Steve Browning

That's right. That was my original question. I was thinking aloud really. It's not something I've ever done but posed the queestion, knowing we have some very qualified folk on here. As ever, they came up trumps (small t!!!!).

Mine is the one about the gynaecologist who redecorated their entire house through the letterbox.

This is a set on my '65 Jazz. They are excellent.

I was looking on my phone, so missed the subtlety of the design. On my computer I can see that the screw on the front (C) allows for the the lateral movement of the part of the bridge over which the string passes. Fiendish! 🙂

Interesting. I'd always thought of string spacing as the distance between each string, rather than the length of the string.

A Jazz bass? How very dare they!

Just back from leaving James Oliver Band in Portsmouth. Only went to meet a mate of mine. Still does nothing for me, and he seemed to drag Norman Watt Roy down to his level. Hugely disappointing. I wasn't expecting to enjoy JO but NWR was a surprise. Timing was all over the place.

Everyone? I haven't met him but have no opinion of his character. I avoid any 'influencer' because I'm not interested in their content. Bite me.

.....or pity, in my case!! 🙂

Might even make a half decent metal machine. 😄

I wonder if, when leaving your message, you could have said something along the lines of 'how are you doing?' rather than leave a message that might have come across as a bit 'it's not you, it's me'. Just the interpretation I get from your reported message.

Personally, I never use chases or sound to light. I always look at how bigger bands use lighting and aim to replicate that, as far as possible. Trying to get too clever can backfire. I want to change from my current set up (two Kam partybars) to allow more flexibility from the 8 channel footswitch, which is useful for controlling the lights.

I confess I actively avoid all these YouTube videos. They don't do anything for me, but more power to them if they float your boat.

I'm not a fan of Rush, but I watch that video of them having dinner and want to be in the band.

A very warm welcome and best of luck with your venture.

(A + C) - B = 0

We have started using River Studios, near Southampton, and ended up using their EBS Session 60. Looked tiny but was perfectly adequate for the size of the room.

There's always a nuance to this. A singer may, indeed, be a technically awful singer, but they perform material that is popular. There are performers whom I wouldn't want to see, but a bloke with a 40 year career is clearly doing something right. Even a poor technique needn't be a barrier to greatness or popularity. The folk who play instruments around their knees are displaying poor technique, but seem perfectly capable of becoming legends. It's all very subjective. After all, if it was down to sheer ability, I'd be a musical god, but somehow I'm not! 🙂

Possibly. I carry all sorts of spares and never need them myself.

Was it 2K? Blimey. Not sure where I'd got the different impression. Sorry if I raised hopes there.

Hi. No, there's no website. I don't believe it was very expensive. It didn't strike me as such. Trevor is also up for a chat on prices and is very fair. He also has a luthier made Rik-a-like with a Precision pickup but the scratchplate is much bnigger (I had though of buying that myself).

Hope you played plenty of Blues (the devil's music) on it.