
MNY
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Hello Terry, Having had a scout around this afternoon it would seem Marcus’s bass is an early Sadowsky 5 made sometime mid to late 1980’s. These versions had 21 frets, electronics wise they were fitted with Bartolini pickups and circuit. I think you’re spot on with ref to the headstock config, the 1990 Jazz bass plus which was the first modern 5 string bass from Fender had 5 inline tuners, as opposed to Sadowsky’s 4+1.
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I just looked at the headstock shape and control layout and felt it was more than likely a Sadowsky. It’s a bit frustrating that the video is not very clear.
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Yes I agree, very strange, the video isn’t clear but when you realise the drummer is Omar Hakim and the guitar player Hiram Bullock, two of Marcus’s close friends it can’t be anyone else other than him, plus he played on the bulk of Spellbound along with Nathan East so it all seems to make sense.
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I thought I had seen and heard Marcus playing a Sadowsky 5 string, check this out. Pretty sure he used this same bass on High Life by Wayne Shorter. https://www.facebook.com/watch/?v=1705956527472114&surface_type=vod&referral_source=vod_newsfeed_unit
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Thanks to all of you who have taken the time to respond. It’s great to see the expertise demonstrated by members of this forum. Quite remarkable really. 🙏
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I have the thumb rest, in fact I removed it when I got the bass a few weeks ago. I have the bridge and pick up covers as well. I think that one of the earlier posters is spot on about the colour, which has more of a yellow tone to the burst than one of the 60’s basses and therefore the black pickguard seems to match better. I have decided that I will leave the bass as is, it sounded excellent when I played it yesterday. I will just need to have the wiring checked as I think there might be a loose connection somewhere which is causing an earth buzz.
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I bought it on a whim to be honest. I am not too bothered about it losing value as it’s no different in that regard than any other bass I have ever bought, there are some things that need addressing though which hopefully won’t compromise the originality. Cheers.
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It’s not ‘minty fresh’ and does have some wear which gives it character. It’s fair to say that I’m not too bothered about the value aspect, but I would like to cure the earthing issue and sort out the noisy pots.
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This is more of preferred tonal reference and also Freddie Washington’s p bass, which I believe has had a Baroloini pick up for the majority of its working life. I love listening to Herbie Hancock (Paul Jackson, Ready Freddie,Eddie Watkins, Byron Miller) George Duke with Byron Miller, Willie Weeks with Donny Hathaway and Larsen-Feiten band especially the album Full Moon, Chuck Rainey on virtually everything he’s done but a particular favourite which is rather obscure is the track Djinji by Hirth Martinez, from the album Hirth from Earth.
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Many thanks for taking the trouble to submit such a detailed response. cheers, Mark.
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I agree entirely, I sometimes wonder why I care so much about aesthetics. I have a lovely custom bass which sounds ridiculously good but I am conflicted because of the body shape. I tend to forget about the shape when I play it because it sounds incredible but afterwards I wish it was a tad more conventional 🙈
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Thank you 👍
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Many thanks for your comments. Do you have a suggested source for the pickguard please?
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Thank you all, much appreciated. 👍
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Hello All, I recently bought a 78 Fender P bass which seems like a nice instrument. As far as I can tell it’s pretty much original although the chrome is disappearing from the volume and tone controls and the electrics need looking at, nothing drastic just some buzzing which might indicate a loose connection of some sort. I have been mulling over changing a few things like the pots and wiring, possibly the black pick guard as I much prefer a tort one with a sunburst finish, and maybe even the pick ups. I appreciate that most people will buy an old instrument and keep it as close to original as possible, but I’m not that precious and would like the instrument to play and sound as good as it possibly can. Anything I change will be kept in case I decide to sell the bass on at some point and I suppose if it is ever sold then a new owner could reverse any changes that I might decide to make. Any advice or thoughts please?
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Welcome Helios, I hope you enjoy your interactions here.
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Not as far as I know., I don’t think he has ever been officially endorsed by a bass maker/luthier although I think he’s on the Fodera artist roster. Obviously he has a deal with Sire but he still uses his original 70’s Jazz bass most of the time it seems.
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I’m sure he played a five string Sadowsky on High Life by Wayne Shorter, specifically on the track ‘On the Milky Way Express’, absolutely kills it!
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Fender Precision Bass 1978 Black/Maple £1,990
MNY replied to DaveSetchfield's topic in Basses For Sale
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Fender Precision Bass 1978 Black/Maple £1,990
MNY replied to DaveSetchfield's topic in Basses For Sale
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For Sale, Almost New Alpher Hammerhead 4 £2695 ono. - *WITHDRAWN*
MNY replied to MNY's topic in Basses For Sale
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Make no mistake, this is a stupendous instrument. The tones available are simply staggering, and the playability is exceptional. I bought this bass a few months ago from Chris and Al at Alpher Instruments and I have been delighted by its amazing tonal capability. It goes without saying that the instrument is built to the highest standards and to all intents and purposes never having been gigged this bass is in extremely good condition with virtually no signs of use. I thought that I might keep this bass for the duration but I managed to snap up my grail bass a week ago and I have decided off the back of this that it makes sense for the Alpher to find a new home where the new owner can play and appreciate this fantastic instrument to its fullest extent. Please see a link below to the full specs which are still on the Alpher website and also some fabulous photos. I can also provide some photos if required. The bass comes with an excellent hiscox case and various tools, there is also an ebony finger ramp which is detachable. The Sunbear pickups are made in the UK by the legendary Stuart Robson, who is fast developing a reputation as one of the finest pick up gurus known the planet. The pickups on my bass are based on an original 51 P bass pickup which he repaired and rewound recently. Here’s a video link show Chris from Alpher demoing his own personal Hammerhead bass, it provides an excellent idea of the breadth of tones and the quality of the sound the bass produces. I may look at a partial trade for a cheaper instrument and cash my way, preference would be for some sort of 5 string or a quality amp set up. The sale price is also flexible to some extent, if you have an idea, or offer please do get in touch. I will post my own proof of ownership photos shortly. For total transparency please do take notice of the last picture which shows a tiny mark on the body. It’s not really noticeable but I felt compelled to point it out.. RRP £3495. 21 fret 34 inch scale 1 piece curly Sassafras body Natural finish Gold headstock Logo Flatsawn Wenge neck Figured Ebony fingerboard (12 inch radius) 39mm brass nut width Jescar Evo Gold 43080 fret wire Luminlay side dot inlays 2 x Sunbear 51p humbuckers Brass patina pickguard Passive: Volume, 4 x on/off buttons (one for each coil) + Stellartone 6 way tone Hardware Gold / Black Mixed Hipshot Kickass Bridge Hipshot Ultralite Lollipop Tuners Schaller S-locks Black metal knobs Newtone Alpher strings 45-105 (nickel) Weight: 8lbs 12oz Case included Many thanks. https://alphershop.com/collections/basses/products/hammerhead-4-string-1