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@tomread: I admit that it was my turn for few coffees... I have used your transcriptions with success. Thanks a lot.

If you can play this ATLHG, All the things you are, and maybe a third song, you can play every chord available!

Passion's treble can be up to very harsh, but with the semi-parametric it is very possible to push out very different sounds. Try for example bridge PU, +15 dB @ 80 Hz, and treble accordingly.

It was your preamp page. There you have few videos. https://www.nitewalkerpreamp.com/details/

Wonderful! I was wondering what's different, but there's no zero fret because this beauty used to be fretless.

I think we have discussed about this same topic earlier, and the conclusion then was something like not "upgraded" but "modified". "Altered" sounds good, too.

Well played and represented in just few minutes, thank you. You could adjust recording levels a bit, but anyway nice work.

Oh dear, this looks very interesting!

By the way, I found your pages, @nbtone. Are you using roundwounds, and if so, have you been considering tape or flatwounds? They might produce different feel, and you could (and should) try different gauges. Yes, trials cost somewhat, but that's the price we all have to pay. I think you should go to a store or a friend of yours and try different string types as well as gauges.

To get a set that is even close to a similar strings overall, I would start with the tension guide by D'Addario. I know it's an old one but gives an idea of what you are after. If this link does not work, find it with words: "daddario tension chart" and add that 13934 if needed. You may use any brand strings, and this chart gives you the idea and ballpark of different tensions. Therefore this is usable with other string brands, too. This tool is actually easy to read after you dive into it. I suggest you to write down tensions of your existing set of EADG, and fill it with an approximately similar tension C- or B-string. https://www.daddario.com/globalassets/pdfs/accessories/tension_chart_13934.pdf?srsltid=AfmBOoon9UF-qjBiCO7W25qfGAnh8Qgi16HlyVJtSFjRCVpWHV3TVHaZ

MG has used several brands over the years, like Villex, bartolini, EMG, and Lane Poor... I do not recall SD, but why not? After all the company is known from custom basses.

A '96 with a truss rod? Sure? Got a pic of your bass? Do you play with very high action? If the bridge adjustments, and neck shimming do not help, you need to change strings. I've had no issues with graphite necks (2 x MG, 2 x Vigier, 1 x Status copy), truss rod or not. I had the bridge changed in the factory when they planed the top of my then Q5. That Gotoh wasn't very good, but the Hipshot was. Easier to adjust and better adjustments.

"It doesn't fit my playing style so it is faulty!" The first thing after buying a bass is I change strings to my preference (and clean the fretboard). Then I check bridge adjustments (height, tuning, width). I play the bass one week and adjust truss rod, if necessary, and if there's one. Cost: some time, and a string set.

I think (my opinion is purely subjective) that F-logo in the headstock means +20-40 % to the price, no matter how good or bad the instrument is. My choice is another - and qualitywise more even - manufacturer. Those so called vintage basses are already a joke to me: Leo's original idea was to make a very cheap instrument that is easy to assemble in a factory. And I don't like that surf aesthetics that much.

I love to see these! (without price tags)

I do wait @disssa's creations to be seen here, but that Warhammer RAT is very good!

Kaamos = the time when the sun does not rise during wintertime in the north. Has to be one dark sounding unit.

Robust power-chord from E? Where was my coat?

Your bands may be different. I know my people.

An extension with a switch is no go for stage use. Will be destroyed in months.

Lots of questions, I try to answer just few. Converting to fretless, my advice: turn to a pro if you do not have decent tools. In a youtube video conversion may seem easy. Madinter is a good company to source materials. I bought Blackwood to my fretless, but a pro installed it. 2.1 Cocktail sticks and glue is a tried and true way. 2.3 Painting, a good quality paint pays itself already in the beginning. 5 € bottle compared to a 30 € paint, there really is a reason for the price difference. If you buy two or three bottles from a pro paint shop where they mix it while waiting, the colour is the same. Some cheap bottle that has stayed in the shelf for months may be whatever. 3.1 If you are after a cheap solution, buy a bass from California Music, Thomann, or similar shop. Zikinf may be a good source to find used stuff. Building is fun, but cheap it isn't.

Have to say that your bass has to be enormous! Bridge width 850 mm = 85 cm! Again, using a similar bridge wouldn't be my choice. Some glue and cocktail sticks would fill old holes... as the saddles are tuned so far back, it might be feasible to set the bridge backwards, in case you really want to use a similar unit. And then a better bridge could be in order.

NOOOO! It is very important to understand how much the music and surroundings affect the result. I once went to see Billy Sheehan with Steve Vai, and them combined with overwhelming volume in a concrete hall made me leave the house. Tickets were expensive, but the noise was horrible. I suppose those guys are professionals, but their sound crew wasn't.