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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. Selling a load of gear to pay for some over-running building work! Pics will follow tomorrow (Wednesday). No trades thanks, I need to raise an extra £5k or so over the next week so am listing these for sale only an at bloody competitive prices to ensure they well quickly (so no offers either!). There's be afew basses and guitars up soon also Demeter VTBP-201 rack mount tube preamp £300 + P&P. NOW SOLD Makes even my bass playing sound professional. Bought from Jack here Mesa Boogie M-Pulse 360 head in rack case plus foot pedal £400 + P&P SOLD Details at Boogie site here http://www.mesaboogie.com/support/out-of-production/m-pulse-360.html (I've just replaced this and the Ampeg below with a Boogie Big Block; risky move but needs must.....) Ampeg SVT-CL in custom flight case £800 (USA made in 2008). Collection only Withdrawn temporarily until I get my mesa head fixed! Very good condition, flight cased all it's life and little use in real terms. Details here http://www.ampeg.com/products/classic/svtcl/ although as this is current model (I assume far east made) some spec may differ. Weighs slightly less than Germany, so will require collection. I may also be able to meet up somewhere over the Easter break. Line 6 Pod Pro rackmount FX/modeller £200 + P&P Details and manuals here https://line6.com/legacy/basspodpro/. A rather better than expected unit, but one I have no real need for (Avalon not for sale, sorry). Please no trade offers, I really do need to raise the cash to pay the builders Chris
  2. Sorry folks, now sold
  3. Ha ha, I remember posting once that I found Zender's playing inspirational and receiving a similar response from you Nik! Consistency is a virtue! Horses for courses mate, there's something about the way he phrases that's quite magical, as is suggested by the OP, it ain't the notes, it's playing them right that's the problem.
  4. Thanks Nik i was kinda hanging on to it to be honest, but building work Chez Beedster is taking its toll on my offshore accounts so now need to sell this rather lovely little rig (which I gigged once only and which sound massive, despite its diminutive weight and small footprint). Lots more coming up for sale also over the next few week Cheers Chris
  5. Bloody lovely bass bought recently from Karl (thread and pics below). I'd love to keep it but frankly we've a load of building work that's over-running at Beedster Towers, and apparently 'overrunning' means over budget, so I'm going to have to offload a load of gear over the next few weeks to help cover the costs (there's an SVT and a Boogie head, a Precision or two, Ovation and Gibson acoustics, possibly even a Strat, oh and an Essex Blonde......). Frankly it's no bad thing given I currently appear to have nine basses, five three rigs, three acoustics, two Strats, and god knows what else out there! Irony is once I've sold it all I'll probably realise we didn't need the space afforded by the new building after all. Anyway, this was last in so is first out. EBMM are looking like they might be closing down the web support for these things, but frankly, even with factory settings alone it's an extraordinarily versatile instrument, albeit one centred largely around classic EBMM tones. It is also extraordinarily well engineered and finished, and on both bases is an extremely playable bass (butter, wool, whatever is the latest metaphor). It's not a Variax, all the tonal options are analogue not digital, based essentially on PUP circuitry as opposed to modelling. OHSC included so happy to post, or collection from Canterbury. No trades thanks. .
  6. Karl's and outstanding guy to deal with, simple as that. We've just done a deal and he went out of his way to make things as simple and as safe as possible. Can't recommend him highly enough, he makes Thomann look positively slow and unreliable
  7. Ha ha, I'm with you on all of those. I must admit I'd originally asked the question in the context of the song not the band, but am seeing quite another angle now All joking aside, I've always loved the bass part to Name of the Game. ABBA's bassist on those early tracks was outstanding.
  8. Funny that, I was going to suggest either Diamonds or Under African Skies, but I suspect if I were being really honest it would be something like December '63 or The Night by Franki Valli, both tracks that got me into bass in the first place. Would kinda like to do Suspicious minds with Elvis' 68 band also
  9. Nice one mate, glad to hear the important news alongside that relating to the nice bass
  10. Wateroftyne's rather nice tale here ...... ....and specifically his playing Video Killed the Radio Star with Trevor Horn, got me asking myself what would be the song I'd most like to play live with the original band/original member(s) in a decent venue in front of a decent crowd. I'm gonna have a think about it, in the meantime, any takers?
  11. Nice one Michael, really enjoyed that. Re your playing bass on VKtRS over Trevor Horn, I guess some things are meant to be
  12. Has to be said, that’s pretty bloody cool
  13. Yep, a mate of mine spent a lot of cash on a new J-45 a while back and I'm not sure it's a whole lot better than guitars than can be picked up new for 20-30% of the price he paid. Nice guitar for sure, but the days when there was Gibson, Martin, Taylor and then everyone else are long gone. The guitarist in my old band had a £500 LAG (I think) which blew away nearly all acoustics I've played, projection and tone that used to cost 5-times that. I love my early '70's Gibson MK-81 - which is ironically considered one of their low points despite it being one of the nicest guitars I've played - but get the feeling it's a long tike since their output justified their reputation.
  14. Ibanez Promethean
  15. Listing and sellers comms both suggest dodgy bass to me. I wouldn’t want it, and low price suggests others felt the same? I wouldn’t be so sure about PayPal either. These days they side with the person who is most persistent and/or who appears to have the better evidence, not necessarily the buyer or the person in the right.
  16. The problem is Jack is that you're providing evidence, and when it comes to Rics, BC doesn't go on evidence. Further, round these parts, how they play and sound is simply not important compared to other factors such as how they look and the personality of the CEO. Great to hear that you liked them. If I wasn't entirely happy with my early 80's Ric I'd be wanting to try one of the new ones for sure. Personally I quite like the look of the PUPs and like many things, think once they get seen a bit more we'll become used to them. Imagine if the horseshoe had never been invented and they came to market with that now
  17. I think there's an emotional/subconscious level at which all tone matters hugely, perhaps not fine-grain tone but certainly when the differences are audible (i.e., good rig compared to bad rig). Whilst it matters to us bassers in quite an explicit way, I think it's more implicit with audiences. I hear a great tone and to me I know/think it was a great tone; audiences would perhaps experience greater positive emotion throiugh listening to the music but not identify the tone per se? So yes, tone matters to us all. This opinion might however be my executive brain trying to explain the fact that my emotional brain keeps buying rigs
  18. That was my impression also. Having done a lot of homework on this bass - mostly because I was seriously interested in buying it - the previous owner/dealer in the USA clearly identified it as having been 'converted to fretless'. It's possible they were wrong, but it would be a very odd thing to say if it weren't true given they were trying to sell the bass at the time. I doubt it makes any real difference if it was professionally done, and I'd still love this bass alongside my '77 Ray
  19. Hi Owen, my immediate thought is that PUP placement will shift, i.e., it/they will be effectively further from the bridge after the mod. Might make no difference at all, but as I'm sure you're aware, ask a few guys on here and TB and they'll tell you it's the most important factor in bass tone
  20. Reminds me of the famous Hoffman/Olivier conversation, in which Sir Larry, after apparently listening to Dustin drone on for hours about Method, offered "You should try acting my dear, it's so much easier"
  21. Hi mate, have you resolved the originality issue, factory fretless or defret? I am interested and have the funds, but most sources I’ve read since seeing your original listing suggest this is the latter? It may not be a deal breaker but some info would be useful. Cheers Chris
  22. Hello mate, I’m in Canterbury Kent Chris
  23. Pickups are a bit unusual, but so were the originals (imagine if they came to market with the horseshoe now). The key thing in this discussion is that as far as I'm aware none of the contributors have played one or even heard one, and they're really the more important factors when it comes to a bass. Those PUPS could be game changers?
  24. Agree, and compared to the latest range from Fender, Ric are at least being a little different. It's been said before and it'll be said again, most of the people who talk about Rics being crap have either never played one, or only played one that had sat around a shop without being set up, with dead strings etc etc. Get a good Ric, set it up to your liking, learn its idiosyncrasies, and 9/10 you will be a very happy bass player. They've been played by a whole lot more players than is generally believed, and in a lot more genres than those we generally associate them with (watched TOTP from the late 70's the other day and pretty much everyone from punk through prog through disco was playing a 4003).
  25. Looks great, compared to the case with guitars, there's a significant gap in the market for this type of combo for bass. I kinda like that they've used a Ric in the marketing also, given other threads on BC it's nice that they still get respect in some quarters
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