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Everything posted by Paul S
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I was reluctantly dragged into the 21st century by the rest of the Bon Jovi tribute lot and bought a tablet into which I put a copy of 'set list maker' and I now have that clamped to my mic stand. I have to grudgingly admit that it is quite useful and I use it for my other bands, too. But I always print a copy and have it nearby 'just in case'.
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I am putting up for sale my Yamaha BX-5. A distinctively shaped headless bass, not very often seen as the 5 string (4 string is the BX-1) and rarely seen in white – more usually black – which has aged to a beautiful Devon cream in the years since this was made – 1986 in Taiwan according to the serial no.. 34” scale, 24 fret through neck. Headless but able to use ‘normal’ single ball end strings because of the clamp at the head. Adjustment of the strings takes place at the finely engineered bridge, different in design to the Steinberger system. Very little fret wear. Passive electrics with two (hot output!) humbuckers, controls are vol/vol/tone with a push/push coil tap on the tone that does exactly what you would expect when reducing both pickups to single coil mode. Statistics. Weighs just 3.3kg (7 ¼ lbs). Very tight string spacing – nut width is 43mm, spacing at nut is 8.5mm, at the bridge 15mm. I find this very comfortable for pick playing, less so for fingerstyle. But then my fingerstyle is rather rudimentary Action is low by my usual standards – I don’t have the necessary gauges for accuracy but putting a ruler next to the neck indicates something like 3mm for the E string at the 12th fret, 2.5mm for the G. This is a quality, rare, eye catching bass that sounds fantastic and plays like a dream. Tone is a difficult thing to describe but this has an organic quality about it that the EMGs of the Hohner range lack. Not remotely honky or nasal. In a different league to the Hohner B2 series of which I have owned many and, indeed, this replaced. The extended upper bout eliminates the usual issues with playing a body-less bass in how it hangs on the strap. Of course the 2 octave neck and no head still play mind games at first but not for long. There are signs of wear – scuffs on the head, buckle rash a plenty, but no obvious signs of abuse or major dings. I would say it is in very good condition for a 33 year old. As far as I can see it is all original. Comes with the original fitted hard case which is used and marked but does the job perfectly. Which, given the shape, is probably just as well. Having said that I did find a particular rifle case fitted it almost perfectly for a gig bag. Link here. Selling because the band I used this with is about to fold and I see no point it sitting in the case unused no matter how nice it is. I bought it on eBay last year for a very good price and offer it for sale here for the same, which is £375 collected from Benfleet in SE Essex. I could deliver for fuel costs within a 50 mile radius or meet halfway. Overnight insured courier to UK Mainland would be something like £35 but I’d need to confirm that. Not looking for trades unless you have a black Mustang with a maple neck and might consider taking this PX + cash.
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Onboard bass pre-amps - what turns your EQ on?
Paul S replied to Al Krow's topic in Accessories and Misc
Just need someone to invent electromagnetic gloves in place of pickups and we are sorted. -
Onboard bass pre-amps - what turns your EQ on?
Paul S replied to Al Krow's topic in Accessories and Misc
I play as if I have wooden fingers. -
Onboard bass pre-amps - what turns your EQ on?
Paul S replied to Al Krow's topic in Accessories and Misc
Pretty much. I have a rather rudimentary pedal board in between the bass and the amp comprising wireless>tuner>compressor>'get-out-of-jail-free DI in bypass mode'. -
Onboard bass pre-amps - what turns your EQ on?
Paul S replied to Al Krow's topic in Accessories and Misc
It just basically boils down to what *you* want. I started off with passive basses but found, when I bought my first active bass, that I became seduced when the door to all those different tones at my fingertips opened. Several years and probably many hundreds of £££s later I came to the conclusion that, actually, once everybody in the band has fired up the trusty old passive P bass is all I want, with a little judicious use of the tone knob. I found I became guilty of trying to overthink things until I had my epiphany. Why did I make my life complicated and expensive? Of course different situations call for different solutions - YMMV etc etc. -
Your experiences of playing in a tribute band.
Paul S replied to Grassie's topic in General Discussion
With my Bon Jovi tribute we also model our set on either a particular live version or copy and paste bits from different live versions into some songs. The game plan being to play extended versions of the bigger hits rather than fill the set with shorter studio versions of more obscure stuff. I don't believe yer average Bon Jovi fan is particularly discerning, tbh. -
Its that old warehouse of Skank's again. Comes in useful.
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Danelectro made a cool retro styled single cut 30" scale bass in a vintage aqua colour. Not sure you can still get it new although you can get black ones.
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We have a winner! Well that wasn't as hard as i thought. I'd never have got it had I not known.
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Not getting that resemblance This pic was from the late 60s, guy would have been in his late teens.
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I was looking for early recordings of the fellow out of curiosity and was rather surprised at how he has morphed over the years.
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I was recently in the market for a micro head and looked at all the same teeny things. Then a Tecamp Puma was brought to my attention secondhand and there really is no contest - proper useable amp. Worth looking out for if you can hold on until one pops up.
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Last week at the Shepherds Bush Empire, Southside Johnny and the Asbury Jukes. Not exactly my cup of tea but Mrs S has been a fan for 40 years. It ended up being one of the best gigs I've seen for ages - a high octane performance from the 70 yr old Southside and his band.
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I've tried most of the aftermarket bridges at some point or other on my Fender/Squier basses - Badass, Gotoh, Schaller 3D, Hisphot, Babicz. To my knackered old ears none made any difference in the sustain or tone and certainly any miniscule effect they may have is going to be lost within the context of a band. But as DD says they look better and i found them more comfortable when resting my palm on them, which I do sometimes when playing with a pick or thumb. They are generally better engineered and some of them also allow for greater and easier adjustment of the strings. But, fundamentally, they do exactly the same job.
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The tempo thing is quite a sensitive topic for many of the drummers I've played with as they sometimes feel it is a personal criticism. A click track via IEMs or strobe on a mobile phone seems to be a reasonable solution, once the correct speed has been agreed by the band. Getting to that agreement can be a bit tricky sometimes, though!
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SOLD Fender MB-5 Uber-lightweight MIJ 5er DROP to £275
Paul S replied to Paul S's topic in Basses For Sale
- 12 replies
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- narrow neck
- jazz-a-like
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(and 1 more)
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SOLD Fender MB-5 Uber-lightweight MIJ 5er DROP to £275
Paul S replied to Paul S's topic in Basses For Sale
- 12 replies
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- 1
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- narrow neck
- jazz-a-like
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(and 1 more)
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SOLD Fender MB-5 Uber-lightweight MIJ 5er DROP to £275
Paul S replied to Paul S's topic in Basses For Sale
- 12 replies
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- narrow neck
- jazz-a-like
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(and 1 more)
Tagged with:
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SOLD Fender MB-5 Uber-lightweight MIJ 5er DROP to £275
Paul S replied to Paul S's topic in Basses For Sale
- 12 replies
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- narrow neck
- jazz-a-like
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(and 1 more)
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Sold my Uke bass to John in the most straightforward of transactions. A pleasure doing business.
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Luvverly, not heard that before. Never mind Led Zep, that could be a cut and paste for Rival Sons, Greta Van Hire et al.
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I absolutely love this one - great pulsing bass, lyrics still poignant, fab ott drums towards the end Rattled my bong, that's for sure
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"Live" drumbeats (not samples) for acoustic band....
Paul S replied to solo4652's topic in General Discussion
This is quite effective: