Frank Blank

I’ve had it for long enough now to realise quite how beautifully it’s built but I still keep just looking at it! It’s kind of other worldly inasmuch as it is a sublime musical instrument and beautifully built but there’s something else, a kind of... I don’t know what? Some sort of aesthetic harmony about it that is just so very pleasing. Perhaps I should put some kind of tacky sticker on it just to burst its bubble of perfection.

Exactly what @TheGreek said, once you get a tone stick with it. I’m wavering between doing exactly that and varying the tones between songs with the Stomp or tweaking the on board controls between songs but if I got lost in a live situation it could get messy. I love the single cut look and it just so happens I have the King of single cuts.

Likewise enjoying the tone faffing. The tonal range is astonishing, still getting to grips with it but it’s all about small changes rather than big turns, otherwise one minute you are in Wantage and with one bold turn of a control you are in the Sudan.

I have to say, having looked at many (photos of) ACGs since getting mine that I think you might be right about it being the most beautiful one ever made, but then I would say that as the new owner. I still can’t stop gawping at the beauty of the woods and the astonishing build quality.

Unfortunately the E string is buzzing on the higher frets but it’s booked in for a full set up with my usual luthier in the new year.

Excellent album!

...zap!

Actually no...

A Party Seven whilst simultaneously forgetting a can opener.

Fixed.

You’re right, in which case...

Essex innit.

The train still runs but, alas, I think the bowling alley was finished off by a fire in 1995...

You beat me to it but anyway, get in son.

Obviously in all possible pier related ways I win, what with being a Southendian...

I had to pullover just to say weave it out son, you’re a looming nuisance.

Sew annoying, darn it.

Hello!

Welcome

Hello!

I think your initial comment made me realise I agree totally with your subsequent comment.