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lowdown

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Everything posted by lowdown

  1. [quote name='garethox' post='908597' date='Jul 28 2010, 08:06 PM']He also wrote one of the most recognisable basslines ever in 'Another One Bites The Dust'.[/quote] I liked his playing....But if he carried on up the scale on that track, he would have wrote THE most recognisable bassline ever. 'Goodtimes' Good stuff though. Garry
  2. [quote name='Captain Bassman' post='903549' date='Jul 23 2010, 08:38 PM']Certainly do! He played bass on Glenn Jones' fine album Finesse, around '84 I think. I was still noodling around on my old classical guitar, detuned and with 2 strings missing...! The album featured Wayne playing a cool slow slapped part on "You're The Only One I Love" - t'was one of the songs that drove me to buy my first real bass. I think the album was also produced by Wardell Potts Jr (the drummer on most of Shalamar's best known albums) and also had some input from a certain Leon F Sylvers. Can't go wrong there... RIP Mr Brathwaite and thank you. [url="http://www.youtube.com/watch?v=aO-L_Bgjoqg"]http://www.youtube.com/watch?v=aO-L_Bgjoqg[/url][/quote] That Glenn Jones track is great - stonking Tight Bass sound Good one. Garry
  3. Does anyone remember Wayne Brathwaite? Around in the 80/90's and sadly went to play Bass upstairs a few years ago. He seems to be one of the session players from that era that dont get a shout around these parts.[quite a CV] I cant find much Youtube stuff with him on. But here he is with Herbie Hancock. Big Rich tone and groove sim to Marcus Miller at that time. [By the way not a post about Herbie going all Electro ] Garry
  4. [quote name='JTUK' post='903092' date='Jul 23 2010, 12:34 PM']Never liked Phil Collins on drums either.. hate his feel and strike..too slappy..[/quote] I think Jimmy Page had the same opinion - did he not accuse PC of destroying Led Zepplin at Live Aid on the State side gig? A lot of these guys from original or their own bands seem to struggle playing in another situation. Unlike the likes of Will Lee, Anthony Jackson, Marcus Miller, Steve Gadd [ The usual LA/NYC session guys] As far as Macca is concerned, i always thought they were lyrical and well crafted Basslines, to well written pop songs at that time. Although i have never been a fan of his tone, [i liked better in the Wings gig] Garry
  5. [quote name='SteveO' post='902997' date='Jul 23 2010, 11:28 AM']Watched an ad for an Audi estate last night. Nowhere was the word "Car" mentioned. I wonder how many people are wandering round in a state of bewilderment this morning wondering if it was a car or a van?[/quote] Or more importantly if they can get their Amp & Bass in the back. Good morning Norway. Garry
  6. [quote name='Mr. Foxen' post='902301' date='Jul 22 2010, 08:17 PM']Does Paco de Lucia play bass?[/quote] Nah.... But he is a great Flamenco dancer. Garry
  7. [quote name='Mr. Foxen' post='901735' date='Jul 22 2010, 11:14 AM']Playing with a pick so guitar.[/quote] So Paco de Lucia needs to use a pick then...? Garry
  8. [quote name='steve-soar' post='901236' date='Jul 21 2010, 08:06 PM']Love him, or loathe him, Marcus has one of the most recognizable tones of any bassist. Listened to Julian Lennon on the car radio the other day, BAM, there's Marcus.[/quote] Was that 'Too late for Goodbyes' ? Has to be him. Garry
  9. Marcus has very good fretless chops, Check out his solo on Friends and Strangers with Dave Grusin, Although i would not call it Jazz, its very lyrical and he was pretty young when he did it. Plenty of other Fretless stuff with MM knocking around. Garry
  10. If it is the Hammersmith concert, i was at that gig and it was pretty amazing, not so long after that gig i got to see Marcus with David Sanborn band over at Wembley supporting Al Jarreau, and both bands had some pretty serious dudes that night. One thing i remember about both gigs was MM did not use so much mid scooping back then, and at the gigs the Bass sounded kin huge! Personally i preferred his slap tone back yonder [ although still pretty up there these days...lol]
  11. [quote name='Pete Academy' post='890260' date='Jul 9 2010, 11:18 AM']Nobody really had a sound like that before him. I'm not sure what bass he used initially - probably a Fender -[/quote] Defo a Jazz Bass , very much a sound of that time on those type of tracks. Over driven and squashed compressed. Bit like this sound. Garry
  12. Great player who ever he was. Some debate over the years as to who it was. I thought it was Mark Adams, some suggest Buddy Hankerson . But hey who knows - great whoever. Great post by the way. Little debate from last year here, with a [b]couple of decent videos[/b]. [url="http://prince.org/msg/8/306920"]http://prince.org/msg/8/306920[/url] Garry
  13. [quote name='blackmn90' post='889541' date='Jul 8 2010, 02:23 PM']cheers guys, the music union one[/quote] Calling it the Music Union is pushing it a bit. But it does have its uses. [ well has for me in the past] Garry
  14. [quote name='Bilbo' post='887302' date='Jul 6 2010, 01:53 PM']I think it was mostly a product of its era (50s/60s) and is probably still lingering around in certain areas of the US.[/quote] Very much that i think. In fact the World cup winners of 1966 were referred to as "The England Football Team" And that is a term still lingering around these days. Garry
  15. [quote name='OldGit' post='886190' date='Jul 5 2010, 11:54 AM']Is he tyring to play the bass line from tabs?[/quote] He might not be reading tabs - you can not tell from the video. He might be reading penthouse, that might explain the clams he is dropping. Garry
  16. [quote name='Crazykiwi' post='885744' date='Jul 4 2010, 07:52 PM']Re: bass used, I wondered if it might have been a two pickup Gibson of some kind played on the bridge pickup. Didn't sound warm or crisp enough for a Fender.[/quote] I am sure i read somewhere in the past that it was a Gibson Les Paul Bass [borrowed] But hey who knows. Some geek will come along soon and fill us all in with what strings etc [ i hope so.. ] Garry
  17. [quote name='Oggy' post='883890' date='Jul 2 2010, 12:47 PM']I do wonder sometimes though - I thought perhaps it was a secret or I'd discovered the Holy Grail. I just love to hear those ‘metronome player’ that have a problem playing just before or after the beat to give a tune life. Oggy [/quote] I know what you meant, dont worry.. Garry
  18. [quote name='Oggy' post='883845' date='Jul 2 2010, 12:08 PM']Blues Bass Playing - All About FEEL. Oggy [/quote] I should think that would apply to any music, or Bass playing. Garry
  19. [quote name='absolutpepper' post='882335' date='Jun 30 2010, 07:51 PM']Eventually I realised that the 5 string never suited me. I didn't really see the need for a 5th string (whether Low B or High C – I tried both)[/quote] Should this bit not be in the Basses for sale section? Garry
  20. [quote name='discreet' post='882405' date='Jun 30 2010, 08:49 PM']It helps if your woman done left you, so you can wake up in the morning and find your baby gone. Ohh-woah! [/quote] Or the Epitaph for the Blues Guitarist... Dah dahdahdah dah " i didn't wake up one morning" dah dahdahdah dah... And dont forget some Roscoe Beck triple stops...Root/7th/10th's Garry
  21. Fancy joining this band..fantastic! Garry
  22. [quote name='jakesbass' post='879615' date='Jun 28 2010, 10:07 AM']As for So What, listen to the original 60 times in a row (I am deadly serious) The sound will become natural to you after a while when you have done that play through the changes slowly without really (at first) trying to stick necessarily to time or form, just investigate the sound on different parts of your bass. Then listen again... rinse and repeat slowly learning the parameters of the form and time, do that until you sound so solid on those chords that if you were hit with a hammer you wouldn't drop a beat.[/quote] This is such a good point Jake, same for learning any standard [ or any tune for that matter] Always good to do a Jazz gig without the fake book as a cruch [ apart from the odd tune you dont know] It free's up the brain.Nothing worse than trying to do a solo with your head buried in a book [ for me anyway] Reading big band charts, yep for sure - but thats another topic. Garry
  23. Starting note for the phrase is definitely D [Eb],open D on the original. and played up the 8ve. The confussion came about from the early fake books that were around years ago, when it was written with starting note E [F] for some reason and written down the octave. But then over the years amended. Someone above has said C minor starting chord, It is D minor7 [D Dorian] for sure. I have never understood when depping in function bands, when someone requests a Jazz Tooone, The Band leader always shouts out Goondance..... Good grief out of all the Tunes about why that? It clears out the dance floor and leaves 2 or 3 pi##ed up punters doing the Monty Python Ministry of funny walks. If they dont know any standards they could always use 'I will survive' and use the tune from 'Fly me to the Moon[dance]' ...well the first 8 bars anyway. Garry
  24. [quote name='dr1' post='881009' date='Jun 29 2010, 02:45 PM']Freddie is the man, have you listened him with East Bay Rhytm ( Headhunters members ) ?[/quote] Yes, and they are stonking - good call. Garry
  25. All Spain Lovers... Al Jarreau, with Steve Gadd, Ready Freddie Washington on Bass, Joe Sample + others. Lots of energy. Garry
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