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lemmywinks

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Everything posted by lemmywinks

  1. They quote that sort of weight for every bass, Ibanez SR, Cort Actions and Hofner violin basses are all around the 5kg mark apparently!
  2. A lot of the cheaper CAR basses seem to be a darker shade than his original veering towards burgundy red, even in early photos it looks a shade lighter. I guess you'd have to see how the bass looks in real life as CAR has that metallic sheen which changes with lighting. The Fender Player looks pretty close in some photos.
  3. One here: https://www.billybowmanmusic.co.uk/sx-p-bass-candy-apple-red-3572-p.asp Cheaper here: https://www.apollomusiconline.co.uk/sx-p-bass---candy-apple-red-2344-p.asp
  4. Looks like an updated Joyo MA10B but with bluetooth which is handy. Been after downsizing my front room rehearsal amp (a 250w head and 1x10 EA cab is overkill right?) for a while and did look at these but reports on the Joyo were a bit underwhelming, then again if it's usable and £33 then it's hard to complain.
  5. SX do one, about £200 notes.
  6. Fabric and epoxy might be an option, quite a few people getting good results That's an ace channel btw, you should all subscribe!
  7. A cheap "fix" for a dying Micro USB port is to get one of the magnetic cables with the corresponding adapter which permanently lives in there. I have a couple of old devices I use these with to keep them alive and save wear and tear on the port. Some are charge only and some have the data lines present.
  8. Tried the MW-1 again straight from my Fishman Platinum Stage DI set to pre eq, was much better but the P2 (or rather the AE knockoff which was within easy reach) was at its limit. Tried it again through my Soundcraft Notepad 5 and could get ok results, however directly comparing the wireless sound to wired it seems to compress a bit and lose some low end. The distortion is weird, doesn't sound like clipping but just an intermittent bit of background inteference fuzz on louder notes. Much more prominent right after changing channels and then settles down a bit, will try on the XR18 as I suspect the power supply on my Soundcraft may be on its way out as if I leave it plugged in (there's no power switch) when not in use it produces an annoying whine. Failing cap or something?
  9. It does "work" but there were issues with the signal when I tried it at home, like little dips in volume and momentary distortion which I attributed to the signal incompatibility. Had a similar experience when trying to use a wireless guitar dongle that didn't like active or high output basses. I've had worse monitoring at gigs tbh but it wasn't ideal! It works fine with a mic.
  10. That's what I found when I looked, the cheapest I found was £80. Might as well just get that Alto and let our singer carry on using the Lekato wireless for her mic.
  11. This one as well but its 2.4ghz: https://www.thomann.co.uk/the_t.bone_free2b.htm
  12. I was looking at those, couldn't find a 40db version cheap enough to chance it (they were about £80) but didn't know you could daisy chain them. I did try it with my small desk dropping the signal way down until it was workable but the P2 doesn't have enough power to compensate for this so it's just too quiet without another preamp in there. Can get these for around £80 and they claim to be line level friendly so might just treat myself to one for Christmas: https://www.altoprofessional.com/products/stealth-1
  13. Is there a 5.8ghz XLR dongle that caters for line level signals out there at all?
  14. Yeah they aren't a workable solution for a line level at all, the P2 can't compensate for the signal they need. We just use them for our singer's vocal mic.
  15. I have the Lekato version of that and it doesn't seem to play nicely with the line level outputs of our desk going into my Behringer P2, have you used them successfully with a belt pack rather than just a mic?
  16. PMT sell it as a Tourtech so price is about right: https://www.pmtonline.co.uk/tour-tech-abs-hard-case-for-electric-bass-guitar You can get generic ABS cases for £66 on Thoman and DV24/7, they probably all come from the same factory.
  17. Got some random bits to clear out: 2 x Warwick dual concentric black knobs, code 196577 1 x Warwick single knob, code 196573 2 x MEC 220k pots, code 82220 (I think, obscured by some solder) 1 x MEC 500k pot, code 85500 Got the pots with my old Warwick Fortress so assume the seller had bought them as a passive wiring harness but never fitted them. They're used and will need a bit of a clean. Knobs are in very good condition, unsure if they've been used. They certainly haven't in the 10+ years I've owned them!
  18. I would just replace it with likt for like, MEC pots should have codes on them.
  19. I stuck an East Uni Pre 4 knob (£150 off here) in mine, it sounds phenomenal but to be fair it sounds mint in passive mode as well. More than holds its own with my other two gigging basses, both of which were much more expensive and have Nordstrands as stock. If I'd have got the bass with the original pickups and preamp I may have left it as is but it was wired passive with a cheap (but excellent) set of WIlkinsons in there. After I set it up and gave the low B a blast I knew it deserved something a bit better!
  20. Just pulled my STB-JB-DX 5 string out for a play tonight, keep forgetting just what a fantastic budget bass it is. Such a great neck, same with the 4 string STB-J standard I had. Unfortunately I didn't get the stock pickups with my DX which is a shame as they're surprisingly good. The guitars are impressive too, a mate of mine picked up their fat strat copy for £50 locally with an amp, gigbag and stand when he was getting back into playing, just played great with a super low action and was a great platform for upgrades.
  21. Just spotted this and came here to post it, Andy got in first!
  22. Them being cheap (you can get a 5 string set from NW Guitars for around £30) isn't a factor as they are of decent quality and do their job a lot better than the bottom of the barrel machine heads on the V3. I currently have a set of the Grover clones found on Gen2 V7 basses (they were taken off a Sire funnily enough) on my Aria backup bass and the difference is noticeable, they hold their tuning during a rehearsal and feel much more solid.
  23. Sorry just seen this, pm me the address and I'll stick them in the post!
  24. Better neck is subjective, I much prefer the profile of a Sire 5er to a Squier. The B string is usually extremely good on Sires as well so a point over the Squiers there IMO, plus the pre on the Squier Contemporary is pretty much junk. Comparison here: For that sort of money I'd be looking at a used Gen2 V7 (or V5 if you don't need the preamp) as they have better hardware, I think the V3 still use the low end tuners.
  25. Seeing as he plays appropriately in his other band it's an attitude issue rather than a technique one. He views your band as a throwaway gig where you can put up with him playing in a selfish manner or get someone else in. You're fighting a losing battle here really, a drum screen may look slightly ridiculous in a pub setting but it might be the only way to paper over the cracks and get FoH under control. We have a similar (lesser) issue with a guitarist who has started to bring his amps to gigs and change his settings on a regular basis after a long period of us just using IEMS. I end up doing most of the PA side of things and it just causes issues where the consistently we had is replaced by problems which I don't always have time to fix and can't do much with anyway as he's taken control away from the desk. I don't have any time for selfishness in working bands, same with poor song suggestions that are only put forward because one member wants to play them on stage even though they clear a busy dance floor at every gig. It's the same root cause every time - failed rock star syndrome.
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