builder who was underwhelmed by the reality of owning a Wal vs the dream. I'd not turn one away.
  2. Bump for an update, please see edited opening post for details. Genuine cheap strings. Peter
  3. Prompt payment and great communication. Thanks Rory. Peter
  4. [quote name='therealting' timestamp='1485102509' post='3221110'] Thanks for the input guys. I have quite a few basses and don't have cramp issues on the others (Dingwall Super P5, Dingwall Super J5, Sadowsky MV4, Fender 56 P, Fender 61 P, Yamaha TRB6, etc) even for long sets, and this one is set up really well - it's actually very easy to play, I just find it tiring for my hands. It's an SRFF806 and Dave Swift loves his so it's not a problematic bass, perhaps it just doesn't suit my particular digits. Shame ): [/quote] As you say, a neck issue, apologies for the sucking eggs above. Peter
  5. [quote name='visog' timestamp='1485036197' post='3220697'] Nah... I'm a huge Yes fan and there are some great moments on on sides 1, 2, 3(2nd half) and 4 (start and end) but it's at least a whole side too long. See if wouldn't have been so bad if they hadn't proved that they could concentrate their prodigious ideas into a single album on the mighty CTtE and Relayer that book-ended Topographic. [/quote] CTtE - mightiest of all
  6. [quote name='dmccombe7' timestamp='1485082878' post='3220918'] That's an impressive and expensive collection. Those ACG basses look fantastic. Alan isn't too far from me either and usually see him at the Bass Bash. Always helpful and always showing a great collection. I am also a fan of the early Warwicks and love that Thumb growl but they are a tad heavy. Nlthing compares to that combination of woods and electronics IMO. Nice and thanks for posting. Enjoyed it a lot. Dave [/quote] Cheers dave.
  7. [quote name='JapanAxe' timestamp='1485083051' post='3220920'] Is that a Boss VF-1 on top of your amp? I used to lust after one of those! [/quote] It is indeedy, great unit.
  8. I agree it won't help. It might be that you are applying unnecessary pressure with your fretting fingers? It's amazing how little force is actually needed. I find that the more I dig in with my plucking hand the greater the force I apply with the fretting hand. I've solved my own fretting discomfort issues by increasing my volume. I have to be more gentle with plucking and that transfers to my fretting hand. Of course this may not be the case with yourself
  9. It is indeed an older GMR. I acquired it recently in a trade deal with my 91 NT Thumb 4, having finally left 4 strings behind, although I still own 2. The GMR has been a delightful surprise. I'm a great fan of older Warwicks so the use of Warwick hardware and the waxed bubinga are all pushing the right buttons. The body carving is absolutely lovely and it both balances well and sits on the knee perfectly. The neck and fretwork are top quality and make the bass very easy to play. The passive MECs can get some stick but these are like the active ones on my Thumb, growly and full of presence. It came with a passive VVT set up and seeing the potential for a keeper I fitted one of the new modular 4 knob John East Uni-pre modular pre-amps (I had to drill a hole in the bass ). This way I get full passive capability along with 3 EQ, sweepable mids, a passive tone that works in both active and passive AND a HP filter to get rid of those sub 40Hz driver threatening rumbles. The 40-118 Vapour Shield LaBellas also contribute to what is fast becoming a bass of legendary status for me anyway. I fitted a trussrod cover to the headstock as the open wound looked a bit odd to me. It's about a mm or 2 offset so that remains to annoy The MM5 is a 20th anniversary with the added tone block and the modified 3EQ. It's also a MM5 without the asymmetric scratch plate that is a bit of a love/hate thing. It's absolutely mint and plays/sounds lovely but its a very heavy and stunning beast. The custom ACG Finn is full Uber spec with multi coil pickups and the latest spec filter pre-amp. It's modelled on my love of things Warwick and is a bubinga wenge sandwich with a 7 piece wenge and bubinga neck. Words alone can't describe how articulate the bass sounds or the versatility of the pre-amp. It also has THE perfect neck and fretboard. Every time I play it I just think 'wow'. I think the 7 piece neck contributes greatly to a B string that feels just like an E string. I've worked with Alan on speccing a few basses and I was made well aware of how heavy this bass would be. I'm no a 'tone woods' man but I do think this bass has a real Warwick growl. Not a bass for a 3 hour gig stood up though The ACG J5 is simply a great J5. Light, playable and it looks good with a lovely birdseye maple fretboard. I know a few folk who covet this bass. I've recently fitted single coil Aaron Armstrong pups to replace the humbuckers and its got a more open tone that I was looking for. It has a John East U-Retro onboard. It's also fitted with a Roland V-Bass rig. I still have Rita my Sterling. She's a keeper now As well as my Gibson LP double cut. This has a visible neck repair where the fretboard was starting to separate at the far end so it's not a viable sale. It's also pretty immense sounding with the T'bird pups. My final two are a test bed ACG fretless 4 that's a prototype that Alan used to work on fretless setup and my special blonde headless; That's me Peter
  10. [quote name='lownote12' timestamp='1485019351' post='3220488'] did you wash your hands before touching them? [/quote] Probably not if I'm honest. So they're all ruined, ruined I tell you Seriously, the opened and unused strings are all in mint condition. The used strings are lightly played. The new and unopened strings are, well I suspect they are pretty damn good. If there was an issue with any I'd happily refund as I'm considerate that way. See my feedback thread and gain an opinion on my priorities in life. I'm surprised that the TI JF344 haven't gone considering their reputation. Price drop on those to £35 delivered and close offers considered on all other strings. The used strings, all 5 sets can now be had for the cost of delivery or they'll go in the bin. Peter
  11. [quote name='Kev' timestamp='1485019333' post='3220487'] Oof. [media]http://youtu.be/-EnrHGdw9kw[/media] [/quote] Very nice
  12. My thumb rests on the string above the one I'm playing unless it's the B and then it rests on the bass/pickups. I mute with my thump and left hand.
  13. The sheds in my garage which is a part of the house thankfully ) I used big FU screws and rawplugs. I'll keep an eye on them, any sign of movement and I'll think again.
  14. [quote name='bassix' timestamp='1484996640' post='3220229'] Mike Watt comes across as totally mad but in the best possible way! [/quote] I didn't get the mad thing. Passion yes. He seems absolutely lovely.
  15. Eric Clapton - Rarities Edition
  16. [quote name='discreet' timestamp='1484929935' post='3219833'] Nice. It's important for a man to have his own space... [/quote] Your post was fine as it was, no need to edit it It's all online nowadays I believe......
  17. [quote name='TheGreek' timestamp='1484931350' post='3219844'] Nice ACG - how does it compare to the SC Harlot? [/quote] It's quite different Mick. The multi coil pickups are very articulate indeed as perhaps you would expect and the bass seems quite 'growly' perhaps due to the wenge and buginga. It's very weighty and the neck is very rigid meaning the B string is very good. It has the full and latest spec filter pre and it's a tone monster. Mind it's a long time since I've played my lovely Harlot SC. Good to see its in safe hands. Peter
  18. I bought my house off a drummer. Due to complaints from the neighbours he knocked up a sort of an insulated shed at the back of the garage. Perfect for bass practice if a bit small. Today courtesy of man flu I put up 4 cheap guitar hangers and now I have plenty of room. Here's most of my 5 string collection together with my Bongo that usually lives elsewhere in the house.
  19. I've got man flu and a poorly tummy I've decided to sort some stuff out while I'm off work for a couple of days. I didn't realise that I'd acquired so many strings. I've some unopened, some opened and not fitted i.e. not cut and even some used, barely used as I change my strings regularly. So here goes. Offers accepted but as UK postage is included I do need to make some money 1. Fender 7060 Phospher bronze Acoustic bass new and unopened 45 55 75 95 £8 3. Addario ECB81M Chromes [b]medium[/b] scale opened but unused 45 65 80 100 Suit 30 - 33" scale £15 Peter
  20. [quote name='Jazzjames' timestamp='1484839825' post='3218987'] 4-6 hours' practice 6 days a week plus classes 3 times a week (playing there too), plus rehearsals, plus gigs every week. It all adds up I guess. I still loved that bass. A first generation Sandberg California 5 string Jazz. i don't think anything was wrong with it, it was just being played very often. When you have a bass that responds how you like and sounds great on every song without fiddling with the amp etc., it's a keeper. [/quote] If you spend that much time with the bass then another 2 minutes per month changing the battery wouldn't be a problem imo.
  21. GreeneKing

    Cat Burrito

    Tim bought a chorus pedal. Dealing with him was a pleasure as always. A credit to BC. Peter
  22. [quote name='Burrito' timestamp='1484764043' post='3218265'] Having bought from Peter last month, I'm back again for a chorus pedal this time. Same story, effortless transaction etc etc. [/quote] Many thanks Tim. I couldn't find a feedback thread for yourself. Peter
  23. Nice looking chorus I have my chorus after my drive and it works well. The drive (COG 66) is on all the time. Polytune 1st too.
  24. Paul bought a chorus pedal from me. He was just ace to deal with all round Peter
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