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three

⭐Supporting Member⭐
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Everything posted by three

  1. Thanks Rondoggy, deposit paid and collection due - I'll update if any changes occur
  2. Pretty sure this used to be mine - a very nice bass and my favourite of the Fodera shapes. From memory, I picked it up in Glasgow around 2010? Balances well and easy to play (it was only the width of the board that led to the sale). The chestnut top is lovely
  3. The post above appears to have some very sound advice (indeed, they all do). Alembic uses dual - single action - rods in all (nearly all?) of its basses and the advice there is to maintain a pretty much consistent approach when adjusting, i.e., similar adjustment for each rod. I'm not sure that this helps very much but good luck. If there has been stability for 20 years, you live in a temperate climate (Sw uk) and you're not doing anything extreme in terms of string gauges, I'd have thought you'll be reasonably safe
  4. Very nice - possibly an an A neck too?
  5. Wow, absolutely lovely. I had one a few years ago and it was probably the nicest/best-playing J I've owned (and there have been many). I just don't get on with the J body shape that well.
  6. Thanks Clarky, Beedster - a quick check and it looks like "The pickup is in effect two mini-humbuckers in the same casing. The stereo effect is derived by putting the pickup coils under the first and second strings on one channel and the third and fourth the other half of the pickup" (Vintage and Rare, 2020 https://www.vintageandrare.com/product/Shergold-Marathon-MK1a-Early-80s-White-26752) - this kind of makes sense but good to know that it operates in Mono too!
  7. Thank you Clarky, that's better!
  8. Beautiful - absolutely love these - fabulous British classic. I'm the same - pretty much short scale only. However, I'm intrigued by the stereo - I'm being a bit lazy here, I should just go and look - but is this configured E/A right and D/G left, or is there something else going on? And more importantly, where's the dog?
  9. Unusual to see one so complete and original - fabulous basses - some of Fender's finest in my opinion!
  10. Thanks to all for the very lovely comments! I've attached some new images but they're not much of an improvement - taken this evening in yellow artificial light - they really don't do the finish any justice. Any apparent marks are just reflections. On very close inspection, there's a little swirling under the truss rod cover - obviously the outcome of some slap action (not me) - it's not easy to see in daylight and would polish out, but for full disclosure etc. If we ever get any natural light, I'll get some much better pics!
  11. Hi all, thanks for all the interest/calls and lovely comments. The bass is now sold. Alembic Signature Deluxe MK with Balance K body - figured Cocobolo front and back Red and Amber LEDs 4 string 34" scale Gold plated bridge and nut (22k hard plate) - no need for endless polishing Maple and purple heart neck - ebony board with some quilting (extraordinary - I haven't seen it previously) Abalone inlays Sterling Silver Alembic logo Signature electronics Body is cocobolo facings, mahogany core and maple and purpleheart laminates Heart Omega cut Brass control and battery cover plates Weight is around 9lbs 12 ozs - I'll try to get an accurate weight 2011 build In extraordinary cosmetic condition with no blemishes or marks anywhere. The neck pickup logo was worn when I received the bass but the logo has been replaced and the minor wear to the cover has been polished back to matte. This could probably pass for a new bass. The only imperfection I can find is a tiny lifting of the lacquer adjacent to the nut retaining screw on the headstock (I'm being really picky here). The tone is pure Alembic - bell-like clarity and extraordinary sustain. I've had this set-up with a super-low action (probably too low for most players). The case is in pretty much perfect condition too. Comes with paperwork and strap locks. Pretty close to buying a new bass really. Any questions please just ask. I can provide any images you may need. Socially distanced collection in Manchester is possible. I can ship within the UK or to some overseas destinations but entirely at the buyer's risk and expense (I'd strongly advise insurance to full value). I have good shipping materials. Reason for sale is size. It's too big for me. I'm a short-scale player only and should stop pretending that I can play long-scale. I'm selling for less than I have in the bass. It came to me in near perfect condition then I spent a lot of money making it absolutely perfect. No offers and no trades thanks unless you have a high-end short-scale Alembic. Oops, just realised that some of the image files are HEICs - I'll convert and attach tomorrow. Some images also show the neck pickup prior to replacement of the logo
  12. Wow, absolutely beautiful - a very special Status!
  13. That looks really lovely - a very impressive build from some great parts - I'm a big fan of bolt inserts for neck joints. It's too heavy for me (by some distance) but a lovely looking instrument indeed!
  14. Superb rig and fabulous with the six string I’d imagine. My favourite pre but interesting to hear how you get on with the power amp. I’m on my third (stereo 250) and find that they impart some harmonic colour, a kind of fine grit. Musical but a bit unexpected - I tend to use my pre through the back end of a db750 where complete cleanliness is required. I hope that you have sound floors. A very substantial stack (and if you need to add a few pounds, I think that Thomann still have a few of the Warwick dedicated 3u cases). Lovely to see the complete set - stunning!
  15. I know that some UK and European Basschat members bought cabs in the Thomman blow out a couple of years ago. I've used the preamp and amps and they're superb. The pre is my favourite of all that I've used. The amps are incredibly well built and the philosophy behind their conception and execution appears very robust. I'd hope that the quality is carried through into the construction and performance of the cabs.
  16. Absolutely beautiful - Jon's work is of the highest quality and this particular bass looks stunning. One of the more pleasing and well-executed takes on the singlecut idea IMO
  17. This is a giveaway in my opinion. These are some of finest Fender-types available - the only F-type basses that I've played that are in the same league have been Celinders, though US Laklands have a very special feel, especially the neck (I prefer this to Celinder). Laklands have some of the dimensions and feel of the very best of very old Fenders to me - plus, there's much reduced risk - not all very old Fenders are very good Fenders in my experience. I have absolutely no need for this (I have a Lakland P) though I'd dearly love it
  18. Gorgeous - a relatively early one and in fantastic condition. I've been playing these since 1979
  19. The DB750 has tubes (3 in the pre) but the Hellborg doesn’t have any. Weirdly, the Hellborg power amp weighs almost exactly the same as. DB750 on its own - nuts!
  20. Agi DB750 and Warwick Hellborg. Though heavier than many valve amps
  21. Clarky - definitely one of the coolest (if not the coolest) Alembic I've seen
  22. Superb valve pre - indeed, my favourite (I prefer these to Noble, and I really like the latter!) That said, unlike most players (I think) I discovered that I prefer SS pres. Still miss my 680 in some ways - just such a cool industrial aesthetic
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