three

Thanks, they are (P pickup, J pickup and passive tone closest to the bridge)

UPDATE - I've been in contact with Jim and have installed the latest version of the firmware (5.23) - please see the image below. I've also restored the amp to factory settings - no user presets in memory. The amp is now sitting in its original box/packaging and waiting to go - again, more images as soon as I can. As below, the amp looks entirely new and I'd estimate that it's had less than 30 hours low volume use in total. It hasn't been gigged or rehearsed at all - it's just sat in my office. Bergantino B Amp - entirely as new (as far as I can see) with the plastic film still on the screen. I won't go on here about what these can do - there are reviews everywhere (including a brilliant video review from our own Dood!) The firmware is endlessly (?) updatable but I haven't updated this for a while - I haven't really needed to as the amp does everything that I want it to do. I'm selling as this sits in my office almost unused and it's a serious waste of the amp's capability. I've had the amp for around 18 months and it simply doesn't get any play-time. Collection from Manchester is good - I have all the original packaging - or I can ship to the UK or most of Europe at cost (at the buyer's risk). I can also organise insured shipping if preferred (again, at cost). No trades thanks, I don't need more amps or basses. The price is firm - from what I can see, this is a bit of a bargain. Any questions, or if you need further images, please just ask.

In keeping with my efforts to deliver minimal hype advertising, for sale, a US Lakland Bob Glaub (44-64) PJ in Olympic White with rosewood board and very slender (Joe Osborn) Jazz neck with 1.5" nut. The bass is all original and a few years old (I"m not sure of the build date) - the serial is BG60* if this means anything re: dates. It has been played but has minimal play-wear, most notably a minor scuff on the top horn, a small dink on the underside (under the volume knobs) and a few small and shallow impressions on the reverse of the body. The neck is perfect and the marks on the body are what I'd consider to be very minor. I've tried to photograph any imperfections in the images, though the impressions are too small to register. The body colour has started to mature but isn't exactly yellowed. The bass is professionally set-up with D'Addario 35-95 nickels and has a ridiculously low action - probably far too low for most players (though it can be raised, of course). Playability, for me, is superb - really fast (if that's your thing) and extremely slick with the Lakland rubbed/oiled neck. Basic specs are: Oly white finish on Alder (I think) Maple neck with rosewood board and birdseye maple dots Hipshot tall shaft and tapered tuners Tort 4 ply plate (nicely figured in my opinion) Dunlop dual strap locks (I don't have the strap ends and use Fender rubber blocks rather than a strap lock system - these work really well on the oversized pins) Weight is 8lbs 12ozs (that's about as accurate as I can get with a digital scale) - the bass feels really light for a PJ and given the shape is extremely well-balanced I can supply this in a reasonably padded (excellent condition) Fender gig-bag if collected. I don't have a hard case but can ship in a generic tweed hard case for an extra £50. Collection from Manchester or shipping to UK and most of Europe (at cost and at the buyer's risk - I can also insure if preferred for an additional fee). I have a good box and lots of heavy-duty bubble-wrap. No trades thanks - the bass is only being sold as I'm moving to short-scale almost exclusively and retaining an active long-scale. The price of £1750 is firm and I suspect it's a bargain - I'm taking quite a hit here and you'll see that similar basses tend to go for significantly more. Please let me know if there are any questions or if you need more images - I have plenty of the latter

EEK! If there was any way that I could get this to Manchester, my partner would be thrilled. Extraordinary price (IMO)

Absolutely beautiful - my favourite bass body shape of all. Also, worth noting (again) that Martin is an extraordinary luthier. The work that comes out of the Gallery is, in my opinion, the equal of anything in the world (and better than nearly everything). This is a fabulous example: the burl looks stunning - and I"m a big fan of the OBP3. I play short-scale almost exclusively, though if I didn't...

Haha, I did it twice but that says a lot more about me than the Noble! I eventually learned to detach the IEC at the Noble end - a more comfortable experience. Bump too for a truly outstanding pre

I had one of these and they're wonderful things! Instant 'produced' bass tone out of a little box. Real boutique gear but actually deserves its hype (I moved to SS pres - I actually prefer them, but the Noble is superb at what it does). Fantastic form factor too and really easy to use - no messing around to find a superb tone. Just watch where your fingers are when you take the mains plug out of the socket...

Thanks - thought it was either that or led.

Love this - what are the position markers in the front of the board - are they LEDs?

I learned to play on a Mustang (lovely old competition stripe CAR) and always had a soft spot. This looks particularly lovely. Generally, Mustangs are really easy to play and good fun

Jon's work is superb - this looks like a stunning example and that walnut top is gorgeous!

Superb and a major bargain (IMO) - one of the best combos ever conceived and made

What a beautiful compact design. I've only owned one Marleaux (Sopran) but it was an extremely well thought-out and well-constructed instrument